<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-557829540425313608</id><updated>2012-01-30T23:04:01.643-08:00</updated><category term='Book Information'/><category term='Books'/><title type='text'>Prakash Book Depot, Bareilly— Views and News</title><subtitle type='html'>PUBLISHERS of books—English Literature (English, American, Indian-English, Greek, Roman, French, Russian, African, Black American, Canadian etc.), Humanities, Military Science
ADDRESS Bara Bazar, Bareilly 243 003
PHONE 0581 2412940
EMAIL prakashbookdepot@gmail.com</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>60</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-2643484625090463459</id><published>2012-01-19T04:58:00.000-08:00</published><updated>2012-01-23T05:47:31.411-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>A Textbook for Objective Questions in English Literature</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-_MZv9w3sjxI/TxgL1qwrZYI/AAAAAAAAAJs/bUnGpYY92_A/s1600/Net_Objective+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" nfa="true" src="http://1.bp.blogspot.com/-_MZv9w3sjxI/TxgL1qwrZYI/AAAAAAAAAJs/bUnGpYY92_A/s320/Net_Objective+copy.jpg" width="264" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: purple;"&gt;for&lt;/span&gt; &lt;span style="font-size: large;"&gt;UGC's NET, Ph.D. entrance-exams&lt;/span&gt; and P.G. Students of English Literature.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: purple;"&gt;by&lt;/span&gt; Manoj Kumar&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ISBN 978-81-7977-446-5&lt;br /&gt;pp. 152 &lt;span style="color: #b4a7d6;"&gt;(9 inches X 11.5 inches, untrimmed)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;Price: Rs. 175.00&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;This book, based entirely on the UGC’s NET syllabus, is the revised second edition of the &lt;em&gt;A Textbook for Objective Questions in English Literature&lt;/em&gt; for UGC’s NET and Post-Graduate Students. The book has been prepared specially for the students who are preparing for UGC NET in English, and therefore for Ph.D. entrance examinations of various state universities also. The book is primarily designed to make a comprehensive study of the prescribed syllabus.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;There are two type of books available in the market. Most of the books provide objective question bank. We know that there is no limit of the objective questions. The subjective knowledge of the literature is necessary for good preparation. No doubt there are also some books which provide subjective knowledge but these books provide insufficient knowledge. Some of these books provide either the list of the writer or the list of the works. The present book provides subjective material first followed by objective questions. This feature of the book makes it different from any other book available in the market. The entire book has been divided into ten units which is prescribed by UGC. Nothing irrelevant or superfluous has been given. &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;CONTENTS&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;Unit I&lt;/span&gt;&amp;nbsp; Chaucer to Shakespeare&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;Unit II&lt;/span&gt; Jacobean to Restoration Periods &lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;Unit III&lt;/span&gt; Augustan Age: 18th Century Literature &lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;Unit IV&lt;/span&gt; Romantic Period &lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;Unit V&lt;/span&gt; Victorian Period &lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;Unit VI&lt;/span&gt; Modern Period &lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;Unit VII&lt;/span&gt; Contemporary Period &lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;Unit VIII&lt;/span&gt; American and Other Non-British Literatures &lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;Unit IX&lt;/span&gt; Literary Theory and Criticism &lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;Unit X&lt;/span&gt; Rhetoric and Prosody&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Answers of the Questions &lt;br /&gt;&lt;br /&gt;Unsolved Papers &lt;br /&gt;&lt;br /&gt;Booker Prize &lt;br /&gt;Nobel Prize &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://prakashbookdepot.blogspot.com/2008/09/textbook-for-objective-questions-in.html" target="_blank"&gt;Review of the book by R.K. Singh&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Other Related Books:&lt;br /&gt;&lt;a href="http://prakashbookdepot.blogspot.com/2011/01/objective-english-literature-for.html" target="_blank"&gt;Objective English Literature for Competitive Examinations&lt;/a&gt;&lt;br /&gt;&lt;a href="http://prakashbookdepot.blogspot.com/2011/01/answer-bank-of-literature-for.html" target="_blank"&gt;Answer BankLiterature for Competitive Examinations&lt;/a&gt;&lt;br /&gt;&lt;a href="http://prakashbookdepot.blogspot.com/2009/09/handbook-of-literature-in-english-for.html" target="_blank"&gt;A Handbook of Literature in English for Competitive Examinations&lt;/a&gt;&lt;br /&gt;&lt;a href="http://prakashbookdepot.blogspot.com/2009/02/handbook-of-language-and-literature-for.html" target="_blank"&gt;A Handbook of Language and Literature for Competitive Examinations&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-2643484625090463459?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/2643484625090463459/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=2643484625090463459' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/2643484625090463459'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/2643484625090463459'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2012/01/textbook-for-objective-questions-in.html' title='A Textbook for Objective Questions in English Literature'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-_MZv9w3sjxI/TxgL1qwrZYI/AAAAAAAAAJs/bUnGpYY92_A/s72-c/Net_Objective+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-1894770464123314220</id><published>2011-12-27T05:24:00.000-08:00</published><updated>2012-01-23T05:49:30.224-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>A Handbook of English Language (I and II) for CTET, State Organized TET &amp; Other Examinations</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-Mwz7gqrgytY/TvnFAv30RlI/AAAAAAAAAJk/yZGxDAa77_o/s1600/TET_HB_English+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" rea="true" src="http://4.bp.blogspot.com/-Mwz7gqrgytY/TvnFAv30RlI/AAAAAAAAAJk/yZGxDAa77_o/s320/TET_HB_English+copy.jpg" width="224" /&gt;&lt;/a&gt;&lt;/div&gt;by: SUDHIR K. ARORA&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Price: Rs. 125.00&lt;br /&gt;&lt;br /&gt;pp.: 256&lt;br /&gt;&lt;br /&gt;ISBN 978-81-7977-447-2&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;for aspirants of CTET and State organized TET&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-1894770464123314220?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/1894770464123314220/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=1894770464123314220' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/1894770464123314220'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/1894770464123314220'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/12/handbook-of-english-language-i-and-ii.html' title='A Handbook of English Language (I and II) for CTET, State Organized TET &amp; Other Examinations'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-Mwz7gqrgytY/TvnFAv30RlI/AAAAAAAAAJk/yZGxDAa77_o/s72-c/TET_HB_English+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-4174272790696576076</id><published>2011-12-27T04:24:00.000-08:00</published><updated>2012-01-23T05:49:59.252-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Shakespeare: HAMLET</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-Tb75zIy1uHU/Tvm3Mw3WXII/AAAAAAAAAJM/kU_bdNQTbMw/s1600/Hamlet+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" rea="true" src="http://1.bp.blogspot.com/-Tb75zIy1uHU/Tvm3Mw3WXII/AAAAAAAAAJM/kU_bdNQTbMw/s320/Hamlet+copy.jpg" width="237" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="background-color: white; color: #351c75;"&gt;by:&lt;/span&gt; B.C. Chakravorty&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="background-color: white; color: #351c75;"&gt;Price:&lt;/span&gt; Rs. 140.00&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #351c75;"&gt;pp.:&lt;/span&gt; 416 + (88 pages og Hindi Translation Free)&lt;br /&gt;&lt;br /&gt;ISBN 978-81-7977-437-3&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Edited with Introduction to Shakespeare and Hamlet, Text, Paraphrase, Notes, Explanations and University Questions&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-4174272790696576076?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/4174272790696576076/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=4174272790696576076' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4174272790696576076'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4174272790696576076'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/12/shakespeare-hamlet.html' title='Shakespeare: HAMLET'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-Tb75zIy1uHU/Tvm3Mw3WXII/AAAAAAAAAJM/kU_bdNQTbMw/s72-c/Hamlet+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-5862919552508046003</id><published>2011-12-10T03:19:00.000-08:00</published><updated>2012-01-23T05:50:25.888-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Shakespeare: THE TEMPEST</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-pqhXRqkpXUY/TuM-B_Vm8sI/AAAAAAAAAJA/qDVdYd7I1AQ/s1600/Tempest+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" mda="true" src="http://4.bp.blogspot.com/-pqhXRqkpXUY/TuM-B_Vm8sI/AAAAAAAAAJA/qDVdYd7I1AQ/s320/Tempest+copy.jpg" width="239" /&gt;&lt;/a&gt;&lt;/div&gt;by&lt;br /&gt;Girish Saxena&lt;br /&gt;Ruchi Shinghal&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Price: Rs. 132.00&lt;br /&gt;&lt;br /&gt;pp.: 404 + 44 pages of Hindi Translation (Free)&lt;br /&gt;&lt;br /&gt;ISBN 978-81-7977-445-8&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Edited with Introduction to Shakespeare and The Tempest, Text, Paraphrase, Notes, Explanations and University Questions&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-5862919552508046003?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/5862919552508046003/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=5862919552508046003' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5862919552508046003'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5862919552508046003'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/12/shakespeare-tempest.html' title='Shakespeare: THE TEMPEST'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-pqhXRqkpXUY/TuM-B_Vm8sI/AAAAAAAAAJA/qDVdYd7I1AQ/s72-c/Tempest+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-5422806668669072596</id><published>2011-12-03T02:00:00.000-08:00</published><updated>2012-01-23T05:50:53.766-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Feminism and Indian English Fiction</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-ULKpQ0eY7RY/TtnwrZwONXI/AAAAAAAAAI4/teTR9kvt7EY/s1600/Feminism_Fiction+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" dda="true" height="320" src="http://3.bp.blogspot.com/-ULKpQ0eY7RY/TtnwrZwONXI/AAAAAAAAAI4/teTR9kvt7EY/s320/Feminism_Fiction+copy.jpg" width="219" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: blue;"&gt;edited by&lt;/span&gt; P.M. Nayak&lt;br /&gt;S.P. Swain&lt;br /&gt;&lt;br /&gt;Price: Rs. 125.00&lt;br /&gt;pp.: 120&lt;br /&gt;ISBN 978-81-7977-444-1&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: blue;"&gt;List of Contents:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Feminism and Our Fiction—John E. Abraham&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Feminism and Indian English Fiction—S.N. Prasad&lt;br /&gt;&lt;br /&gt;Tagore’s New Woman : A study of three fiction works—Soma Banerjee&lt;br /&gt;&lt;br /&gt;Feminism and Anita Desai’s &lt;em&gt;Cry, the Peacock &lt;/em&gt;and&lt;em&gt; Where Shall We Go this Summer&lt;/em&gt;?—M. Mani Meitei&lt;br /&gt;&lt;br /&gt;Exile as a Feminist Motive in Anita Desai’s &lt;em&gt;Fire on the Mountain&lt;/em&gt;—Rama Nair&lt;br /&gt;&lt;br /&gt;Woman as Possessor : A Reflection of Markandaya’s Anti-Patriarchal Rage and Divided-Consciousness in Possession—Ramesh K. Srivastava&lt;br /&gt;&lt;br /&gt;Against Marginalisation of Indian Woman : A Feminist Reading of Shobha De’s &lt;em&gt;Socialite Evenings&lt;/em&gt;—Soumyajit Samanta&lt;br /&gt;&lt;br /&gt;&lt;em&gt;The Dark Holds No Terrors&lt;/em&gt; : Assertion on the feminine psyche—S.P. Swain&lt;br /&gt;&lt;br /&gt;Facets of Feminism : &lt;em&gt;Roots and Shadows, Cry, the Peacock &lt;/em&gt;and&lt;em&gt; Temporary Answers&lt;/em&gt;—G.D. Barche&lt;br /&gt;&lt;br /&gt;Nayantara Sahgal and Feminism—T.R. Dash&lt;br /&gt;&lt;br /&gt;Malgonkar’s &lt;em&gt;Maharani&lt;/em&gt; : A Feminist View Point—Indira G. Bhatt&lt;br /&gt;&lt;br /&gt;The Woman Question in R.K. Nayan’s Novels —Vimala Rao&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-5422806668669072596?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/5422806668669072596/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=5422806668669072596' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5422806668669072596'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5422806668669072596'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/12/feminism-and-indian-english-fiction.html' title='Feminism and Indian English Fiction'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-ULKpQ0eY7RY/TtnwrZwONXI/AAAAAAAAAI4/teTR9kvt7EY/s72-c/Feminism_Fiction+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-8143613681874210454</id><published>2011-11-22T00:19:00.000-08:00</published><updated>2012-01-23T05:51:25.007-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>A Manual of RHETORIC and PROSODY</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-RDhcLdgGuig/TstX83QUxEI/AAAAAAAAAIs/ntv2mEM0fXc/s1600/Rhetoric_Pososdy+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" hda="true" height="320" src="http://4.bp.blogspot.com/-RDhcLdgGuig/TstX83QUxEI/AAAAAAAAAIs/ntv2mEM0fXc/s320/Rhetoric_Pososdy+copy.jpg" width="217" /&gt;&lt;/a&gt;&lt;/div&gt;by &lt;span style="color: purple;"&gt;Manindranath Sinha&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;ISBN 81-85897-57-3&lt;br /&gt;&lt;br /&gt;pp.: 170&lt;br /&gt;Price: Rs. 58.00&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;The study of Rhetoric and Prosody is a must for those who want to speak and write elegantly, focefully and impressively. A good knowledge of grammar helps us to express ourselves correctly, but it cannot make us express our thoughts in a charming and agreeable way. It is the knowledge of the rhetoric (ie. figures of speech) which enables us to do so. Anybody who has read Shakespeare's &lt;em&gt;Julius Caesar&lt;/em&gt; knows how Antony, by the clever and good use of some figures of speech, swept of the hostile Roman mob, and won them to his side.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;This manual has been written specially for students reading in the colleges of various Indian Universities. It has been written strictly on practical lines. A merely theoritical knowledge of the rules and principles of Rhetoric and Prosody is of little practical use, so at every step varied examples, specimens of model anaswers have been provided to illustrate these rules. Exercises have been appended at the end of each chapter to enable the students to put in practice what they have learnt in theory.&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-8143613681874210454?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/8143613681874210454/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=8143613681874210454' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/8143613681874210454'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/8143613681874210454'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/11/manual-of-rhetoric-and-prosody.html' title='A Manual of RHETORIC and PROSODY'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-RDhcLdgGuig/TstX83QUxEI/AAAAAAAAAIs/ntv2mEM0fXc/s72-c/Rhetoric_Pososdy+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-455788254244003337</id><published>2011-11-09T05:46:00.000-08:00</published><updated>2012-01-23T05:54:20.022-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Love</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-FeS8tXHcCxY/TrqBBoLZe0I/AAAAAAAAAIE/Krr2L3U4F2U/s1600/Love_Majuli+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" ida="true" src="http://3.bp.blogspot.com/-FeS8tXHcCxY/TrqBBoLZe0I/AAAAAAAAAIE/Krr2L3U4F2U/s320/Love_Majuli+copy.jpg" width="194" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;u&gt;&lt;span style="color: red;"&gt;Collection of Poems&lt;/span&gt;&lt;/u&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;by &lt;/span&gt;&lt;span style="color: black;"&gt;Arbind Kumar Choudhary&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ISBN 978-81-7977-418-2&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Price:&lt;/span&gt; Rs. 60.00 and $ 5.00&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;This long contemplation of love spun out in short-line quatrains embraces eros, breath of life and the more high-minded idealization of human romantic love drawing upon western culture from ancient Greek mythology to the very contemporary aspects of torrid desire.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;strong&gt;John. B. Lee,&lt;/strong&gt; Poet Laureate of Brantford, Canada.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;These quatrains are on diverse facets of love, including physical and metaphysical. Some quatrains define love and some love’s outgrowth. In some quatrains the first lines rhyme with the second and in some with the third or the fourth. This variance is to avoid monotony and also to suggest that love itself does not embody any set rules. These witty or satirical quatrains articulate the thoughts and observations of a sage on an epigrammatical landscape of a notable individuality. Where there is any need, the sage draws on French and Latin expressions.&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;strong&gt;Stephen Gill,&lt;/strong&gt; Poet Laureate of Anstead, Adjunct Professor, E-A U Canada&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;What is real love? There are so many variations of this most beautiful phenomenon in life: a child’s love, motherly love, young love, the love of a married couple, the transcendental love, the love to animals and plants, the love to all beautiful things as such. Maybe love will even break if we try to define it precisely, because we can only approach love in concentric circles. Probably we can describe love only with the resources of poetry, as it is done in Arbind Choudhary’s sensitive and accurate way. He shows that love can only exist when it is not egoistical, when we have no eye to one’s own interest. &amp;nbsp;The poems, one truer than the other, one more beautiful than the other, implant love in our heart. So poetically described, love is never lost.&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;strong&gt;Kurt.F.Svatek,&lt;/strong&gt; Austria&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Arbind Kumar Choudhary’s poetry collection Love is a must for everyone who is emotionally involved, for all romantics, and most of all for those that enjoy alluring words that entice mind and body into a special state of well being. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;In India, this book may not only have an aphrodisiac effect on lovers, it will be read and enjoyed for the sentiments expressed by the poet.&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;strong&gt;Les Merton,&lt;/strong&gt; Editor/Founder of Poetry Cornwall &amp;amp; Bard of Gorseth Kernow, England&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: red;"&gt;Dr. Arbind Kumar Choudhary&lt;/span&gt; (b 1965) is the founding father of International Association of Poets, Essayists and Novelists(2006) at Begusarai, Bihar and one of the founding members of World Literature Society, Agartala, cum editor of two reputed literary magazines Kohinoor and Ayush known globally amidst the creative milieu. Some of his poems are translated into Portuguese, German, Greece, Maltese, Mongolian and several Indian languages . He has been published in England, Greece, Malta, Mangolia, and Cyprus .There are one thousand poems in English on websites of many poetry societies including six poetry collections entitled 1. Eternal Voices(2007), 2. Universal Voices(2008), 3. My Songs (2008), 4. Melody (2009), 5. Nature Poems (2010) and 6. Love Poems (2010) to his credit. He is viewed, reviewed and interviewed globally. He has also interviewed prominent literary luminaries such as Teresinka Pereira, John .B. Lee, Stephen Gill, Kurt. F. Svatek, Joy Rainey King, Paul Curtis, Charu Sheel Singh, D.C.Chambial, M.Chaturvedi and many others known globally. He is included in the advisory board of Guild of Indian Writers, Editors and Critics and Poetcrit, and editorial board member of IJELL, literary journals of global repute. He is included in Cambridge Dictionary of International Writers in 2009, World Poetry Almanac, Ulaanbator, 2008 &amp;amp; 2009 and International Writers Dictionary, Seoul,2010.There are more than a dozen research papers published on his poetry collections in leading journals of India. Dr. Choudhary has been honoured with Life Time Achievement Award (2009) and Honorary Member (2010) by International Poets Academy, Chennai and International Writers and Artists Association, USA respectively for his grand service to literary world. Dr. A.K.Thakur, Associate Prof of English, D.S.College, Katihar, has edited a critical anthology on his works entitled Poetic Pigments of Poet Arbind Kumar Choudhary (2010). Presently Dr. A.K. Choudhary is heading the Deptt. of English at R.C. College, Majuli, Assam 785104, India.&lt;/div&gt;&lt;br /&gt;&lt;div align="right"&gt;﻿&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-455788254244003337?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/455788254244003337/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=455788254244003337' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/455788254244003337'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/455788254244003337'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/11/love.html' title='Love'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-FeS8tXHcCxY/TrqBBoLZe0I/AAAAAAAAAIE/Krr2L3U4F2U/s72-c/Love_Majuli+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-4279692441284724342</id><published>2011-11-05T07:14:00.000-07:00</published><updated>2012-01-23T05:54:51.263-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>TET (Teacher Eligibility Test) Question Bank</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-C3p-k4PxOuE/TrVBgkUweJI/AAAAAAAAAH8/1YN2DdObWzQ/s1600/TET+copy.jpg" imageanchor="1" style="clear: right; cssfloat: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" ida="true" src="http://4.bp.blogspot.com/-C3p-k4PxOuE/TrVBgkUweJI/AAAAAAAAAH8/1YN2DdObWzQ/s320/TET+copy.jpg" width="278" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;a href="http://4.bp.blogspot.com/-C3p-k4PxOuE/TrVBgkUweJI/AAAAAAAAAH8/1YN2DdObWzQ/s1600/TET+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;/a&gt;for TET exam coducted by CBSE (CTET) and States.&lt;/div&gt;&lt;br /&gt;contains Practice Questions for both Paper I and II&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;in Hindi Medium&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;pp.: 270&lt;br /&gt;Size: 8.5 x 11&lt;br /&gt;Price: Rs. 212.00&lt;br /&gt;ISBN 978-81-7977-442-7&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-4279692441284724342?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/4279692441284724342/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=4279692441284724342' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4279692441284724342'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4279692441284724342'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/11/tet-teacher-eligibility-test-question.html' title='TET (Teacher Eligibility Test) Question Bank'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-C3p-k4PxOuE/TrVBgkUweJI/AAAAAAAAAH8/1YN2DdObWzQ/s72-c/TET+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-1291100042671592968</id><published>2011-10-14T21:21:00.000-07:00</published><updated>2012-01-23T22:58:07.850-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Book Information'/><title type='text'>Books according to Unified Syllabus of U.P. State Universities for B.A. I --English Language and Literature</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-1SQgjJvR_9E/TpkCxN1tOuI/AAAAAAAAAHU/hPYxykxrT2o/s1600/Gra1_Unified+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" oda="true" src="http://4.bp.blogspot.com/-1SQgjJvR_9E/TpkCxN1tOuI/AAAAAAAAAHU/hPYxykxrT2o/s320/Gra1_Unified+copy.jpg" width="216" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: #cc0000; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif; font-size: large;"&gt;A Handbook of Applied Grammar, Translation and Precis Writing&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: blue; font-family: inherit;"&gt;by: S.C. Mundhra, Purnima Anil&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;pp. : 240&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Price: Rs. 64.00&lt;br /&gt;&lt;br /&gt;ISBN 978-81-7977-435-9&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-4666c2zJAZU/TpkIJfi_JBI/AAAAAAAAAHs/2oIay8cqooc/s1600/Essays_ShortStories_UNI+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" oda="true" src="http://4.bp.blogspot.com/-4666c2zJAZU/TpkIJfi_JBI/AAAAAAAAAHs/2oIay8cqooc/s320/Essays_ShortStories_UNI+copy.jpg" width="211" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="color: #cc0000; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif; font-size: large;"&gt;A Collection of 20th Century English Essays and Short Stories&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: blue; font-family: inherit;"&gt;edited by: Jabakusum Singh, Alka Agarwal&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;pp. 128&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Price: Rs. 45.00&lt;br /&gt;&lt;br /&gt;ISBN 978-81-7977-440-3&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-nX9m1DCizJs/TpkJWh0awyI/AAAAAAAAAH0/ULcL1WGx8L0/s1600/ProseI_Uni+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" oda="true" src="http://3.bp.blogspot.com/-nX9m1DCizJs/TpkJWh0awyI/AAAAAAAAAH0/ULcL1WGx8L0/s320/ProseI_Uni+copy.jpg" width="210" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="color: #cc0000; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif; font-size: large;"&gt;Textbook of Prose for B.A. I&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: blue;"&gt;edited by: Sandhya Saxena, Shaleen Singh&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;pp.: 140&lt;br /&gt;&lt;br /&gt;Price: Rs. 48.00&lt;br /&gt;&lt;br /&gt;ISBN 978-81-7977-436-6&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Teachers please send request for Inspection Copies at &lt;a href="mailto:prakashbookdepot@gmail.com"&gt;prakashbookdepot@gmail.com&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-1291100042671592968?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/1291100042671592968/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=1291100042671592968' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/1291100042671592968'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/1291100042671592968'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/10/books-according-to-unified-syllabus-of.html' title='Books according to Unified Syllabus of U.P. State Universities for B.A. I --English Language and Literature'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-1SQgjJvR_9E/TpkCxN1tOuI/AAAAAAAAAHU/hPYxykxrT2o/s72-c/Gra1_Unified+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-8596049514118839194</id><published>2011-10-14T07:03:00.000-07:00</published><updated>2012-01-23T05:55:58.838-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>R.K. NARAYAN: The Guide</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-loWQCoK8TDw/Tpg-97Ntg0I/AAAAAAAAAHM/BEgfZsbQZHY/s1600/Guide+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" oda="true" src="http://3.bp.blogspot.com/-loWQCoK8TDw/Tpg-97Ntg0I/AAAAAAAAAHM/BEgfZsbQZHY/s320/Guide+copy.jpg" width="217" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: blue;"&gt;A Study&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;by: Som Deva, Girish Saxena&lt;br /&gt;&lt;br /&gt;pp.: 140&lt;br /&gt;&lt;br /&gt;Price: Rs. 50.00&lt;br /&gt;&lt;br /&gt;ISBN 978-81-7977-417-5&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;This booklet, a guide on R.K. Narayan’s The Guide is an attempt to throw search light on Narayan and his The Guide. This booklet throws light on the art of R.K. Narayan and the various aspects of his The Guide. It explains the theme, the art, the characters, the society, the realism, the Malgudi, the marriage and the plot construction of The Guide in simple and lucid english.&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red; font-size: x-small;"&gt;List of Contents:&lt;/span&gt;&lt;br /&gt;Growth of Indo-Anglian Fiction and Literature&lt;br /&gt;Narayan’s Life and Works&lt;br /&gt;R. K. Narayan as a novelist with special reference to The Guide&lt;br /&gt;The Guide : An Introduction&lt;br /&gt;The Guide : Detailed Summary&lt;br /&gt;Theme and Background of The Guide&lt;br /&gt;The Romantic Theme of the Novel&lt;br /&gt;Realism in the Novel&lt;br /&gt;The Social Issues in the Novel&lt;br /&gt;An Economic Interpretation of the Novel&lt;br /&gt;Typical Indian Scenes in the Novel&lt;br /&gt;Narayan and the Regional Novel&lt;br /&gt;The Guide : A Work of Art&lt;br /&gt;Love, Sex and Marriage in the Novel&lt;br /&gt;The Concept of the Tragic Hero : An Analysis&lt;br /&gt;Characterization with Special Reference to the other Novels of R. K. Narayan&lt;br /&gt;Characters of the Novel&lt;br /&gt;Plot-Construction of the Novel&lt;br /&gt;An Appraisal of the Novel&lt;br /&gt;Narayan's Humour and Irony in the Novel&lt;br /&gt;Critical Extracts&lt;br /&gt;Question and Answers&lt;br /&gt;﻿&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-8596049514118839194?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/8596049514118839194/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=8596049514118839194' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/8596049514118839194'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/8596049514118839194'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/10/rk-narayan-guide.html' title='R.K. NARAYAN: The Guide'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-loWQCoK8TDw/Tpg-97Ntg0I/AAAAAAAAAHM/BEgfZsbQZHY/s72-c/Guide+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-6634616532808397965</id><published>2011-10-14T06:50:00.000-07:00</published><updated>2012-01-23T05:56:26.961-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>THOMAS CARLYLE: The Hero as Man of Letters</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-hfcZIfsHizA/Tpg73Su484I/AAAAAAAAAHE/uNkMriU7iio/s1600/Hero_Letters+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" oda="true" src="http://2.bp.blogspot.com/-hfcZIfsHizA/Tpg73Su484I/AAAAAAAAAHE/uNkMriU7iio/s320/Hero_Letters+copy.jpg" width="217" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;span style="color: blue;"&gt;Edited with Introduction, TEXT, Notes, Question-ANswers and Important Explanations&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;by: &lt;span style="color: red;"&gt;Manindranath Sinha&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;pp.: 140&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;Price: Rs. 48.00&lt;/div&gt;&lt;br /&gt;ISBN 978-81-7977-404-5&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;A classic of English literature, Carlyle’s Hero As Man of Letters deals with the concept of hero-worship, which is still a living phenomenon in all democratic countries. These hero-lectures hinge on the doctrine that it is the spiritual which determine the material, the doctrine on which the vast structures of all religious systems stand, and which holds the key to man’s true happiness and peace to this world. I have undertaken to edit this book mainly to meet the needs of the students who consider the book inaccessible to them. The reason why the students fail to understand these lectures is their unfamiliarity with Carlyle’s philosophy of life, his conception of hero-worship, and of history, and above all with the motive behind his use of the quaint ungrammatical expressions which have been denounced by Maculay as the “the half-German jargon of the present day.” The general introduction to Carlyle is meant to get the students acquainted with those things which will help them master the contents of the book, and lay to their heart its inestimable significance even to-day. The detailed summaries will give a fairly complete idea of the subject matter of the essays, and will be sufficient for those who want to enjoy a difficult author like Carlyle through proxy.&lt;/span&gt;&amp;nbsp;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red; font-size: x-small;"&gt;List of Contents:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;Life and works of Thomas Carlyle&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;Carlyle’s Concept of History &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;Carlyle as a Socio-Political Critic&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;Carlyle as a moral force &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;Carlyle as a Literary Artist&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;Carlyle as a Literary Critic&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;Carlyle’s Concept of Heroes&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;Carlyle’s Concept of Hero-worship&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;Carlyle’s Position and Influence&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;Introduction to Heroes and Hero-worship&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;Summary of The Hero as Man of Letters&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;Text of Carlyle’s The Hero as man of letters&lt;/span&gt;&lt;br /&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;span style="color: black;"&gt;Notes and Annotations&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;span style="color: black;"&gt;Questions and Answers&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;span style="color: black;"&gt;Explanations of Important Passages&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-6634616532808397965?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/6634616532808397965/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=6634616532808397965' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/6634616532808397965'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/6634616532808397965'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/10/thomas-carlyle-hero-as-man-of-letters.html' title='THOMAS CARLYLE: The Hero as Man of Letters'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-hfcZIfsHizA/Tpg73Su484I/AAAAAAAAAHE/uNkMriU7iio/s72-c/Hero_Letters+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-3660247841796231542</id><published>2011-06-11T04:31:00.000-07:00</published><updated>2012-01-23T05:56:56.807-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>NIRANJAN MOHANTY: The Man and His Poetry</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-GiU7_U6QKeU/TfNPNb_N0VI/AAAAAAAAAG4/1n_iaxt7yNU/s1600/Nir_Moh+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-GiU7_U6QKeU/TfNPNb_N0VI/AAAAAAAAAG4/1n_iaxt7yNU/s320/Nir_Moh+copy.jpg" t8="true" width="219" /&gt;&lt;/a&gt;&lt;/div&gt;by: Sudhir K. Arora&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ISBN 978-81-7977-412-0&lt;br /&gt;&lt;br /&gt;Price Rs. 80.00&lt;br /&gt;&lt;br /&gt;pp.: 148&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Prof. Niranjan Mohanty authored the eight poetic volumes namely: Silencing the Words (1977), Oh This Bloody Game!(1988), Prayers to Lord Jagannatha (1994),On Touching You and Others Poems (1999), Life Lines (1999), Krishna (2003), Tigers and Others Poems (2008) and A House of Rains (2008). He was, indeed, a great poetic pilgrim who began his journey as an outsider and ended as an insider. He successfully developed his poetic idiom in English which was quite innovative. He was a critic and translator of repute. He translated from Oriya and Bengali into English and Bengali into Oriya. His Oriya translated work Nirjhar, a volume of sixty poems of Jibanananda Das was published by Sahitya Akademi, New Delhi. Sarup and Sons also published his translated work Sangram Jena’s Poems of Passion. He was the single largest contributor of articles (more than 25) on the poetry of Jayanta Mahapatra. His poetry breathed life in all its dimensions. Orissan landscapes, Contemporaneity, time, death, identity-question, absences, loneliness, memory, dreams, inner struggle, rain, devotion, respect for the family and home etc. were the different threads with which he weaved the texture of his poetry. As a poet and a man, he was human to the core.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red; font-size: x-small;"&gt;&lt;u&gt;LIST OF CONTENTS:&lt;/u&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Preface&lt;br /&gt;Acknowledgements&lt;br /&gt;A Tribute to Prof. Niranjan Mohanty&lt;br /&gt;Excerpt from &lt;em&gt;Prayers to Lord Jagannath&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Niranjan Mohanty : The Man&lt;br /&gt;&lt;em&gt;Silencing the Words:&lt;/em&gt; The Jungle of Obscurity&lt;br /&gt;Playing the Game of Life: A Commentary on &lt;em&gt;Oh This Bloody Game! &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Prayers to Lord Jagannatha:&lt;/em&gt; An Epitome of Jagannatha Culture&lt;br /&gt;Learning through Touches: &lt;em&gt;A Critique of On Touching You and Other Poems&lt;/em&gt;&lt;br /&gt;Reading Life Lines: A Critique of &lt;em&gt;Life Lines&lt;/em&gt;&lt;br /&gt;Celebrating Womanhood: A Feminist Reading of Niranjan Mohanty’s &lt;em&gt;Krishna&lt;/em&gt;&lt;br /&gt;A Peep into Niranjan Mohanty’s &lt;em&gt;Tiger and Other Poems&lt;/em&gt;&lt;br /&gt;&lt;em&gt;A House of Rains:&lt;/em&gt; A Critical Study&lt;br /&gt;Postcolonial Consciousness in the Poetry of Niranjan Mohanty &lt;br /&gt;&lt;br /&gt;Conclusion&lt;br /&gt;Bibliography &lt;br /&gt;Niranjan Mohanty’s Four Poems &lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-3660247841796231542?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/3660247841796231542/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=3660247841796231542' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/3660247841796231542'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/3660247841796231542'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/06/niranjan-mohanty-man-and-his-poetry.html' title='NIRANJAN MOHANTY: The Man and His Poetry'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-GiU7_U6QKeU/TfNPNb_N0VI/AAAAAAAAAG4/1n_iaxt7yNU/s72-c/Nir_Moh+copy.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-2781081648301965430</id><published>2011-06-02T03:44:00.000-07:00</published><updated>2012-01-23T05:57:32.947-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>RUSKIN BOND Interpreter of Human Relationships</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-K6b3UqJdSJk/TedoZrOteUI/AAAAAAAAAG0/qD-pftTaF3I/s1600/Ruskin+Bond+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-K6b3UqJdSJk/TedoZrOteUI/AAAAAAAAAG0/qD-pftTaF3I/s320/Ruskin+Bond+copy.jpg" t8="true" width="206" /&gt;&lt;/a&gt;&lt;/div&gt;by: RAM KULESH THAKUR&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ISBN 978-81-7977-411-3&lt;br /&gt;&lt;br /&gt;Price: Rs. 80.00&lt;br /&gt;&lt;br /&gt;pp.: 80&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;With his versatile, original and elegant writing style, Ruskin Bond has secured for himself a place among the most successful Indian short story writers.&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The present study, a short literary monograph, seeks to highlight Ruskin Bond in a new perspective. He has been accredited with Nature writings and writings for the entertainment of children. Apart from a rich pictorial description of Nature, traveling experiences, supernatural elements, and nostalgic memories, Bond also presents a web of human relationships in his short stories. His stories depict such unexplored relationships as ‘Child-Stranger’, ‘Child-Child’, ‘Child-Parent’, ‘Male-Female’, ‘Male-Male’ and ‘Human-Nature’. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The text-centred study, besides assessing his position among the contemporary Indian English Writers, presents a detailed classification of his writings into several categories and further sub-categorizes the short stories on the basis of the human relationship they discuss. It analyses human relationships in terms of the characters’ psychological attitude, behaviour and defence mechanisms such as “Rationalization”, “Phantasy”, “Projection”, “Identification” and “Withdrawl.” This should help explain and appraise Ruskin Bond’s understanding and grasp of human mind, character, attitude, and behaviour on the one hand, and the social structure and milieu, on the other. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;In brief, it provides a new dimension to the short stories of Ruskin Bond. No study has been carried out till date on the ‘human relationship’ in Bond’s short stories or the psychology at work in the human relationships depicted by Bond.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Ruskin Bond, already established as one of the most celebrated English short story writers, is included in the syllabuses of many Indian Universities at the Bachelor/Honors and Master’s Degree level. The book should help students understand the writer in fresh light, and also motivate some of them to explore Bond for higher studies.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size: x-small;"&gt;(from the Preface)&lt;/span&gt;﻿&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-2781081648301965430?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/2781081648301965430/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=2781081648301965430' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/2781081648301965430'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/2781081648301965430'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/06/ruskin-bond-interpreter-of-human.html' title='RUSKIN BOND Interpreter of Human Relationships'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-K6b3UqJdSJk/TedoZrOteUI/AAAAAAAAAG0/qD-pftTaF3I/s72-c/Ruskin+Bond+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-5477506967838646995</id><published>2011-05-25T02:02:00.000-07:00</published><updated>2012-01-23T05:58:12.020-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Samuel Taylor Coleridge: BIOGRAPHIA LITERARIA</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;a href="http://4.bp.blogspot.com/-jV90D0mfOHo/TdzDCYTx8nI/AAAAAAAAAGw/MWe9pa_15k8/s1600/Bio_Lit+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-jV90D0mfOHo/TdzDCYTx8nI/AAAAAAAAAGw/MWe9pa_15k8/s320/Bio_Lit+copy.jpg" t8="true" width="223" /&gt;&lt;/a&gt;(Chapter 4, 13-22)&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;span style="color: red;"&gt;edited with Detailed Introduction, Text, Critical Commentary and Notes&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;by: M.C. Saxena&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;pp.: 300&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;Price: Rs. 100.00&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;ISBN 81-7977-148-2&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;u&gt;List of Contents:&lt;/u&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;span style="color: red; font-size: large;"&gt;Introduction to Coleridge&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;/div&gt;&lt;br /&gt;Romantic Criticism&lt;br /&gt;Coleridge : A Biographical Sketch&lt;br /&gt;The Evolution of The Biographia Literaria&lt;br /&gt;The Structural Unity Of The Biographia Literaria&lt;br /&gt;Coleridge On Anonymous Criticism&lt;br /&gt;Coleridge’s Theory Of Imagination&lt;br /&gt;Fancy And Imagination : Wordsworth Versus Coleridge&lt;br /&gt;The Theory Of Poetic Diction : Wordsworth Versus Coleridge&lt;br /&gt;The Question of Metre : Wordsworth Versus Coleridge&lt;br /&gt;Coleridge As a Wordsworthean Critic &lt;br /&gt;Coleridge as a Shakespearean Critic&lt;br /&gt;Coleridge As a Miltonic Critic&lt;br /&gt;Coleridge On Poetry And Poet&lt;br /&gt;The Influence Of Coleridge&lt;br /&gt;General Assessment Of Coleridge as a Critic&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red; font-size: large;"&gt;TEXT with Critical Commentary, Notes &amp;amp; Annotations&lt;/span&gt;&lt;br /&gt;CHAPTER IV, CHAPTER XIII-XXII&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red; font-size: large;"&gt;Model Questions And Answers&lt;/span&gt;&lt;br /&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-5477506967838646995?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/5477506967838646995/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=5477506967838646995' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5477506967838646995'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5477506967838646995'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/05/samuel-taylor-coleridge-biographia.html' title='Samuel Taylor Coleridge: BIOGRAPHIA LITERARIA'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-jV90D0mfOHo/TdzDCYTx8nI/AAAAAAAAAGw/MWe9pa_15k8/s72-c/Bio_Lit+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-6309352116936485484</id><published>2011-04-11T06:54:00.000-07:00</published><updated>2012-01-23T05:58:54.780-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>New Readings in Indian English Literature</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-E3hKOAjFm0A/TaMDuzsiphI/AAAAAAAAAGs/feR30UPXF58/s1600/New_Read_Das+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" r6="true" src="http://1.bp.blogspot.com/-E3hKOAjFm0A/TaMDuzsiphI/AAAAAAAAAGs/feR30UPXF58/s320/New_Read_Das+copy.jpg" width="230" /&gt;&lt;/a&gt;&lt;/div&gt;Edited by: &lt;span style="color: red;"&gt;B.K. Das&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;pp.: 260&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Price: Rs. 220.00&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;ISBN 978-81-7977-407-6&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #4c1130;"&gt;This book makes an attempt to focus on different genres—poetry, drama, fiction, autobiography, children's literature and Activist Writing—from Mulk Raj Anand to Arundhati Roy. Care has been taken to choose scholarly papers by eminent critics as well as young bright scholars to show the progress of research in Indian English Literature. &lt;/span&gt;&lt;br /&gt;&lt;span style="color: #4c1130;"&gt;The Editor, Professor Bijay Kumar Das, an eminent scholar and critic, has written an "Introduction" and interviewed two eminent writers apart from his own articles on Indian English poetry. &lt;/span&gt;&lt;span style="color: #4c1130;"&gt;Written in a lucid style, the book with its range, depth and clarity will serve as a reference book of Indian English Literature.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: purple; font-size: large;"&gt;LIST OF CONTENTS:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;INTRODUCTION&lt;/span&gt;&lt;br /&gt;Bijay Kumar Das&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;ETHICAL REVOLUTIONARIES : THE GENERATION OF THE THIRTIES&lt;/span&gt;&lt;br /&gt;Jasbir Jain&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;CONTRAPUNTAL READINGS OF RAJA RAO, R.K. NARAYAN, KAMALA MARKANDAYA, BHABANI BHATTACHARYA, MULK RAJ ANAND AND KHUSHWANT SINGH&lt;/span&gt;&lt;br /&gt;Ramesh K. Srivastava&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;NATION AND HISTORY IN SHASHI THAROOR’S RIOT : A NOVEL&lt;/span&gt;&lt;br /&gt;G. Rai&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;REVEALING THE SECRETS OF THE HEART : A READING OF &lt;/span&gt;&lt;span style="color: #660000;"&gt;IN THE COUNTRY &lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: #660000;"&gt;OF DECEIT&lt;/span&gt; AS GYNOFICTION &lt;/span&gt;&lt;br /&gt;Anupama Chowdhury&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;WOMEN BOOKER LAUREATES OF INDIA&lt;/span&gt;&lt;br /&gt;Sonali Das&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;AMITAV GHOSH’S &lt;span style="color: #660000;"&gt;THE HUNGRY TIDE&lt;/span&gt; : AN ANALYSIS OF ITS COMPLEX &lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;RANGE OF CONCERN&lt;/span&gt;&lt;br /&gt;Santwana Haldar&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;THE SOFTWARE PROFESSIONAL IN INDIAN ENGLISH FICTION&lt;/span&gt;&lt;br /&gt;Shyamala A. Narayan&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;CHITRA BANERJEE DIVAKARUNI’S &lt;span style="color: #660000;"&gt;THE PALACE OF ILLUSIONS&lt;/span&gt; : &lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;WOMAN’S RE-TELLING OF MAHABHARATA&lt;/span&gt;&lt;br /&gt;Sushila Singh&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;‘BIOMYTHOGRAPHY’ IN MANJU KAPUR’S &lt;/span&gt;&lt;span style="color: #660000;"&gt;A MARRIED WOMAN&lt;/span&gt;&lt;br /&gt;M.Q. Khan&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;A CRITIQUE OF ARAVIND ADIGA’S &lt;/span&gt;&lt;span style="color: #660000;"&gt;THE WHITE TIGER&lt;/span&gt;&lt;br /&gt;Tapati Talukdar&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;AUTOBIOGRAPHIES IN ENGLISH BY INDIAN WOMEN&lt;/span&gt;&lt;br /&gt;Viney Kirpal&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;A CRITIQUE OF &lt;span style="color: #660000;"&gt;THE ALGEBRA OF INFINITE JUSTICE&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;Anupama Chowdhury&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;POLITICAL CORRECTNESS : PROBING INTO ARUNDHATI ROY’S &lt;/span&gt;&lt;span style="color: #660000;"&gt;LISTENING &lt;/span&gt;&lt;br /&gt;&lt;span style="color: #660000;"&gt;TO GRASSHOPPERS : FIELD NOTES ON DEMOCRACY &lt;/span&gt;&lt;br /&gt;Sonali Das&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;INDIAN ENGLISH CHILDREN’S LITERATURE AND THE GHOST OF COLONIALISM&lt;/span&gt;&lt;br /&gt;Prabhat K. Singh&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;A CENTURY OF INDIAN DRAMA IN ENGLISH&lt;/span&gt;&lt;br /&gt;Prema Nanda Kumar&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;CONTEXTUALIZING MAHESH DATTANI IN THE INDIAN ENGLISH DRAMATIC TRADITION&lt;/span&gt;&lt;br /&gt;Jnan Ranjan Padhi&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;POETRY AS MANTRA : A NOTE ON SRI AUROBINDO’S THEORY&lt;/span&gt;&lt;br /&gt;Haladhar Panda&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;CANONICAL INDIAN ENGLISH POETRY&lt;/span&gt;&lt;br /&gt;Bijay Kumar Das&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;PARADIGM SHIFT IN THE READING OF KAMALA DAS’S POETRY&lt;/span&gt;&lt;br /&gt;Bijay Kumar Das&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;SHASHI DESHPANDE IN CONVERSATION WITH BIJAY KUMAR DAS&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;R.PARTHASARATHY IN CONVERSATION WITH BIJAY KUMAR DAS&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;SELECT BIBLIOGRAPHY&lt;br /&gt;&lt;br /&gt;NOTES ON CONTRIBUTORS&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: purple; font-size: large;"&gt;CONTRIBUTORS:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Bijay Kumar Das&lt;/span&gt; Professor of English, Burdwan University, Burdwan&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Jasbir Jain&lt;/span&gt; Resident Writer, Sahitya Akademi, New Delhi. &lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Ramesh K.Srivastava&lt;/span&gt; Former Professor of English, G.N.D. University,Amritsar. &lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;G.Rai&lt;/span&gt; Former Professor of English, DDU Gorakhpur University, Gorakhpur. &lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Anupama Chowdhury&lt;/span&gt; Asst. Professor of English M.U.C. Women’s College, Burdwan. &lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Sonali Das&lt;/span&gt; Lecturer in English, Synergy Institute of Technology, Bhubaneswar&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Santwana Haldar&lt;/span&gt; Former Reader in English, F.M. College, Balasore, Orissa. &lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Shyamala A. Narayan&lt;/span&gt; Professor of English, Jamia Milia Islamia, New Delhi. &lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Sushila Singh&lt;/span&gt; Professor of English, Banaras Hindu University, Varanasi. &lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;M.Q. Khan&lt;/span&gt; Former Professor of English Ravenshaw College, Cuttack and Ex-Vice-Chancellor,&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Berhampur University, Berhampur (Orissa). &lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Tapati Talukdar&lt;/span&gt; Guest-Faculty, R.B.U. Kolkata. &lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Viney Kirpal&lt;/span&gt; Former Professor of English. I.I.T., Bombay. &lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Prabhat K. Singh&lt;/span&gt; Professor of English, Mahatma Gandhi Kashividyapith, Varanasi. &lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Prema Nanda Kumar&lt;/span&gt; Indian English Novelist and Critic. Lives in Sriramgam, Tamil Nadu. &lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Jnan Ranjan Padhi&lt;/span&gt; Associate Professor of English, Jawaharlal Nehru College, Pasighat, A.P.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-6309352116936485484?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/6309352116936485484/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=6309352116936485484' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/6309352116936485484'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/6309352116936485484'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/04/new-readings-in-indian-english.html' title='New Readings in Indian English Literature'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-E3hKOAjFm0A/TaMDuzsiphI/AAAAAAAAAGs/feR30UPXF58/s72-c/New_Read_Das+copy.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-770225530265820601</id><published>2011-04-07T06:14:00.000-07:00</published><updated>2012-01-23T05:59:36.170-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>ROHINTON MISTRY: Such A Long Journey    (a critical study)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-J53d2rhfq6Y/TZ22qItR4ZI/AAAAAAAAAGo/PFnd8ZT2CcI/s1600/Such_Journey_Mistry+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" r6="true" src="http://1.bp.blogspot.com/-J53d2rhfq6Y/TZ22qItR4ZI/AAAAAAAAAGo/PFnd8ZT2CcI/s320/Such_Journey_Mistry+copy.jpg" width="215" /&gt;&lt;/a&gt;&lt;/div&gt;by: Manoj Kumar&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;pp.: 130&lt;br /&gt;Price: Rs. 65.00&lt;br /&gt;&lt;br /&gt;ISBN 978-81-7977-391-8&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Rohinton Mistry whose career and achievements can be seen as a part of the worldwide cultural changes, is part of a generation that had to face the problems that resulted from the withdrawal of imperial order and the resulting cultural confusion. Yet his story is perhaps unique in his having started with so little and having come so far. Rohinton Mistry, while living in his adopted home, writes more authentically about his Indian experience before going to Canada. In his fiction he not only portrays the picture of his contemporary social and political life but also offers commentary on the historical situations and raises a national debate. His writing concerns people who witness painful family dynamics and difficult social and political constraints.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;At present when Rohinton Mistry’s Such a Long Journey is prescribed in the syllabus by various universities and critical material on Mistry is not sufficiently available, this book will be helpful not only for UG &amp;amp; PG students but for research scholars also. This book on Mistry’s Such a Long Journey will help the readers of Mistry to discover new grounds for further study.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;List of Contents&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;History of the Indian Diaspora in Canada&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Indo-Canadian Writings&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Rohinton Mistry: His Place, Birth and Education&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Mistry’s Contribution to Literature&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Summary of His Works at a Glance&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Summary of Such a Long Journey&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Important Characters of Such a Long Journey&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Indian Elements&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Spiritual Explorations&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Superstitious&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Human Bonds and Sympathy&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Theme&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Diction&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Use of Indian Jokes&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Irony and Humour&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Pun&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Questions on the Book &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Summary in Hindi&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Selected Bibliography&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-770225530265820601?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/770225530265820601/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=770225530265820601' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/770225530265820601'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/770225530265820601'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/04/rohinton-mistry-such-long-journey.html' title='ROHINTON MISTRY: Such A Long Journey    (a critical study)'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-J53d2rhfq6Y/TZ22qItR4ZI/AAAAAAAAAGo/PFnd8ZT2CcI/s72-c/Such_Journey_Mistry+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-4149037774878605565</id><published>2011-04-05T07:07:00.000-07:00</published><updated>2012-01-23T06:01:17.341-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Jayanta Mahapatra: RELATIONSHIP   (a critical study)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-YbkPievneYo/TZsgzSM2cPI/AAAAAAAAAGk/MgpDRmtCSOs/s1600/Relationship+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" r6="true" src="http://2.bp.blogspot.com/-YbkPievneYo/TZsgzSM2cPI/AAAAAAAAAGk/MgpDRmtCSOs/s320/Relationship+copy.jpg" width="199" /&gt;&lt;/a&gt;&lt;/div&gt;by&lt;br /&gt;S.K. Padhi&lt;br /&gt;&lt;br /&gt;pp.: 60,&amp;nbsp; Price: Rs. 30&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #741b47;"&gt;Jayanta Mahapatra has emerged as one of India’s leading Indian English poets. He is in fact the first Indian English poet to have been honoured by the Sahitya Akademi. He is now internationally read and appreciated. This book&amp;nbsp;aims at evaluating Relationship for which he received the Akademi award for 1981. This book will be useful to students and teachers doing research on Jayanta Mahapatra.&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-4149037774878605565?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/4149037774878605565/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=4149037774878605565' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4149037774878605565'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4149037774878605565'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/04/jayanta-mahapatra-relationship-critical.html' title='Jayanta Mahapatra: RELATIONSHIP   (a critical study)'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-YbkPievneYo/TZsgzSM2cPI/AAAAAAAAAGk/MgpDRmtCSOs/s72-c/Relationship+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-5928332725308261764</id><published>2011-04-05T06:56:00.000-07:00</published><updated>2012-01-23T06:01:38.216-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>A Dictionary of Literary Terms</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;a href="http://1.bp.blogspot.com/-dPQ1D63OxHA/TZseCfa9ELI/AAAAAAAAAGg/0av2etoKjWg/s1600/Dictionary_Terms+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" r6="true" src="http://1.bp.blogspot.com/-dPQ1D63OxHA/TZseCfa9ELI/AAAAAAAAAGg/0av2etoKjWg/s320/Dictionary_Terms+copy.jpg" width="231" /&gt;&lt;/a&gt;by&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;A.N. Gupta&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;Satish Gupta&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;B.S. Nimavat&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;pp.: 430, Price: Rs. 175.00&lt;br /&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;ISBN 978-81-7977-242-3&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; text-align: justify;"&gt;&lt;span style="color: #cc0000;"&gt;This Dictionary of Literary Terms is a part of the need that is always felt by the students of literature especially in India. It is a useful all-in-one reference book that will provide up-to-date and desired information to the lovers of literature with more than 2,500 terms and words about important people, places and historical events and incidents etc. This Dictionary will also enable the reader to develop a clear concept and understanding of the life and surroundings of the people who become the part of descriptions and the locals that serve as the backdrops of various oft quoted as well as popular works.&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-5928332725308261764?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/5928332725308261764/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=5928332725308261764' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5928332725308261764'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5928332725308261764'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/04/dictionary-of-literary-terms.html' title='A Dictionary of Literary Terms'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-dPQ1D63OxHA/TZseCfa9ELI/AAAAAAAAAGg/0av2etoKjWg/s72-c/Dictionary_Terms+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-6660067204026236642</id><published>2011-04-04T06:21:00.000-07:00</published><updated>2012-01-23T06:01:58.923-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>EDWARD FITZGERALD'S Rubaiyat of Omar Khayyam</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;a href="http://2.bp.blogspot.com/-Mf_GsW4DiPY/TZnEMsWyxKI/AAAAAAAAAGc/IG6uT2JpMZ0/s1600/Rubayiat_Khyaam+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" r6="true" src="http://2.bp.blogspot.com/-Mf_GsW4DiPY/TZnEMsWyxKI/AAAAAAAAAGc/IG6uT2JpMZ0/s320/Rubayiat_Khyaam+copy.jpg" width="222" /&gt;&lt;/a&gt;edited by K.N. Joshi&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;pp.: 140, Price: Rs. 60.00&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;ISBN 81-7977-196-2&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; text-align: justify;"&gt;Edward FitzGerald’s version of Omar Khayyam’s rubais has attained a world-wide reputation. Omar, who was little known in his own country for his Persian Rubaiyat, drew the attention of poets, critics and scholars the world over because of FitzGerald’s version. FitzGerald’s version is an inspired recreation rather than a translation, as the suppleness of its diction—full of ease and grace reveals.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Beside the original version of FitzGerald, Hindi translation to FitzGerald’s version and original rubais of Omar Khayyam are also given in notes for better understanding of the context. This book also provides an introduction to Edward FitzGerald, Omar Khayyam and Rubais.&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-6660067204026236642?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/6660067204026236642/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=6660067204026236642' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/6660067204026236642'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/6660067204026236642'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/04/edward-fitzgeralds-rubaiyat-of-omar.html' title='EDWARD FITZGERALD&apos;S Rubaiyat of Omar Khayyam'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-Mf_GsW4DiPY/TZnEMsWyxKI/AAAAAAAAAGc/IG6uT2JpMZ0/s72-c/Rubayiat_Khyaam+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-6551929680183781210</id><published>2011-03-02T23:32:00.000-08:00</published><updated>2012-01-23T06:03:25.663-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Rama Mehta: INSIDE THE HAVELI</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh6.googleusercontent.com/-iX7bNBF7GhQ/TW9BiBZ-hzI/AAAAAAAAAGY/tWQu6Lv7zJs/s1600/Inside_Haveli+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" l6="true" src="https://lh6.googleusercontent.com/-iX7bNBF7GhQ/TW9BiBZ-hzI/AAAAAAAAAGY/tWQu6Lv7zJs/s320/Inside_Haveli+copy.jpg" width="205" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: red;"&gt;a study&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;by: &lt;span style="color: blue;"&gt;B.S. Nimavat&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;pp. 80&lt;br /&gt;Price: Rs. 40.00&lt;br /&gt;ISBN 978-81-7977-401-4&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: red;"&gt;List of Contents:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Women Novelists in Indian English Literature—An Overview&lt;br /&gt;Rama Mehta—A Brief Introduction&lt;br /&gt;&lt;span style="color: purple;"&gt;Inside the Haveli&lt;/span&gt; the story in detail&lt;br /&gt;&lt;span style="color: purple;"&gt;Inside the Haveli&lt;/span&gt; : A Fictionalization of Sociological Study&lt;br /&gt;Questioning Female Confinement and Isolation in &lt;span style="color: purple;"&gt;Inside the Haveli&lt;/span&gt;&lt;br /&gt;Surrender and Compromise in &lt;span style="color: purple;"&gt;Inside the Haveli&lt;/span&gt;&lt;br /&gt;Jeevan Niwas Haveli—An Epitome of Traditions and Past Glory&lt;br /&gt;Some Important Characters of the Novel &lt;span style="color: purple;"&gt;Inside the Haveli&lt;/span&gt;&lt;br /&gt;Geeta—The Willing Prisoner in Haveli&lt;br /&gt;Synthesis of Traditional Values and Modern Outlook in &lt;span style="color: purple;"&gt;Inside the Haveli&lt;/span&gt;&lt;br /&gt;Bibliography&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-6551929680183781210?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/6551929680183781210/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=6551929680183781210' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/6551929680183781210'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/6551929680183781210'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/03/rama-mehta-inside-haveli.html' title='Rama Mehta: INSIDE THE HAVELI'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh6.googleusercontent.com/-iX7bNBF7GhQ/TW9BiBZ-hzI/AAAAAAAAAGY/tWQu6Lv7zJs/s72-c/Inside_Haveli+copy.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-5191902286423793564</id><published>2011-02-05T05:23:00.000-08:00</published><updated>2012-01-23T06:03:50.423-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>N.C.C. Cadet's Military Training</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_8KKkdEV4mv4/TU1NE_Kky8I/AAAAAAAAAGU/Z0RMV1Tnr2c/s1600/NCC_English+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" h5="true" height="320" src="http://1.bp.blogspot.com/_8KKkdEV4mv4/TU1NE_Kky8I/AAAAAAAAAGU/Z0RMV1Tnr2c/s320/NCC_English+copy.jpg" width="222" /&gt;&lt;/a&gt;&lt;/div&gt;By:&lt;br /&gt;Vishnu Kant Sharma&lt;br /&gt;Meena Sharma&lt;br /&gt;&lt;br /&gt;pp.: 150&lt;br /&gt;Price: Rs. 50.00&lt;br /&gt;ISBN 978-81-7977-400-7&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;List of Contents:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Introduction&lt;br /&gt;Foot Drill and Command (Without and With Arms)&lt;br /&gt;Weapon Training&lt;br /&gt;Field Craft&lt;br /&gt;Battle Craft&lt;br /&gt;Message Writing&lt;br /&gt;Field Engineering&lt;br /&gt;Hygiene and Sanitation&lt;br /&gt;Civil Defence in India&lt;br /&gt;Military Map Reading&lt;br /&gt;First Aid&lt;br /&gt;Man Management, Customs of Services, Leadership and Public-speaking&lt;br /&gt;Home Nursing&lt;br /&gt;Introduction of Indian Defence Forces&lt;br /&gt;Corps of Signals&lt;br /&gt;Signal Equipment Theory and Line Construction&lt;br /&gt;Self Defence&lt;br /&gt;N.C.C. Gaan&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-5191902286423793564?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/5191902286423793564/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=5191902286423793564' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5191902286423793564'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5191902286423793564'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/02/ncc-cadets-military-training.html' title='N.C.C. Cadet&apos;s Military Training'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_8KKkdEV4mv4/TU1NE_Kky8I/AAAAAAAAAGU/Z0RMV1Tnr2c/s72-c/NCC_English+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-7447399512613193048</id><published>2011-01-13T01:54:00.000-08:00</published><updated>2012-01-23T06:05:32.897-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Answer Bank of Literature for Competitive Examinations</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;span style="color: #cc0000;"&gt;&lt;em&gt;A Ready-reference to solve objective questions&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_8KKkdEV4mv4/TS7LAbCX4zI/AAAAAAAAAGM/V4010CV3SAo/s1600/Answer_Bank+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" n4="true" src="http://1.bp.blogspot.com/_8KKkdEV4mv4/TS7LAbCX4zI/AAAAAAAAAGM/V4010CV3SAo/s320/Answer_Bank+copy.jpg" width="217" /&gt;&lt;/a&gt;&lt;/div&gt;By:&lt;br /&gt;&lt;span style="color: blue;"&gt;B.S. Nimavat&lt;/span&gt;&lt;br /&gt;&lt;span style="color: blue;"&gt;D.B. Nimavat&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;pp.: 260, Price: Rs. 140.00&lt;br /&gt;ISBN 978-81-7977-397-0&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;This is a handy guide, a short, comprehensive introductory book to the students of literature. The book gives following information of more than 250 writers from English, American, Greek, Indian-English, Japanese and Chinese literature:&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Brief life-sketch&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;His works&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;His masterpiece&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Characteristics of his writing&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Distinct features of the author&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;His impact on literature&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Instead of full sentences, phrases are used which are mere points, catchy and brief and hence easy to remember.&lt;br /&gt;Must for students of english literature--graduate, post-graduate and research scholars. The book is a true companion for all those who are preparing for--NET, SLET, JRF, or UPSC examinations.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;This book was earlier published as STUDENTS' COMPANION TO LITERATURE&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-7447399512613193048?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/7447399512613193048/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=7447399512613193048' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/7447399512613193048'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/7447399512613193048'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/01/answer-bank-of-literature-for.html' title='Answer Bank of Literature for Competitive Examinations'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_8KKkdEV4mv4/TS7LAbCX4zI/AAAAAAAAAGM/V4010CV3SAo/s72-c/Answer_Bank+copy.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-3437500624718972594</id><published>2011-01-06T04:59:00.000-08:00</published><updated>2012-01-23T06:06:01.827-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Objective English Literature for Competitive Examinations</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;a href="http://2.bp.blogspot.com/_8KKkdEV4mv4/TSW7ZImiVYI/AAAAAAAAAGI/WvBn7hdpvJY/s1600/Objective_Puros+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" n4="true" src="http://2.bp.blogspot.com/_8KKkdEV4mv4/TSW7ZImiVYI/AAAAAAAAAGI/WvBn7hdpvJY/s320/Objective_Puros+copy.jpg" width="217" /&gt;&lt;/a&gt;By: K. Purushotham&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;pp.: 210 &lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;Price: Rs. 95.00&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;ISBN 978-81-7977-398-7&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: purple;"&gt;List of Contents&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;From Chaucer to Milton&lt;/span&gt;&lt;br /&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;Chronology, The Writers and Their Works, Multiple Choice Questions, Key&lt;/span&gt;&lt;br /&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;span style="color: red;"&gt;From Dryden to Pope&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;span style="font-size: x-small;"&gt;Chronology, The Writers and Their Works, Multiple Choice Questions, Key&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;span style="color: red;"&gt;The Pre-Romantics and the Romantics&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;span style="font-size: x-small;"&gt;Chronology, The Writers and Their Works, Multiple Choice Questions, Key&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="color: red;"&gt;The Victorians&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;span style="font-size: x-small;"&gt;Chronology, The Writers and Their Works, Multiple Choice Questions, Key&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;span style="color: red;"&gt;The Modern Writers&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;span style="font-size: x-small;"&gt;Chronology, The Writers and Their Works, Multiple Choice Questions, Key&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="color: red;"&gt;Suggested Readings&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-3437500624718972594?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/3437500624718972594/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=3437500624718972594' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/3437500624718972594'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/3437500624718972594'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2011/01/objective-english-literature-for.html' title='Objective English Literature for Competitive Examinations'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_8KKkdEV4mv4/TSW7ZImiVYI/AAAAAAAAAGI/WvBn7hdpvJY/s72-c/Objective_Puros+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-6381632158154967504</id><published>2010-08-21T01:54:00.000-07:00</published><updated>2012-01-23T06:06:39.894-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>AMITAV GHOSH: The Shadow Lines</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8KKkdEV4mv4/TG-UG_fmYzI/AAAAAAAAAFs/P1JXw05wM6Y/s1600/Shadow_Lines.gif" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" ox="true" src="http://3.bp.blogspot.com/_8KKkdEV4mv4/TG-UG_fmYzI/AAAAAAAAAFs/P1JXw05wM6Y/s320/Shadow_Lines.gif" width="216" /&gt;&lt;/a&gt;&lt;/div&gt;(Second Revised and Enlarged Edition)&lt;br /&gt;&lt;br /&gt;&lt;span style="color: purple;"&gt;A Critical Study&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: purple;"&gt;by&lt;/span&gt; I.D. Sharma&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;pp.:&lt;/span&gt; 120&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;Price:&lt;/span&gt; Rs. 55.00&lt;br /&gt;ISBN 978-81-7977-383-3&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000; font-size: large;"&gt;Contents&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&amp;nbsp; 1. An Introduction to Amitav Ghosh’s &lt;em&gt;The Shadow Lines&lt;/em&gt;&lt;br /&gt;&amp;nbsp; 2. A Synopsis of &lt;em&gt;The Shadow Lines&lt;/em&gt;&lt;br /&gt;&amp;nbsp; 3. A Summary of &lt;em&gt;The Shadow Lines&lt;/em&gt;&lt;br /&gt;&amp;nbsp; 4. Some Clues to the Chronology in &lt;em&gt;The Shadow Lines&lt;/em&gt;&lt;br /&gt;&amp;nbsp; 5. Leading Themes In &lt;em&gt;The Shadow Lines&lt;/em&gt;&lt;br /&gt;&amp;nbsp; 6. Important Characters&lt;br /&gt;&amp;nbsp; 7. Select Criticism&lt;br /&gt;&amp;nbsp; 8. Structure of The Novel&lt;br /&gt;&amp;nbsp; 9. Imagery And Symbols&lt;br /&gt;10. The Shadow Lines— Characters and their World &lt;br /&gt;11. The Questing Narrator in &lt;em&gt;The Shadow Lines&lt;/em&gt;&lt;br /&gt;12. Quotable Quotes&lt;br /&gt;13. Some Textual Problems for Exercise&lt;br /&gt;Suggested Readings&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-6381632158154967504?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/6381632158154967504/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=6381632158154967504' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/6381632158154967504'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/6381632158154967504'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2010/08/amitav-ghosh-shadow-lines.html' title='AMITAV GHOSH: The Shadow Lines'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_8KKkdEV4mv4/TG-UG_fmYzI/AAAAAAAAAFs/P1JXw05wM6Y/s72-c/Shadow_Lines.gif' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-8595685650896809176</id><published>2010-08-21T01:41:00.000-07:00</published><updated>2012-01-23T06:07:14.582-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>THOMAS HARDY: The Woodlanders</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_8KKkdEV4mv4/TG-RBkQsRuI/AAAAAAAAAFk/-RSkZXExzMQ/s1600/Woodlanders.gif" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" ox="true" src="http://4.bp.blogspot.com/_8KKkdEV4mv4/TG-RBkQsRuI/AAAAAAAAAFk/-RSkZXExzMQ/s320/Woodlanders.gif" width="220" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: purple;"&gt;(A Critical Study)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: purple;"&gt;by&lt;/span&gt; S.S. Agarwalla&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;pp.:&lt;/span&gt; 220&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;Price:&lt;/span&gt; Rs. 70.00&lt;br /&gt;ISBN 978-81-7977-384-0&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;When Thomas Hardy wrote The Woodlanders and got it published in 1887, he evidently thought of it as a radical and ambitious piece of work. But, when he came to revise his work for the Wessex Edition of 1912, he wrote that he liked The Woodlanders, “as a story, the best of all” partly because he was fond of location, partly because it seemed quaint and fresh. A quaint story of woodland life or a contemporary sexual mores? The burden of interpretation is thrown on us. The account given of love in it is atypical of Hardy’s work only in that there is less emphasis here on its possible joyousness. In The Woodlanders the emphasis falls entirely on the pain of struggle. In other novels Hardy suggests that the abundance of nature has both a positive and a negative aspect.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Dr. Shyam S. Agarwalla (born 1943) lectured at ST. Xavier’s College and Marwari College, Ranchi, till 1984. After that, he was appointed Principal, Dr. Ram Manohar Lohia College. He has now retired. He has written /edited fourteen books. He has edited Julius Caesar and The Merchant of Venice, and African Fiction and African Drama and Poetry (Prestige Books, New Delhi). He has been awarded seventy-five thousand rupees for writing Religion and Caste by Central Minority Commission and Jamia Hamdard, New Delhi, both. He has written a critical study on Seth’s A Suitable Boy, The first of its kind in India, which has been mentioned in American Library Catalogue in 1995. He has contributed more than fifty research papers on British and Indian writing in English in journals and books. He has written 20 articles for newspapers on contemporary politics.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #cc0000; font-size: large;"&gt;Contents:&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;1. Introduction to Thomas Hardy and his Art&lt;/div&gt;&lt;div style="text-align: justify;"&gt;2. Persons of the Novel&lt;/div&gt;&lt;div style="text-align: justify;"&gt;3. An outline of the story of The Woodlanders&lt;/div&gt;&lt;div style="text-align: justify;"&gt;4. Critical appreciation of The Woodlanders&lt;/div&gt;&lt;div style="text-align: justify;"&gt;5. Characters&lt;/div&gt;&lt;div style="text-align: justify;"&gt;6. A detailed study of the chapters with important explanations&lt;/div&gt;&lt;div style="text-align: justify;"&gt;7. Critical Questions &amp;amp; Answers&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-8595685650896809176?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/8595685650896809176/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=8595685650896809176' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/8595685650896809176'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/8595685650896809176'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2010/08/thomas-hardy-woodlanders.html' title='THOMAS HARDY: The Woodlanders'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_8KKkdEV4mv4/TG-RBkQsRuI/AAAAAAAAAFk/-RSkZXExzMQ/s72-c/Woodlanders.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-5522022843039699169</id><published>2010-07-15T04:51:00.000-07:00</published><updated>2012-01-23T06:07:49.594-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Using English in Science and Technology</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_8KKkdEV4mv4/TD70L7btzII/AAAAAAAAAFc/jGlO-CA6_QM/s1600/Using_ENG_Tech.gif" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" rw="true" src="http://1.bp.blogspot.com/_8KKkdEV4mv4/TD70L7btzII/AAAAAAAAAFc/jGlO-CA6_QM/s320/Using_ENG_Tech.gif" width="228" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: #cc0000;"&gt;(Third Revised and Enlarged Edition)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;&lt;span style="color: blue;"&gt;by:&lt;/span&gt; R.K. Singh&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: blue;"&gt;pp&lt;/span&gt;.: 350, &lt;span style="color: blue;"&gt;Price:&lt;/span&gt; Rs. 95.00&lt;br /&gt;&lt;br /&gt;ISBN 978-81-7977-386-4&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #fff2cc;"&gt;&lt;span style="color: blue;"&gt;&lt;em&gt;Using English in Science and Technology&lt;/em&gt; by R.K. Singh has been republished with considerable revision and addition to help tertiary level students of science and technology improve their written communication skills. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #fff2cc; color: blue;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;span style="background-color: #fff2cc; color: blue;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #fff2cc; color: blue;"&gt;First published in 1986, the book has been in use in certain major technical universities in India and referred to by others elsewhere. &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;span style="background-color: #fff2cc; color: blue;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #fff2cc; color: blue;"&gt;The book provides a need-based, skills oriented, applied language course of science and technology in university level technical institutions. It generally emphasizes development of students' capacity for self-study, and lanuage and communication skills, particularly the skills for effective academic writing, just as it prepares them for studies in many scientific and engineering fields such as chemistry, physics, geology, ecology, mining engineering etc. &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #cc0000;"&gt;Contents:&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="color: magenta;"&gt;General&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;1. Scientific and Technical Writing : Certain Characteristics&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;2. The Process Model of Writing&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: magenta;"&gt;English in Scientific Discourse&lt;/span&gt;&lt;br /&gt;&amp;nbsp; &lt;span style="font-size: x-small;"&gt;1. Using Impersonal Passive Voice&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp; 2. Writing Instructions and Describing/Reporting&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp; 3. Describing Objects&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp; 4. Describing Processes and Graphical Presentation of Information&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp; 5. Writing Definitions&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp; 6. Writing Narratives&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp; 7. Writing Classifications&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp; 8. Writing Explanations &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp; 9. Using Comparison and Contrast&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;10. Writing Hypothesis, Prediction and Conclusion&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;11. Generalizing and Exemplifying&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;12. Using Thought-Connectors&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: magenta;"&gt;Use of Punctuations&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: magenta;"&gt;Outlining, Paraphrasing and Summarizing&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;1. Outlining&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;2. Paraphrasing&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;3. Summarizing&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: magenta;"&gt;Note-Making&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: magenta;"&gt;Understanding Instruction Verbs, or Answering Essay-type Questions &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: magenta;"&gt;Using Polite expressions&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: magenta;"&gt;Organizing References&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: magenta;"&gt;Sample Texts and Exercises Unit 1 to 7&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: magenta;"&gt;Materials referred to and/or Recommended for use in class&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-5522022843039699169?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/5522022843039699169/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=5522022843039699169' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5522022843039699169'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5522022843039699169'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2010/07/using-english-in-science-and-technology.html' title='Using English in Science and Technology'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_8KKkdEV4mv4/TD70L7btzII/AAAAAAAAAFc/jGlO-CA6_QM/s72-c/Using_ENG_Tech.gif' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-5568367625321903665</id><published>2010-05-07T06:57:00.000-07:00</published><updated>2012-01-23T01:10:28.213-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Mechanics of Research Writing</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8KKkdEV4mv4/S-QcD60wYBI/AAAAAAAAAFU/dz9Ip7IwsI8/s1600/Mechanics_Research.gif" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/_8KKkdEV4mv4/S-QcD60wYBI/AAAAAAAAAFU/dz9Ip7IwsI8/s320/Mechanics_Research.gif" tt="true" width="207" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: #3d85c6;"&gt;(Second Edition)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;By: &lt;span style="color: #cc0000;"&gt;R.K. Singh&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;pp.: 188, Price: Rs. 98.00&lt;br /&gt;ISBN 978-81-7977-377-2&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;List of Contents:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Academic Communication : Some Characteristics&lt;br /&gt;An Approach to Style&lt;br /&gt;Interactional Process Approach to Academic Writing&lt;br /&gt;Research and Writing&lt;br /&gt;General Format and Referencing&lt;br /&gt;Writing Abstracts&lt;br /&gt;On Using Punctuation&lt;br /&gt;Summing up&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red; font-size: x-small;"&gt;Of Allied Interest&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #0b5394; font-size: x-small;"&gt;&lt;span style="color: #38761d;"&gt;Research Methodology&amp;nbsp;for English Literature&lt;/span&gt; by Rengachari and Rengachari, Price: Rs. 60.00&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #0b5394; font-size: x-small;"&gt;&lt;span style="color: #38761d;"&gt;Doing Research in English Literature&lt;/span&gt; by Sulochana Rengachari, Price: Rs. 65.00&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-5568367625321903665?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/5568367625321903665/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=5568367625321903665' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5568367625321903665'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5568367625321903665'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2010/05/mechanics-of-research-writing.html' title='Mechanics of Research Writing'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_8KKkdEV4mv4/S-QcD60wYBI/AAAAAAAAAFU/dz9Ip7IwsI8/s72-c/Mechanics_Research.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-4930482867354635902</id><published>2010-05-07T06:51:00.000-07:00</published><updated>2012-01-23T06:08:22.066-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Chinua Achebe: A Man of the People (Study Guide)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8KKkdEV4mv4/S-QZhFnQKpI/AAAAAAAAAFM/Pn_1pWRXfdw/s1600/Man_People.gif" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/_8KKkdEV4mv4/S-QZhFnQKpI/AAAAAAAAAFM/Pn_1pWRXfdw/s320/Man_People.gif" tt="true" width="205" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;By: &lt;span style="color: #cc0000;"&gt;Jaya Lakshmi Vempala&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;pp.: 60, Price: Rs. 35.00&lt;br /&gt;ISBN 978-81-7977-372-7&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;List of Contents:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Introduction&lt;br /&gt;Achebe’s life and career&lt;br /&gt;A Man of The People : Story outline &lt;br /&gt;Plot and structure&lt;br /&gt;Characters and Characterization&lt;br /&gt;Narrative Technique&lt;br /&gt;Language and style&lt;br /&gt;Some important questions&lt;br /&gt;Bibliography&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-4930482867354635902?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/4930482867354635902/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=4930482867354635902' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4930482867354635902'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4930482867354635902'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2010/05/chinua-achebe-man-of-people-study-guide.html' title='Chinua Achebe: A Man of the People (Study Guide)'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_8KKkdEV4mv4/S-QZhFnQKpI/AAAAAAAAAFM/Pn_1pWRXfdw/s72-c/Man_People.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-6818555540339686223</id><published>2010-05-07T06:42:00.000-07:00</published><updated>2012-01-23T06:08:51.013-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>THE CONCEPT OF ANTI-HERO IN THE NOVELS OF UPAMANYU CHATTERJEE</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;a href="http://2.bp.blogspot.com/_8KKkdEV4mv4/S-QYPCvzJGI/AAAAAAAAAFE/UlamHtlzPJQ/s1600/Upamanayu.gif" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/_8KKkdEV4mv4/S-QYPCvzJGI/AAAAAAAAAFE/UlamHtlzPJQ/s320/Upamanayu.gif" tt="true" width="204" /&gt;&lt;/a&gt;&lt;span style="color: #cc0000;"&gt;R.P. Singh&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;pp.: 160, Price Rs. 225&lt;/div&gt;&lt;br /&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;ISBN&amp;nbsp;978-81-7977-370-3&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; text-align: justify;"&gt;The novels of Upamanyu Chatterjee are a very significant addition to the corpus of realistic fiction owing to their undeniable relevance for the youth of India. They are concerned with the hazardous pitfalls that come in the wake of unthinking march toward the mirage of uprooted careerism in search of individualistic happiness. He has chosen two worlds—the world of Indian bureaucrats and that of family relationships—to explore the prevailing conditions of Indian urban society. In his exploration the realistic gaze travels both outward and inward as he is concerned as much with the milieu as the mind.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; text-align: justify;"&gt;The present study of Chatterjee’s novels tries to explore his concept of such young Indian personality as finds it impossible to be noble and positively purposeful in its outlook and action. To say the obvious, this personality is antiheroic because it lacks the attributes traditionally associated with heroic characters.&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; text-align: justify;"&gt;An exploratory attempt has been made to find out the hall-marks of the antiheroic urban Indian personality as illustrated in Chatterjee’s novels, and locate those hall-marks in the frame of influences generated by the socio-cultural condition.&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; text-align: justify;"&gt;Dr. R.P. SINGH did his M.A. in English from Patna University. His area of academic interest is Indian English Fiction. Some of his articles have been published in reputed journals like The Quest, Indian Book Chronicle, and in the Communication column of Seminar. His one article on the role of mother tongue in the acquisition of English was published in the anthology ‘Studies in ELT, Linguistics and Applied Linguistics which was brought out by the Atlantic Publishers, New Delhi. At present, he is Assistant Professor in the English Department of Govt. Nehru PG College, Dongargarh, Dist. Rajnandgaon ( Chhattisgarh).&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;/blockquote&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-6818555540339686223?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/6818555540339686223/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=6818555540339686223' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/6818555540339686223'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/6818555540339686223'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2010/05/concept-of-anti-hero-in-novels-of.html' title='THE CONCEPT OF ANTI-HERO IN THE NOVELS OF UPAMANYU CHATTERJEE'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_8KKkdEV4mv4/S-QYPCvzJGI/AAAAAAAAAFE/UlamHtlzPJQ/s72-c/Upamanayu.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-4662431127310939870</id><published>2010-04-23T08:01:00.000-07:00</published><updated>2012-01-23T06:09:20.106-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Doing Research in Literature</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8KKkdEV4mv4/S9G5glSF9hI/AAAAAAAAAE8/ckI1Vwfcx9s/s1600/Doing_Research.gif" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/_8KKkdEV4mv4/S9G5glSF9hI/AAAAAAAAAE8/ckI1Vwfcx9s/s320/Doing_Research.gif" tt="true" width="208" /&gt;&lt;/a&gt;&lt;/div&gt;by Sulochana Rengachari&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;pp.: 140. Price Rs. 65.00&lt;br /&gt;ISBN 978-81-7977-367-3&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Contents:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;What is Research?&lt;br /&gt;Key Terms in Research : Investigation, Hypothesis and Others&lt;br /&gt;Formulating the Research Problem, Extensive survey of Relevant Literature &lt;br /&gt;Preparing the Research Design &lt;br /&gt;Plagiarism&lt;br /&gt;The Format of the Research Paper&lt;br /&gt;Arriving at Findings and Results&lt;br /&gt;Logical Writing&lt;br /&gt;The Mechanics of Writing&lt;br /&gt;Style&lt;br /&gt;Quotations and Acknowledging the Sources&lt;br /&gt;Footnotes and Endnotes&lt;br /&gt;Arranging Bibliography and Writing Bibliography Using Standard Styles-Sheets&lt;br /&gt;Electronic Sources&lt;br /&gt;Defence of the Thesis—Viva Voce&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-4662431127310939870?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/4662431127310939870/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=4662431127310939870' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4662431127310939870'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4662431127310939870'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2010/04/doing-research-in-literature.html' title='Doing Research in Literature'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_8KKkdEV4mv4/S9G5glSF9hI/AAAAAAAAAE8/ckI1Vwfcx9s/s72-c/Doing_Research.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-1891930983742765584</id><published>2010-04-23T07:49:00.000-07:00</published><updated>2012-01-23T06:09:53.543-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>T.S. Eliot: Four Quartets</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8KKkdEV4mv4/S9GyCsmk6-I/AAAAAAAAAEk/HqAVlPiKJMc/s1600/Four-Quartets.gif" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="237" src="http://2.bp.blogspot.com/_8KKkdEV4mv4/S9GyCsmk6-I/AAAAAAAAAEk/HqAVlPiKJMc/s320/Four-Quartets.gif" tt="true" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: red; font-size: large;"&gt;A Critical Study&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red; font-size: large;"&gt;by &lt;span style="color: blue;"&gt;A.N. Dwivedi&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #38761d;"&gt;pp.: 260, Price: Rs. 80.00&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #38761d;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #38761d;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #38761d;"&gt;ISBN 978-81-7977-368-0&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red; font-size: large;"&gt;Contents:&lt;/span&gt;&lt;br /&gt;Introducing the Poet Eliot&lt;br /&gt;T.S. Eliot’s Life and Work&lt;br /&gt;Influences Traced&lt;br /&gt;The Growth of Eliot’s Poetic &amp;amp; Artistic Mind&lt;br /&gt;Eliot’s Theory of Poetry&lt;br /&gt;Eliot’s Poetic Technique&lt;br /&gt;Eliot as a Classicist&lt;br /&gt;Eliot’s Diction and Versification&lt;br /&gt;Imagery in Eliots Poetry&lt;br /&gt;Eliot’s Use of Symbols&lt;br /&gt;Metaphysical Vein in Eliot’s Poetry&lt;br /&gt;Obscurity In Eliot’s Poetry&lt;br /&gt;Eliot’s Philosophy of Life&lt;br /&gt;Treatment of Life in Eliot’s Poetry &lt;br /&gt;Treatment of Nature in Eliot’s Poetry&lt;br /&gt;Eliot’s Time-Consciousness&lt;br /&gt;Eliot’s Concept of Culture&lt;br /&gt;T.S. Eliot The American Poet&lt;br /&gt;Eliot as a Christian&lt;br /&gt;Conclusion: Eliot At A Glance&lt;br /&gt;Chronology of Important Dates&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red; font-size: x-small;"&gt;On Four Quartets&lt;/span&gt;&lt;br /&gt;Composition of Four Quartets&lt;br /&gt;Four Quartets: A Critical Appreciation&lt;br /&gt;Burnt Norton: Analysis, Notes and References&lt;br /&gt;East Coker: Analysis, Notes and References&lt;br /&gt;The Dry Salvages: Analysis, Notes and References&lt;br /&gt;Little Gidding: Analysis, Notes and References&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-1891930983742765584?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/1891930983742765584/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=1891930983742765584' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/1891930983742765584'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/1891930983742765584'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2010/04/ts-eliot-four-quartets.html' title='T.S. Eliot: Four Quartets'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_8KKkdEV4mv4/S9GyCsmk6-I/AAAAAAAAAEk/HqAVlPiKJMc/s72-c/Four-Quartets.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-2693678170106963280</id><published>2010-02-18T08:23:00.000-08:00</published><updated>2012-01-23T06:10:27.617-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Anita Desai: Fire on the Mountain--A Critical Study</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8KKkdEV4mv4/S31m3TuNZ1I/AAAAAAAAAEc/MHzIA1Osjzc/s1600-h/Fire_Mountain.gif" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" ct="true" src="http://2.bp.blogspot.com/_8KKkdEV4mv4/S31m3TuNZ1I/AAAAAAAAAEc/MHzIA1Osjzc/s320/Fire_Mountain.gif" /&gt;&lt;/a&gt;&lt;/div&gt;By Vinay Dubey&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;ISBN 978-81-7977-360-4&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;pp.:&lt;/span&gt; 168, &lt;span style="color: red;"&gt;Price:&lt;/span&gt; Rs. 60.00&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;List of Contents:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Novels of Anita Desai—An Outline&lt;span style="color: red;"&gt; &lt;strong&gt;;&lt;/strong&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;Narrative Techniques of Anita Desai&lt;span style="color: red;"&gt; &lt;strong&gt;;&lt;/strong&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;Themes of Exile and Alienation &lt;span style="color: red;"&gt;&lt;strong&gt;;&lt;/strong&gt;&lt;/span&gt; &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;Themes of Love, Sex and Marriage &lt;strong&gt;&lt;span style="color: red;"&gt;;&lt;/span&gt;&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;Trauma of House Wife &lt;strong&gt;&lt;span style="color: red;"&gt;;&lt;/span&gt;&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;Search for Roots &lt;strong&gt;&lt;span style="color: red;"&gt;;&lt;/span&gt;&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;Vision of Art of Anita Desai &lt;strong&gt;&lt;span style="color: red;"&gt;;&lt;/span&gt;&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;The Real Self &lt;span style="color: red;"&gt;&lt;strong&gt;;&lt;/strong&gt;&lt;/span&gt; &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;The Inner Crises &lt;strong&gt;&lt;span style="color: red;"&gt;;&lt;/span&gt;&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;The Existential Dimensions &lt;strong&gt;&lt;span style="color: red;"&gt;;&lt;/span&gt;&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;The Search for Meaning &lt;span style="color: red;"&gt;&lt;strong&gt;;&lt;/strong&gt;&lt;/span&gt; &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;Chapterwise Summary &lt;strong&gt;&lt;span style="color: red;"&gt;;&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;Character of Raka &lt;strong&gt;&lt;span style="color: red;"&gt;;&lt;/span&gt;&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;Character of Nanda Kaul &lt;strong&gt;&lt;span style="color: red;"&gt;;&lt;/span&gt;&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;Character of IlA Das &lt;strong&gt;&lt;span style="color: red;"&gt;;&lt;/span&gt;&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;Compare and Contrast between Nanda Kaul and Raka &lt;strong&gt;&lt;span style="color: red;"&gt;;&lt;/span&gt;&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;Title of the Novel &lt;strong&gt;&lt;span style="color: red;"&gt;;&lt;/span&gt;&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;Appreciation of Novel &lt;strong&gt;&lt;span style="color: red;"&gt;;&lt;/span&gt;&lt;/strong&gt; &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;Conclusion&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-2693678170106963280?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/2693678170106963280/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=2693678170106963280' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/2693678170106963280'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/2693678170106963280'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2010/02/anita-desai-fire-on-mountain-critical.html' title='Anita Desai: Fire on the Mountain--A Critical Study'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_8KKkdEV4mv4/S31m3TuNZ1I/AAAAAAAAAEc/MHzIA1Osjzc/s72-c/Fire_Mountain.gif' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-256116669967071031</id><published>2010-01-24T09:11:00.000-08:00</published><updated>2012-01-23T06:11:02.401-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Bacon’s Essays</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_8KKkdEV4mv4/S1x97xompAI/AAAAAAAAAEU/5MiqccE4-mU/s1600-h/Bacon_Essays.gif" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" mt="true" src="http://4.bp.blogspot.com/_8KKkdEV4mv4/S1x97xompAI/AAAAAAAAAEU/5MiqccE4-mU/s320/Bacon_Essays.gif" width="231" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: red;"&gt;By:&lt;/span&gt; J.N. Mundra, S.C. Agarwal&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;pp.:&lt;/span&gt; 400, &lt;span style="color: red;"&gt;Price:&lt;/span&gt; Rs. 100.00&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;ISBN 81-85897-03-4&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: purple;"&gt;Introduction, Text, Notes and Question-Answers&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red; font-size: x-small;"&gt;Essays included are:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Of Expense 2. Of Regiment of Health 3. of Followers and Friends&amp;nbsp; 4. Of Truth 5. Of Marriage and Single Life 6. Of Ceremonies and Respect 7. Of Gardens 8. Of Nature in Man 9. Of Discourse 10. Of Studies 11. of Revenge 12. Of Parents and Children 13. Of travel 14. Of Faction 15. Of Suitors 16. Of Negociating (or Negotation) 17. Of Superstition 18. Of Simulation and Dissimulation 19. Of Great Place 20. Of Friendship 21. Of love 22. Of Empire 23. Of Delays 24. Of Death 25. Of Unity in Religion 26. Of Adversity 27.Of Envy 28. Of Boldness 29. Of Goodness and Goodness of Nature 30. Of Nobility 31. of Sedition and troubles 32. Of Atheism 33. Of Counsel 34. Of the True Greatness of Kingdoms and Estates 35. Of Riches 36. Of Ambition 37. Of Masques and Trimphs 38. Of Suspicion 39. Of Fortune 40. Of Youth and Age 41. Of Building 42. Of Cunning 43. Of Wisdom for a Man's Self 44. Of Despatch 45. Of Plantations 46. Of Custom and Education 47. Of Praise 48. Of Vain-Glory 49. Of Judicature 50. Of Anger 51. Of Honour and Reputation&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-256116669967071031?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/256116669967071031/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=256116669967071031' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/256116669967071031'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/256116669967071031'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2010/01/bacons-essays.html' title='Bacon’s Essays'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_8KKkdEV4mv4/S1x97xompAI/AAAAAAAAAEU/5MiqccE4-mU/s72-c/Bacon_Essays.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-686946056605963079</id><published>2010-01-24T08:54:00.000-08:00</published><updated>2012-01-23T06:11:35.947-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>W.H Auden: A Critical Study of Selected Poems</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_8KKkdEV4mv4/S1x4-eF5EkI/AAAAAAAAAEM/Yk0SoUMbYZQ/s1600-h/Auden.gif" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" mt="true" src="http://1.bp.blogspot.com/_8KKkdEV4mv4/S1x4-eF5EkI/AAAAAAAAAEM/Yk0SoUMbYZQ/s320/Auden.gif" width="207" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: red;"&gt;By:&lt;/span&gt; S.C. Mundhra&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;pp.:&lt;/span&gt; 270, price: &lt;span style="color: red;"&gt;Rs.&lt;/span&gt; 75.00&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;ISBN 978-81-7977-354-3&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red; font-size: large;"&gt;List of Contents:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. W.H. Auden and His age&lt;br /&gt;&lt;br /&gt;2. W.H. Auden: &amp;nbsp;Life and Poetical Works&lt;br /&gt;&lt;br /&gt;3. Early Themes—Marxism and Psychology&lt;br /&gt;&lt;br /&gt;4. Later Theme: Religion&lt;br /&gt;&lt;br /&gt;5. Auden’s Concept of Love&lt;br /&gt;&lt;br /&gt;6. Auden’s Treatment of Nature&lt;br /&gt;&lt;br /&gt;7. Symbolism and Imagery in Auden’s Poetry&lt;br /&gt;&lt;br /&gt;8. Auden’s Poetic Style and Technique&lt;br /&gt;&lt;br /&gt;9. Auden as an Anti-Romantic Poet&lt;br /&gt;&lt;br /&gt;10. Auden as a Modern Poet&lt;br /&gt;&lt;br /&gt;11. An Estimate of W.H. Auden as a Poet&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;An explication of following poems&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;In Memory of W.B. Yeats ; The Shield of Achilles ; The Unknown Citizen ; Petition ; Spain 1937 ; September 1, 1939 ; Mundus et infans ; Diaspora ; Miss Gee&amp;nbsp;; Consider ; Musee Des Beaux Arts ; O What is that sound or The quarry ; O Where are you Going? OR The Three Companions ; Lullaby Or Lay Your Sleeping Head, My Love ; The Wanderer ; Who’ Who Or A Shilling Life ; In Praise&amp;nbsp;of Limestone ; Woods ; Streams ; Refugee Blues&lt;br /&gt;&lt;br /&gt;Selected University questions On W.H. Auden’s poetry&lt;br /&gt;&lt;br /&gt;Select Bibliography&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-686946056605963079?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/686946056605963079/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=686946056605963079' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/686946056605963079'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/686946056605963079'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2010/01/wh-auden-critical-study-of-selected.html' title='W.H Auden: A Critical Study of Selected Poems'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_8KKkdEV4mv4/S1x4-eF5EkI/AAAAAAAAAEM/Yk0SoUMbYZQ/s72-c/Auden.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-4329429942204900886</id><published>2009-12-25T05:00:00.000-08:00</published><updated>2012-01-30T23:04:01.674-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>PRINCIPLES AND HISTORY OF LITERARY CRITICISM</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: blue;"&gt;By S.C. Mundra, S.C. Agarwal&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: orange;"&gt;ISBN 81-7977-015-X&lt;/span&gt;&lt;/div&gt;&lt;span style="color: orange;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span closure_uid_jmeaeq="107" style="color: orange;"&gt;pp.: 600, Price: Rs. 240.00&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: red; font-size: large;"&gt;List of Contents&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Fundamentals of Criticism&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;THE WORD ‘CRITICISM’ DEFINED; CRITICISM AS INTERPRETATION; CRITICISM AS COMMENTATION, EXPOSITION AND EVALUTION; CRITICISM AS JUDGEMENT; FUNCTIONS OF CRITICISM; QUALIFICATIONS OF A CRITIC; PRINCIPLES OF CRITICISM; FORMS OF CRITICISM; VARIETY OF CRITICISM; CRITICISM AND CREATION; CRITICISM AND SCIENCE&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Criticism in Ancient Greece&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;PLATO (427 B.C.—347 B.C.); JUDICIAL CRITICISM BEFORE PLATO; GROWTH OF LITERARY CRITICISM IN ANCIENT GREECE; CRITICAL REFERENCES ABOUT THE NATURE AND FUNCTION OF POETRY; CRITICAL REFERENCES IN GREEK DRAMATIC LITERATURE; THE LIFE OF PLATO; PLATO’S THEORY OF IDEAS; PLATO’S INDICTMENT OF POETRY; PLATO’S VIEWS ON DRAMA; PLATO’S CONTRIBUTION TO CRITICISM; ARISTOTLE (384 B.C.—322 B.C.); THE LIFE OF ARISTOTLE; A CONSIDERATION OF ‘THE POETICS’; ‘THE POETICS’—ITS VALUE; THE CONCEPT OF IMITATION OR ‘MIMESIS’; POETIC TRUTH, HISTORY AND PHILOSOPHY; DEFINITION OF TRAGEDY; PARTS OF TRAGEDY; THE TRAGIC HERO; RELATIVE IMPORTANCE OF PLOT AND CHARACTER IN TRAGEDY; THE FUNCTION OF TRAGEDY: “CATHARSIS”; THE PURGATION THEORY; THE PURIFICATION THEORY; THE CLARIFICATION THEORY; STRUCTURE OF THE TRAGIC PLOT; THE THREE UNITIES; ARISTOTLE’S VIEWS ON COMEDY; ARISTOTLE’S VIEWS ON EPIC AND TRAGEDY; ARISTOTLE’S CONTRIBUTION TO LITERARY CRITICISM; IMPORTANCE OF ‘THE POETICS’&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Latin Criticism&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;HORACE (65 B.C.-8 B.C.); THE LIFE OF HORACE; WORKS OF HORACE; CLASSICISM OF HORACE; HORACE’S PRECEPTS CONCERNING THE ART OF POETRY AND DRAMA; HORACE AS A CRITIC; QUINTILIAN (35 A.D.-95 A.D.)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Graeco-Roman Criticism&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;LONGINUS&lt;/span&gt;; &lt;span style="font-size: x-small;"&gt;LONGINUS ‘ON THE SUBLIME’; THE TRUE SUBLIME DEFINED; THE FALSE SUBLIME; DISTINCTION BETWEEN TRUE AND FALSE SUBLIME; LONGINUS AS THE FIRST ROMANTIC CIRTIC OF THE ANCIENT WORLD; BLENDING OF THE ROMANTIC AND THE CLASSICAL TENDENCIES IN LONGINUS; LONGINUS’ CONTRIBUTION TO LITERARY CRITICISM&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;The Renaissance Italian Criticism&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;DANTE ALIGHIERI [1265-1321]; THE LIFE OF DANTE; WORKS OF DANTE; THE LANGUAGE OF POETRY; DANTE’S THEORY OF POETIC DICTION; DANTE AS A CRITIC&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Renaissance Criticism&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;THE BEGINNINGS OF MODERN LITERARY CRITICISM; THE ELIZABETHAN CRITICISM&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Sir Philip Sidney (1554-1586)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;‘AN APOLOGY FOR POETRY’; ANALYSIS OF ‘AN APOLOGY FOR POETRY’; IMPORTANCE OF ‘AN APOLOGY FOR POETRY’; A CONSIDERATION OF RHYME AND VERSE IN POETRY; POETRY AS AN IMITATIVE ART; SIDNEY’S INDEBTEDNESS TO GREEK, LATIN AND ITALIAN RENAISSANCE CRITICS; SIDNEY AND PLATO; SIDNEY AND HORACE; SIDNEY AND ARISTOTLE; SIDNEY AND CICERO; THE ITALIAN INFLUENCE ON SIDNEY; SYNTHESIS OF CLASSICAL AND ROMANTIC ELEMENTS IN ‘AN APOLOGY FOR POETRY’; MODERN NOTE IN SIDNEY’S CRITICISM; A CONSIDERATION OF ‘AN APOLOGY FOR POETRY’ AS AN EPITOME OF THE ITALIAN RENAISSANCE CRITICISM; WAS ‘APOLOGY FOR POETRY’ GETTING OUT OF DATE EVEN AS IT WAS BEING WRITTEN?; SIDNEY’S JUDICIAL CRITICISM; CLASSICAL AND ROMANTIC TRAITS IN SIDNEY’S LITERARY CRITICISM; SIDNEY AS THE FATHER OF ENGLISH CRITICISM; SIDNEY’S STYLE AND INFLUENCE; HISTORICAL IMPORTANCE OF SIDNEY’S LITERARY CRITICISM&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Ben Jonson (1573-1637)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;GROWTH OF LITERATURE DURING THE RENAISSANCE; BEN JONSON’S REACTION AGAINST ROMANTIC EXTRAVAGANCE; BEN JONSON’S DRAMATIC CRITICISM; BEN JONSON’S VIEWS ON COMEDY; BEN JONSON’S VIEWS ON TRAGEDY; BEN JONSON’S VIEWS ON POETRY; BEN JONSON’S VIEWS ON STYLE; BEN JONSON’S PRACTICAL CRITICISM; BEN JONSON AS A CRITIC&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Literary Criticism during the Restoration (1660-1700)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;TRADITIONALISM AND RATIONALISM; ANALYSIS AND RHETORIC; THE AIM OF POETRY; THEORY OF IMITATION; THE RULES; THE GENRES; IMAGINATION AND JUDGMENT&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Nicholas Boileau (1636-1711)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;THE LIFE OF NICHOLAS BOILEAU; BOILEAU’S ACHIEVEMENT AS A CRITIC; BOILEAU’S ‘THE ART POETIQUE’; BOILEAU AND DRYDEN—A COMPARISON&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;John Dryden (1631-1700)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;DRYDEN AND THE NEO-CLASSICAL TRADITION; DRYDEN—THE FIRST GREAT ENGLISH CRITIC; ‘THE ESSAY OF DRAMATIC POESY’ (1668); ANALYSIS OF ‘THE ESSAY OF DRAMATIC POESY’; CRITICAL VALUE OF ‘THE ESSAY OF DRAMATIC POESY’; ‘PREFACE TO THE FABLES’ (1700); ON THE NATURE OF POETRY; THE FUNCTION OF POETRY; DRYDEN ON EPIC POETRY; DRYDEN’S VIEWS ON SATIRE; DRYDEN’S VIEWS ON TRAGEDY; DRYDEN’S VIEWS ON COMEDY; DRYDEN AS A CRITIC; DRYDEN’S PROSE STYLE &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Neo-classical Criticism&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;THE AGE OF NEO-CLASSICISM IN ENGLISH LITERATURE; NEO-CLASSICAL CREED; POETIC DICTION&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Joseph Addison (1672-1719)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;ADDISON—A JOURNALISTIC CRITIC; ON TRUE AND FALSE WIT; ON THE PLEASURES OF THE IMAGINATION; ADDISON’S ACHIEVEMENTS AS A CRITIC&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Alexander Pope (1688-1744)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;ALEXANDER POPE’S CRITICAL WORKS; CLASSICISM OF POPE; POPE’S VIEWS ON CRITICISM; POPE’S VIEWS ON LITERATURE; POPE’S ACHIEVEMENTS AS A CRITIC&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Dr. Samuel Johnson (1709-1784)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;THE CLASSICAL AND ROMANTIC TENDENCIES IN THE AGE OF SAMUEL JOHNSON; JOHNSON’S CRITICAL PRINCIPLES; JOHNSON’S VIEWS ON POETRY; ON KINDS OF POETRY; JOHNSON’S CRITICISM OF SHAKESPEARE—‘THE PREFACE TO SHAKESPEARE’; THE UNITIES; ‘THE LIVES OF THE POETS’; JOHNSON AS A CRITIC&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;The Romantic Criticism&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;THE PERIOD OF THE ROMANTIC CRITICISIM (1800-1825); A SURVEY OF ENGLISH CRITICISM FROM THE 16TH TO THE EARLY 19TH CENTURY; FACTORS RESPONSIBLE FOR THE CHANGE IN CRITICAL OUTLOOK; POLITICAL CAUSES FOR THE DEVELOPMENT OF ROMANTICISM; THE INFLUENCE OF GERMANY; THE ROMANTIC CREED AND ITS NOTE OF FREEDOM; ROMANTIC CRITICISM INVESTIGATES THE NATURE OF POETRY; ROMANTIC CRITICISM IS ESSENTIALLY CREATIVE IN NATURE&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;William Wordsworth (1770-1850)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;WORDSWORTH AS A CRITIC; ‘PREFACE TO THE LYRICAL BALLADS’ (1800): A DETAILED ANALYSIS; WORDSWORTH’S THEORY OF POETRY; WORDSWORTH’S THEORY OF POETIC DICTION AND ITS EXAMINATION BY COLERIDGE IN ‘BIOGRAPHIA LITERARIA’; OTHER CRITICAL PRINCIPLES OF WORDSWORTH; THE APPENDIX TO THE ‘PREFACE TO THE LYRICAL BALLADS’; WORDSWORTH’S VIEWS ON IMAGINATION AND FANCY; WORDSWORTH’S ACHIEVEMENT AS A CRITIC&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Samuel Taylor Coleridge (1772-1834)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;SAMUEL TAYLOR COLERIDGE AS A CRITIC; COLERIDGE’S DEFINITION OF A POEM; COLERIDGE’S DEFINITION OF A POET; COLERIDGE ON FANCY AND IMAGINATION; ON TALENT AND POETIC GENIUS; COLERIDGE AS A CRITIC OF SHAKESPEARE; COLERIDGE’S ACHIEVEMENT AS A CRITIC&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Shelley and Keats&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;P.B. SHELLEY (1792-1822); SHELLEY’S ACHIEVEMENT AS A CRITIC; JOHN KEATS (1795-1821)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Hazlitt and Lamb&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;WILLIAM HAZLITT (1778-1830); HAZLITT—A FOLLOWER OF COLERIDGE; HAZLITT—AN IMPRESSIONIST; HAZLITT’S CRITICISM—DIVIDED INTO TWO KINDS; HAZLITT ON POETRY; HAZLITT’S VIEWS ON IMAGINATION; HAZLITT’S DRAMATIC CRITICISM; HAZLITT’S ACHIEVEMENT AS A CRITIC; CHARLES LAMB (1775-1834); LAMB’S DRAMATIC CRITICISM; LAMB’S CRITICISM OF SHAKESPEARE; LAMB’S ACHIEVEMENT AS A CRITIC&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;The Victorian Criticism&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;THE VICTORIAN COMPROMISE; THE INFLUENCE OF THE FRENCH POSITIVIST PHILOSOPHY; THE ROMANTIC AND THE IDEALISTIC TRENDS; THE BIOGRAPHICAL-CRITICAL METHOD; IMPRESSIONISM&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Matthew Arnold (1822-188)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;MATTHEW ARNOLD’S CRITICAL WRITINGS; ‘THE STUDY OF POETRY’—A CRITICAL SUMMARY; ‘THE FUNCTION OF CRITICISM AT THE PRESENT TIME’—A CRITICAL SUMMARY; ARNOLD’S THEORY OF POETRY; THE GRAND STYLE; CRITICISM OF ARNOLD’S VIEWS; POETRY AS CRITICISM OF LIFE; ARNOLD’S VIEWS ON CRITICISM; THE TOUCHSTONE METHOD; ARNOLD AS A CRITIC; ARNOLD’S INFLUENCE&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Walter Pater (1839-93)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;PATER—AN EXPONENT OF THE AESTHETIC MOVEMENT; PATER’S CRITICAL WORKS; PATER’S VIEWS ON LITERATURE AND ART; PATER’S VIEWS ON STYLE; THE FUNCTION OF CRITICISM; PATER AS A CRITIC&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Modern Criticism&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;A RICH VARIETY OF TRENDS; TWO MAIN DIRECTIONS OF MODERN CRITICISM; MODERN CRITICISM¬¬DEFINED; MASTER METAPHORS OF PROMINENT CRITICS; EXPRESSIONISM&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;T.S. Eliot (1888-1965)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;T.S. ELIOT AS A CRITIC; ELIOT’S THEORY OF IMPERSONALITY OF POETRY; ELIOT’S THEORY OF ‘OBJECTIVE CORRELATIVE’; ‘DISSOCIATION OF SENSIBILITY’; ELIOT’S VIEWS ON CRITICISM; THE FUNCTION OF CRITICISM; ELIOT AS A CRITIC; SOME FAULTS IN ELIOT’S CRITICISM; ‘TRADITION AND THE INDIVIDUAL TALENT’—A CRITICAL SUMMARY; ‘THE FUNCTION OF CRITICISM’¬—A CRITICAL SUMMARY; ‘THE FRONTIERS OF CRITICISM’—A CRITICAL SUMMARY&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;I. A. Richards (1893–1979)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;I. A. RICHARDS AS A CRITIC; RICHARDS AND COLERIDGE; THE POSITION OF POETRY IN RELATION TO SCIENCE; I. A. RICHARDS’ CRITICAL PRINCIPLES; RICHARDS’ PSYCHOLOGICAL THEORY OF VALUE; THE NATURE OF POETRY; THE VALUE OF POETRY; SOME VIEWS OF RICHARDS DISCUSSED; I. A. RICHARDS AS A CRITIC; I. A. RICHARDS—AN ESTIMATE&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;F.R. Leavis (1895–1978)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;F.R. LEAVIS AS A CRITIC; ELIOT’S INFLUENCE ON LEAVIS; LEAVIS’ CONCEPT OF TRADITION; LEAVIS’ COLLABORATIVE APPROACH TO LITERATURE; LEAVIS’ CRITICAL PRINCIPLES; LEAVIS’ IDEAL OF A GOOD CRITIC; LEAVIS’ JUDICIAL CRITICISM; LEAVIS’ ACHIEVEMENT AS A CRITIC&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;The New Critics and the Chicago Critics&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;THE NEW CRITICISM; DECLINE OF ITS INFLUENCE; ROLE OF T.S. ELIOT; ROLE OF I.A. RICHARDS; ROLE OF ALLEN TATE AND J.C. RANSOM; ROLE OF R.P. BLACKMUR AND CLEANTH BROOKS; MASTER-METAPHORS OF THE NEW CRITICS; ACHIEVEMENT OF THE NEW CRITICS; SHORTCOMINGS OF NEW CRITICISM; CRITICISM BY THE CHICAGO-SCHOOL OF CRITICS OR THE NEO-ARISTOTELIANS; ITS ACHIEVEMENTS; THE CHICAGO CRITICS OR THE NEO-ARISTOTELIANS&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Newer than New&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;STYLISTICS; STRUCTURALISM; DECONSTRUCTION; MARXIST CRITICISM; PSYCHO-ANALYTIC CRITICISM; READER-RESPONSE THEORY; FEMINIST CRITICISM; NEW HISTORICISM&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: purple;"&gt;Some Critical Problems and Statements Explained&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;ART IS THE IMITATION OF LIFE; THE THEORY OF CATHARSIS; “WE MUST ENJOY BEFORE WE CAN CRITICIZE”; “WE STAND IN NEED OF TRAINING FOR ENJOYMENT.”; “DELIGHT IS THE CHIEF, IF NOT THE ONLY, END OF POETRY.” “POETRY SHOULD SURPRISE US BY A FINE EXCESS.”; “A POETRY OF REVOLT AGAINST MORAL IDEAS IS A POETRY OF REVOLT AGAINST LIFE.”; “WE HATE POETRY THAT HAS A PALPABLE DESIGN UPON US.”; REALISM IS NOT A PHOTOGRAPHIC PRESENTATION OF LIFE.; “THE PROGRESS OF AN ARTIST IS A CONTINUAL SELF-SACRIFICE, A CONSTANT EXTINCTION OF PERSONALITY.”; LITERARY CRITICISM CONSIDERED AS SCIENCE; “THE ONLY WAY OF EXPRESSING EMOTION IN THE FORM OF ART IS BY FINDING AN ‘OBJECTIVE CORRELATIVE.’”; “ART MOVES FROM STAGE TO STAGE BY TWO OPPOSING PATHS: THE WAY OF CONSTRUCTIVE ACCEPTANCE AND THE WAY OF REVOLT.”; “CRITICISM IS THE ENDEAVOUR TO DISCRIMINATE BETWEEN EXPERIENCES AND EVALUATE THEM.”; “THE LIFE AND SOUL OF TRAGEDY IS THE PLOT.”; “CLASSICISM IS HEALTH AND ROMANTICISM IS DISEASE.”; “A LIVING CHARACTER IS NOT NECESSARILY TRUE TO LIFE.”; “TO SET UP AS A CRITIC IS TO SET UP AS A JUDGE OF VALUES.”; INTERPRETATIVE AND JUDICIAL CRITICISM CONSIDERED; OBSCURITY IN POETRY; SYMBOLIST MOVEMENT IN ENGLISH POETRY; PURE POETRY; ALL CRITICISM IS ESSENTIALLY PERSONAL; “THE GOOD CRITIC IS HE WHO RELATES THE ADVENTURES OF HIS SOUL AMONG MASTERPIECES.”; A POEM OF ANY LENGTH NEITHER CAN BE, NOR OUGHT TO BE, ALL POETRY; “GREAT LITERATURE IS SIMPLY LANGUAGE CHARGED WITH MEANING TO THE UTMOST POSSIBLE DEGREE.”&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Glossary&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Bibliography&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-4329429942204900886?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/4329429942204900886/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=4329429942204900886' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4329429942204900886'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4329429942204900886'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2009/12/principles-and-history-of-literary.html' title='PRINCIPLES AND HISTORY OF LITERARY CRITICISM'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-5273576876362868411</id><published>2009-12-22T05:59:00.000-08:00</published><updated>2012-01-23T22:38:06.313-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>THE FLAME UNMASKED: Stephen Gill's Epic Critically Examined</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://2.bp.blogspot.com/_8KKkdEV4mv4/SzDRpUg2bZI/AAAAAAAAAD8/XItxuJLpQmE/s1600-h/Flame.gif"&gt;&lt;span style="background-color: yellow;"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5418060859538042258" src="http://2.bp.blogspot.com/_8KKkdEV4mv4/SzDRpUg2bZI/AAAAAAAAAD8/XItxuJLpQmE/s320/Flame.gif" style="cursor: hand; float: left; height: 320px; margin: 0px 10px 10px 0px; width: 230px;" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="background-color: yellow;"&gt; &lt;/span&gt;&lt;span style="background-color: #ead1dc;"&gt;Ed. by Sudhir K. Arora&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #ead1dc;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #ead1dc;"&gt;ISBN 978-81-7977-357-4&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #ead1dc;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #ead1dc;"&gt;pp. 240&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #ead1dc;"&gt;Price: Rs. 200.00&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: black; color: red;"&gt;Review of this book is available at:&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: red;"&gt;&lt;a href="http://shaleenreviews.blog.com/2009/12/25/the-flame-unmasked-ed-sudhir-k-arora-bareilly-prakash-book-depot-isbn-978-81-7977-357-4-pages-240-rs-200-reviewed-by-shaleen-kumar-singh/"&gt;http://shaleenreviews.blog.com/2009/12/25/the-flame-unmasked-ed-sudhir-k-arora-bareilly-prakash-book-depot-isbn-978-81-7977-357-4-pages-240-rs-200-reviewed-by-shaleen-kumar-singh/&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: red;"&gt;&lt;span style="font-size: 100%;"&gt;&lt;span style="background-color: white; color: black; font-family: inherit;"&gt;Stephen Gill's The Flame (2008), which is an epical poem with eight parts and sixty two cantos covering 152 pages, is distinctive in itself because of its peace promoting spirit in the world diseased with terrorism. It offers a comprehensive poetic study of destruction caused by the maniac messiahs, as well as, despair out of this destruction and devotion to fight against it with the united efforts under the guidance of the eternal Flame. The poet invokes the Flame, depicts the havoc and destructive scenes, calculates the loss, studies the maniac messiahs psychologically peeping into their hearts and finally offers his determination to pursue his odyssey. Through this poem, the poet in Stephen Gill wages a war against the maniac messiahs by making the masses aware of the evil design.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: white; color: black; font-family: inherit;"&gt;The Flame is noted for its poetic idiom which is an outcome of an amalgamation of meaningful phraseology, fresh imagery and high imagination with a touch of realism, breath-taking narration and tonal variations. The poet creates the scenes and leaves to the readers to imagine and feel the very pulse which he wishes them to feel. The poem possesses all the characteristic features that make it a poetics of peace as it talks of peace not in any particular nation but in the world. There is no exaggeration in calling The Flame a Bible of Peace. &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: white; color: black;"&gt;&lt;span style="font-family: inherit;"&gt;The present book, which is a collection of 18 papers attempts to decipher the text of The Flame critically in order to highlight the various possibilities of the undiscovered riches that will allure the readers, teachers and researchers for further search and research.&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: white; color: black; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;Sudhir K. Arora (b.1968) teaches English at Maharaja Harishchandra P. G. College, Moradabad (M.J.P. Rohilkhand University, Bareilly, U.P.). Besides completing a UGC sponsored project on Narrative Techniques as Delineators, he has co-edited Thunder on Stage: A Study of Girish Karnad's Plays and Festivals of Fire: Niranjan Mohanty. His area of interest is Indian Writing in English, Indian Aesthetics and Postcolonialism. His scholarly papers, book reviews and poems have been published in different reputed anthologies and journals including Indian Literature and World Literature Today. He has authored books, namely A Study of Kamala Markandaya's Women (2006), A Thirsty Cloud Cries (2006) &amp;amp; The Poetic Corpus of Stephen Gill: An Evaluation (2009). His monograph, titled, The Poetic Corpus of Niranjan Mohanty: An Evaluation is in press. Bharat Times from Canada has honored him with a plaque for outstanding contribution as a literary critic.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;List of Contents&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #ffd966;"&gt;The Speculative Solemnity in Stephen Gill’s The Flame &lt;span style="color: #cc0000;"&gt;—R. C. Shukla &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #93c47d;"&gt;Satan’s Followers with Pandora Box: A Comparative Study of The Flame and Paradise Lost&amp;nbsp; &lt;span style="color: #cc0000;"&gt;—Sandhya Saxena&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #ffd966;"&gt;Stephen Gill’s The Flame in the Light of the Rasa Theory &lt;span style="color: #cc0000;"&gt;—Sudhir K. Arora &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #93c47d;"&gt;Human Beings minus Human Values: Maniac Messiahs in Stephen Gill’s The Flame&amp;nbsp;&lt;span style="color: #cc0000;"&gt;—Madhubala Saxena&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #ffd966;"&gt;Triumph of the Flame: A Comparative Study of Shelley’s Triumph of Life and Stephen Gill’s The Flame &lt;span style="color: #cc0000;"&gt;—G. L. Gautam &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #93c47d;"&gt;Multifarious Manifestations in Stephen Gill’s The Flame &lt;span style="color: #cc0000;"&gt;—Sandhya Saxena&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #ffd966;"&gt;Revamping Roles of Terrorism in Ramcharitmanas and The Flame &lt;span style="color: #cc0000;"&gt;—Anuradha Sharma &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #93c47d;"&gt;Stephen Gill’s The Flame: Symphony of Music, Imagery and Thought &lt;span style="color: #cc0000;"&gt;—Chhote Lal Khatri&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #ffd966;"&gt;Prayers to the Flame: Niranjan Mohanty and Stephen Gill &lt;span style="color: #cc0000;"&gt;—Sudhir K. Arora &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #93c47d;"&gt;Stephen Gill’s The Flame: An Epic on Anti-terrorism &lt;span style="color: #cc0000;"&gt;—K.V. Dominic&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #ffd966;"&gt;The Flame of The Bhagavadgita: A Reading of Stephen Gill’s The Flame &lt;span style="color: #cc0000;"&gt;—Satish Kumar, Anupam Bansal &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #93c47d;"&gt;Stephen Gill’s The Flame: At a Glance &lt;span style="color: #cc0000;"&gt;—K. Balachandran&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #ffd966;"&gt;The Prophet and The Flame: A Comparative Study &lt;span style="color: #cc0000;"&gt;—Sudhir K. Arora &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #93c47d;"&gt;Nature in Stephen Gill’s The Flame &lt;span style="color: #cc0000;"&gt;—Alka Agrawal&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #ffd966;"&gt;Stephen Gill’s The Flame: An Anatomy of Terrorism &lt;span style="color: #cc0000;"&gt;—Arun Kumar Mishra &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #93c47d;"&gt;Battling Blazes in Stephen Gill’s The Flame &lt;span style="color: #cc0000;"&gt;—G. Dominic Savio, S.J. Kala&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #ffd966;"&gt;Celebrating Peace: Stephen Gill’s The Flame &lt;span style="color: #cc0000;"&gt;—Ruchi Shinghal &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #ffd966;"&gt;&lt;span style="background-color: #93c47d;"&gt;Stephen Gill’s Craft in The Flame &lt;/span&gt;&lt;span style="background-color: #93c47d; color: #cc0000;"&gt;—Sudhir K. Arora&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #ffd966;"&gt;BIBLIOGRAPHY &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #93c47d;"&gt;Index&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;List of Contributors&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #cfe2f3; color: #073763; font-size: x-small;"&gt;Alka Agrawal, Reader, Dept. of English, N. K. B. M. G. (PG) College, Chandausi–202412. &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #d9d2e9; color: #073763; font-size: x-small;"&gt;Anupam Bansal, Dept. of English, M. L. Girls P. G. College, Saharanpur&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #cfe2f3; color: #073763; font-size: x-small;"&gt;Anuradha Sharma teaches at Navjivan Arts and Commerce College, Dahod, Gujarat- 389151.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #d9d2e9; color: #073763; font-size: x-small;"&gt;Arun Kumar Mishra, Reader and Head, Department of English, Janta Vedic College, Baraut, Baghpat, (U.P). 250611. Home Address: Krishna Apartment, Block No. 287, Flat No. M 2 C, Shalimar Garden Extension, Sahibabad, Ghaziabad—201005 (UP)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #cfe2f3; color: #073763; font-size: x-small;"&gt;Chhote Lal Khatri, Editor: Cyber Literature, “Anandamatha”, Near St. Paul School, Harnichak, Anisabad, Patna:800002, Bihar.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #d9d2e9; color: #073763; font-size: x-small;"&gt;G. Dominic Savio, Reader in English, The American College, Madurai—2&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #cfe2f3; color: #073763; font-size: x-small;"&gt;G. L. Gautam, Reader in English, Lajpat Rai Collage Sahibabad Ghaziabad (U.P.) &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #d9d2e9; color: #073763; font-size: x-small;"&gt;K. Balachandran, Professor of English, Annamalai University, Annamalai Nagar-608002. Tamil Nadu, India.&amp;nbsp;He is a bilingual writer, a poet, critic, reviewer, translator and essayist with 14 books to his credit. &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #cfe2f3; color: #073763; font-size: x-small;"&gt;K. V. Dominic, Professor in English, P. G. Department, Newman College, Thodupuzha East P. O., Idukki District, Pin-685585. Kerala, India. He edits a referred biannual Journal of Postcolonial Literatures (IJPCL), (ISSN 0974 – 7370).&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #d9d2e9; color: #073763; font-size: x-small;"&gt;Madhubala Saxena, Department of English, Maharaja Harishchandra P. G. College, Moradabad-244001 UP India &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #cfe2f3; color: #073763; font-size: x-small;"&gt;R. C. Shukla, Former Head, Department of English, K. G. K. Postgraduate College, Moradabad. He is a bilingual poet writing both in Hindi and English. His poetic collections include: Darkness at Dawn, Belated Appearance, Depth and Despair, My Poems Laugh, The Parrot Shrieks Part I, II and III. He resides at MIG 33, Ramganga Vihar, phase 2, MIT Road, Moradabad-244001 (Tel: 0591-2452040 Mobile: 09411682777).&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #d9d2e9; color: #073763; font-size: x-small;"&gt;Ruchi Shinghal, Lecturer, Department of English, Kanya Mahavidyalaya, Bhoor, Bareilly. Home Address: B-21, Gangwar Complex, Karmchari Nagar Road, Izatnagar, Bareilly 243122 (UP) India.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #cfe2f3; color: #073763; font-size: x-small;"&gt;Sandhya Saxena, Senior Lecturer, Department of English, V.R.A.L. Govt. Girls P.G. College, Bareilly, U.P., India. &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #d9d2e9; color: #073763; font-size: x-small;"&gt;Satish Kumar, Former Dean, Faculty of Arts, M. J. P. Rohilkhand University, Bareilly and former Principal, Govt. Raza P. G. College, Rampur (UP) is a renowned writer of more than twenty four books. Home Address: H. I. G — 27, Ram Ganga Vihar II, Moradabad—244001 (UP) India.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="background-color: #cfe2f3; color: #073763; font-size: x-small;"&gt;S. J. Kala, Senior Lecturer in English, Fatima College, Madurai—18. &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="background-color: #d9d2e9;"&gt;&lt;span style="color: #073763;"&gt;Sudhir K. Arora, Department of English, Maharaja Harishchandra P. G. College, Moradabad-244001. UP India. Home Address: B-72, Deendayal Nagar, Phase-2, Near Sai Temple, Moradabad-244001 UP India&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-5273576876362868411?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/5273576876362868411/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=5273576876362868411' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5273576876362868411'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5273576876362868411'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2009/12/flame-unmasked-stephen-gills-epic.html' title='THE FLAME UNMASKED: Stephen Gill&apos;s Epic Critically Examined'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_8KKkdEV4mv4/SzDRpUg2bZI/AAAAAAAAAD8/XItxuJLpQmE/s72-c/Flame.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-1817505745562662896</id><published>2009-10-26T05:51:00.000-07:00</published><updated>2012-01-23T22:42:39.168-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Asif Currimbhoy: The Doldrummers</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;a href="http://4.bp.blogspot.com/_8KKkdEV4mv4/SuWcDZeTTOI/AAAAAAAAADs/m4kLFS7T6eU/s1600-h/Doldrummers+copy.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5396891310664928482" src="http://4.bp.blogspot.com/_8KKkdEV4mv4/SuWcDZeTTOI/AAAAAAAAADs/m4kLFS7T6eU/s320/Doldrummers+copy.jpg" style="cursor: hand; float: left; height: 320px; margin: 0px 10px 10px 0px; width: 203px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="color: red; font-size: 130%;"&gt;(A Study) &lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="color: #3333ff;"&gt;By: S.S. Agarwalla&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #000099;"&gt;ISBN 978-81-7977-353-6&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000099;"&gt;pp.: 100, &lt;/span&gt;&lt;span style="color: #000099;"&gt;Price: Rs.55.00&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Contents:&lt;/span&gt;&lt;br /&gt;Modern Indian Drama&lt;br /&gt;biographical sketch of Asif Currimbhoy&lt;br /&gt;A Brief Study of the plays of Currimbhoy&lt;br /&gt;Characteristics of Currimbhoy as a Playwright&lt;br /&gt;Introduction to the doldrummers&lt;br /&gt;A Detailed Summary of the Play&lt;br /&gt;Character Sketches&lt;br /&gt;The Theme of The Doldrummers&lt;br /&gt;Aptness of the Title of the Play&lt;br /&gt;The Plot of the Doldrummers&lt;br /&gt;the Dialogue in The Doldrummers&lt;br /&gt;views about asif currimbhoy&lt;br /&gt;ASIF CURRIMBHOY’S COMPLETE WORKS&lt;br /&gt;ASIF CURRIMBHOY’S PRODUCTIONS&lt;br /&gt;suggested Questions&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-1817505745562662896?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/1817505745562662896/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=1817505745562662896' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/1817505745562662896'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/1817505745562662896'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2009/10/asif-currimbhoy-doldrummers.html' title='Asif Currimbhoy: The Doldrummers'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_8KKkdEV4mv4/SuWcDZeTTOI/AAAAAAAAADs/m4kLFS7T6eU/s72-c/Doldrummers+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-4933515865062297611</id><published>2009-10-26T05:46:00.000-07:00</published><updated>2012-01-23T22:43:29.973-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>J. Krishnamurti: A Rare Mystic</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;a href="http://1.bp.blogspot.com/_8KKkdEV4mv4/SuWbL_G29qI/AAAAAAAAADk/nBRsEuz7gew/s1600-h/Krishnamurti+copy.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5396890358694475426" src="http://1.bp.blogspot.com/_8KKkdEV4mv4/SuWbL_G29qI/AAAAAAAAADk/nBRsEuz7gew/s320/Krishnamurti+copy.jpg" style="cursor: hand; float: left; height: 320px; margin: 0px 10px 10px 0px; width: 205px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 180%;"&gt;A Study of his Talks, Prose and Poetry&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #3333ff;"&gt;By B.S. Nimavat&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;ISBN 978-81-7977-351-2&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;pp.:120, &lt;/span&gt;&lt;span style="color: red;"&gt;Price: Rs. 70.00&lt;/span&gt;　&lt;br /&gt;&lt;span style="color: #006600;"&gt;Contents:&lt;/span&gt;J. Krishnamurti’s Life&lt;br /&gt;The Personality of J. Krishnamurti&lt;br /&gt;J. Krishnamurti’s poetry&lt;br /&gt;J. Krishnamurti’s vision of the Buddha&lt;br /&gt;J. Krishnamurti the Buddha of our Times&lt;br /&gt;The Core ideas of Krishnamurti’s teachings&lt;br /&gt;J. Krishnamurti on ‘Insight into the working of the self’&lt;br /&gt;J. Krishnamurti’s views on conditioning and obsession&lt;br /&gt;J. Krishnamurti on simplicity of heart, virtue and sensitivity&lt;br /&gt;J. Krishnamurti on Time&lt;br /&gt;J. Krishnamurti on meditation and silence&lt;br /&gt;J. Krishnamirti’s views on Search for truth and search for god&lt;br /&gt;J. Krishnamurti’s views on thought, knowledge and love&lt;br /&gt;J. Krishnamurti on ‘problems and escapes’&lt;br /&gt;J. Krishnamurti on the individual and the society&lt;br /&gt;J. krishnamurti on politics and power&lt;br /&gt;J. Krishnamurti on the future of mankind&lt;br /&gt;J. Krishnamurti on ‘Sorrow of Death’&lt;br /&gt;J. Krishnamurti on work and sleep&lt;br /&gt;J. Krishnamurti’s views on education&lt;br /&gt;J. Krishnamurti as a mystic&lt;br /&gt;The Indian philosophy, Sankara and J. Krishnamurti&lt;br /&gt;Lao Tzu and J. Krishnamurti&lt;br /&gt;Kabir and J. Krishnamurti&lt;br /&gt;Thoreau and J. Krishnamurti&lt;br /&gt;Sunyata—a rare born mystic and J. Krishnamurti&lt;br /&gt;The Story of ‘Illusions’ by Richard Bach that applies to J. Krishnamurti’s life and teachings&lt;br /&gt;Self and mind according to Various Schools of psychology and philosophy and J. Krishnamurti&lt;br /&gt;Relevance of Krishnamurti’s teachings&lt;br /&gt;The Influence of J. Krishnamurti&lt;br /&gt;J. Krishnamurti’s style and imagery&lt;br /&gt;Gems of mystic wisdom&lt;br /&gt;Bibliography&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-4933515865062297611?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/4933515865062297611/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=4933515865062297611' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4933515865062297611'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4933515865062297611'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2009/10/j-krishnamurti-rare-mystic.html' title='J. Krishnamurti: A Rare Mystic'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_8KKkdEV4mv4/SuWbL_G29qI/AAAAAAAAADk/nBRsEuz7gew/s72-c/Krishnamurti+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-1437362176550169484</id><published>2009-10-24T07:20:00.001-07:00</published><updated>2012-01-23T22:43:59.936-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>ADVANCED LITERARY ESSAYS</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;a href="http://2.bp.blogspot.com/_8KKkdEV4mv4/SuMOfMmMN6I/AAAAAAAAADc/2Ymi_5UdUaM/s1600-h/Advanced+Essays+copy.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5396172707640129442" src="http://2.bp.blogspot.com/_8KKkdEV4mv4/SuMOfMmMN6I/AAAAAAAAADc/2Ymi_5UdUaM/s320/Advanced+Essays+copy.jpg" style="cursor: hand; float: left; height: 320px; margin: 0px 10px 10px 0px; width: 208px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="color: #000099;"&gt;By J.N. Mundra, C.L. Sahani&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;ISBN 81-85897-96-4, pp. 448, Price: Rs. 120.00&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="color: #cc33cc;"&gt;List of Essays:&lt;/span&gt;1. THE ENGLISH ESSAY, 2. THE ENGLISH SHORT STORY, 3. LITERATURE REFLECTS THE SPIRIT OF THE AGE, 4. LITERATURE AND ITS FUNCTIONS, 5. ART AND MORALITY OR ART FOR ART'S SAKE, 6. LITERATURE AND SCIENCE, 7. BIOGRAPHY IN ENGLISH LITERATURE, 8. THE NATURE AND FUNCTIONS OF LITERARY CRITICISM, 9. CRITICISM AND CREATION OR “TO JUDGE OF POETS IS ONLY THE FACULTY OF POETS”, 10. TRENDS IN MODERN LITERARY CRITICISM, 11. POETRY: ITS NATURE, POWER, AND FUNCTION, 12. REALISM IN ENGLISH POETRY , 13. THE METAPHYSICAL SCHOOL OF POETRY, 14. PRE-RAPHAELITE POETRY OR THE FLESHLY SCHOOL OF POETRY, 15. TRENDS IN MODERN ENGLISH POETRY, 16. THE BALLAD IN ENGLISH LITERATURE, 17. THE ENGLISH SONNET AND SONNET SEQUENCE, 18. THE ODE IN ENGLISH LITERATURE, 19. THE ENGLISH LYRIC, 20. EPIC POETRY, 21. INDIAN POETRY IN ENGLISH, 22. INDIAN WRITERS OF ENGLISH FICTION, 23. THE IMAGES OF MAHATMA GANDHI IN INDO-ENGLISH FICTION, 24. SELF-SEEKING IN FICTION OR THE AUTOBIOGRAPHICAL NOVEL, 25. THE HISTORICAL NOVEL, 26. THE GOTHIC NOVEL, 27. SCIENCE FICTION, 28. THE PSYCH-LOGICAL NOVEL, 29. THE STREAM OF CONSCIOUSNESS NOVEL, 30. TENDENCIES IN THE TWENTIETH-CENTURY ENGLISH FICTION, 31. TRAGEDY AND THE TRAGIC HERO, 32. THE ENGLISH COMEDY, 33. THE ENGLISH POETIC DRAMA, 34. TRENDS IN TWENTIETH CENTURY DRAMA, 35. SATIRE IN ENGLISH LITERATURE, 36. THE PICARESQUE NOVEL, 37. THE REGIONAL NOVEL.&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-1437362176550169484?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/1437362176550169484/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=1437362176550169484' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/1437362176550169484'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/1437362176550169484'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2009/10/advanced-literary-essays.html' title='ADVANCED LITERARY ESSAYS'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_8KKkdEV4mv4/SuMOfMmMN6I/AAAAAAAAADc/2Ymi_5UdUaM/s72-c/Advanced+Essays+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-4327825199642267744</id><published>2009-09-30T17:37:00.000-07:00</published><updated>2012-01-23T22:44:23.684-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Contemporary Criticism</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;a href="http://3.bp.blogspot.com/_8KKkdEV4mv4/SsP6L7nuuLI/AAAAAAAAADU/x7beyNsCdHw/s1600-h/Contemp.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5387424662155081906" src="http://3.bp.blogspot.com/_8KKkdEV4mv4/SsP6L7nuuLI/AAAAAAAAADU/x7beyNsCdHw/s400/Contemp.jpg" style="cursor: hand; float: left; height: 400px; margin: 0px 10px 10px 0px; width: 252px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="color: #006600;"&gt;Comprehensive study material for M.A., M.Phil. and NET asprirants&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="color: #000099;"&gt;By B.S. Nimavat, D.B. Nimavat; pp.184; Price Rs. 78.00; ISBN 978-81-7977-350-5&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;CONTENTS:&lt;br /&gt;Q.1. Discuss J. M. Murry's views on ‘Pure Poetry'? Q.2. Discuss Allen Tate's views regarding ‘Tension in poetry' Q.3. Discuss Lionel Trilling's views in his essay ‘Sense of the Past.' Q.4. Write a note on Intentional fallacy by W.K. Wimsatt and M.C. Beardsley Q.5. Critically discuss Frank Kermode's views in ‘DISSOCIATION OF SENSIBILITY' Q.6. Discuss the role of the critic according to Helen Gardner in her essay The Sceptre and the Torch. Q.7. Discuss Jonathan Culler's views in Structuralism and Literature Q.8. Write a note on Modernism. Explain the characteristics of modernism. Q.9. Write a note on sociological criticism Q.10. Write a detailed note on Post-Modernism Q.11. Write a note on Russian Formalism Q. 12. Write a note on Structuralism. Q.13. Discuss John Crowe Ransom's views on criticism Q.14. Write a note on T. S. Eliot's Views in ‘Tradition and the Individual Talent’ Q.15. Discuss the views of I.A. Richards on ‘The Four kinds of meaning' Q.16. Write a note on Marxist Criticism Q.17. Write a note on Psycho-Analytical School criticism. Q.18. Write a note on Stylistics by H.K. Widdowson. Q.19. Write a note on Derrida's theory of Deconstruction. Q.20. Discuss the Critical views of Roland Barthes in ‘The Death of the Author.' Q.21. Discuss Northrope Frye's Archetypal Literary Criticism. &lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-4327825199642267744?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/4327825199642267744/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=4327825199642267744' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4327825199642267744'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4327825199642267744'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2009/09/contemporary-criticism.html' title='Contemporary Criticism'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_8KKkdEV4mv4/SsP6L7nuuLI/AAAAAAAAADU/x7beyNsCdHw/s72-c/Contemp.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-2701583419410481826</id><published>2009-09-30T17:15:00.000-07:00</published><updated>2012-01-23T22:44:55.204-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>The Indian Poetics (Bharata’s Natyasastra)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;a href="http://1.bp.blogspot.com/_8KKkdEV4mv4/SsP5bazWqqI/AAAAAAAAADM/JMMoTLEerhE/s1600-h/Natyasastra+copy.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5387423828711746210" src="http://1.bp.blogspot.com/_8KKkdEV4mv4/SsP5bazWqqI/AAAAAAAAADM/JMMoTLEerhE/s400/Natyasastra+copy.jpg" style="cursor: hand; float: left; height: 400px; margin: 0px 10px 10px 0px; width: 253px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/_8KKkdEV4mv4/SsP2Rl5J2LI/AAAAAAAAADE/QmEDW06v4HI/s1600-h/Natyasastra+copy.jpg"&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="color: #000099;"&gt;By B.S. Nimavat, Ami Upadhyay&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color: #000099;"&gt;pp.112&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color: #000099;"&gt;Price Rs. 60.00&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color: #000099;"&gt;ISBN 978-81-7977-352-9&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;CONTENTS:&lt;br /&gt;&lt;span style="color: #003300;"&gt;1.&lt;/span&gt; The Background of Indian Poetics &lt;span style="color: #003300;"&gt;2.&lt;/span&gt; A brief Survey of Indian Poetics &lt;span style="color: #003300;"&gt;3.&lt;/span&gt; Definitions of Poetry &lt;span style="color: #003300;"&gt;4.&lt;/span&gt; The Causes of Poetry &lt;span style="color: #003300;"&gt;5.&lt;/span&gt; The Purpose of Poetry &lt;span style="color: #003300;"&gt;6.&lt;/span&gt; Attributes of a poet (Kavi) &lt;span style="color: #003300;"&gt;7.&lt;/span&gt; Genres of literary works (Kavya Bheda) &lt;span style="color: #003300;"&gt;8.&lt;/span&gt; The Process of creation of poetry &lt;span style="color: #003300;"&gt;9.&lt;/span&gt; Various Schools in Indian Poetics &lt;span style="color: #003300;"&gt;10.&lt;/span&gt; The Rasa Theory &lt;span style="color: #003300;"&gt;11.&lt;/span&gt; Sringara Ras (Erotic Sentiment) &lt;span style="color: #003300;"&gt;12.&lt;/span&gt; Karuna Rasa (The pathetic Sentiment) &lt;span style="color: #003300;"&gt;13.&lt;/span&gt; Raudra and Vira Rasa (The Terrible and the Heroic) &lt;span style="color: #003300;"&gt;14.&lt;/span&gt; Hasya Rasa and Adbhuta Rasa (The Comic and the Marvellous) &lt;span style="color: #003300;"&gt;15.&lt;/span&gt; The Bhayanaka and the Bibhatsa Rasa (The Terrible and the odious) &lt;span style="color: #003300;"&gt;16.&lt;/span&gt; SANTARASA (The Tranquil) &lt;span style="color: #003300;"&gt;17.&lt;/span&gt; The concept of structure underlying The ‘Natyashashtra’ &lt;span style="color: #003300;"&gt;18.&lt;/span&gt; The Natyas as conceived by Bharata &lt;span style="color: #003300;"&gt;19.&lt;/span&gt; Plot according to Bharata &lt;span style="color: #003300;"&gt;20.&lt;/span&gt; Bharata’s views regarding characters &lt;span style="color: #003300;"&gt;21.&lt;/span&gt; Bharata’s views about diction &lt;span style="color: #003300;"&gt;22.&lt;/span&gt; Ten Guna (Merits) according to Bharata in a play-wright &lt;span style="color: #003300;"&gt;23.&lt;/span&gt; Ten dosas (faults) in a play-wright according to Bharata &lt;span style="color: #003300;"&gt;24.&lt;/span&gt; Four styles according to Bharata &lt;span style="color: #003300;"&gt;25.&lt;/span&gt; Figures of speech available to the dramatist according to Bharata&lt;br /&gt;Major Texts of Literary Theory in Indian Poetics&lt;br /&gt;Glossary of important terms of Indian poetics&lt;br /&gt;Select Bibliography &lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Click to read review&lt;/span&gt; &lt;a href="http://shaleenreviews.blog.com/2010/08/01/the-indian-poetics-bharata%e2%80%99s-natyasastra-by-b-s-nimavat-ami-upadhyay-1st-edition-2010-bareilly-prakash-book-depot-isbn-978-81-7977-352-9-price-60-reviewed-by-dr-shaleen-kumar-2/"&gt;BOOK REVIEW&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-2701583419410481826?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/2701583419410481826/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=2701583419410481826' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/2701583419410481826'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/2701583419410481826'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2009/09/indian-poetics-bharatas-natyasastra.html' title='The Indian Poetics (Bharata’s Natyasastra)'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_8KKkdEV4mv4/SsP5bazWqqI/AAAAAAAAADM/JMMoTLEerhE/s72-c/Natyasastra+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-7338631460713152256</id><published>2009-09-22T07:31:00.000-07:00</published><updated>2012-01-24T22:17:24.039-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>A HISTORY OF ENGLISH LITERATURE (in Three Volumes)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;a href="http://2.bp.blogspot.com/_8KKkdEV4mv4/SrkfsiL80BI/AAAAAAAAAC8/7_0D8O-pmjY/s1600-h/History_I+copy.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5384369679449772050" src="http://2.bp.blogspot.com/_8KKkdEV4mv4/SrkfsiL80BI/AAAAAAAAAC8/7_0D8O-pmjY/s400/History_I+copy.jpg" style="cursor: hand; float: left; height: 400px; margin: 0px 10px 10px 0px; width: 256px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;By &lt;span style="color: #cc0000;"&gt;J N Mundra and S C Mundra&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 85%;"&gt;ISBN 978-81-7977-254-6 (set)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div closure_uid_p043qe="111"&gt;&lt;span style="font-size: 85%;"&gt;&lt;/span&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="color: #006600;"&gt;Volume 1:&lt;/span&gt; &lt;strong&gt;Anglo-Saxon Period to The Age of Dryden&lt;/strong&gt;&lt;/span&gt;ISBN 978-81-7977-251-5&lt;/div&gt;&lt;div closure_uid_p043qe="111"&gt;pp.: 472, Price: Rs. 160.00&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="color: #006600;"&gt;Volume II:&lt;/span&gt; &lt;strong&gt;The Age of Pope to The Romantic Period&lt;/strong&gt;&lt;/span&gt;ISBN 978-81-7977-252-2&lt;/div&gt;&lt;div&gt;&lt;div closure_uid_wb8r6t="99"&gt;pp.: 556, Price: Rs. 172.00&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="color: #006600;"&gt;Volume III:&lt;/span&gt; &lt;strong&gt;The Victorian Age to The Present Day&lt;/strong&gt;&lt;/span&gt;ISBN 978-81-7977-253-9&lt;br /&gt;&lt;div closure_uid_wb8r6t="101"&gt;pp.: 752, Price: Rs. 228.00&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div closure_uid_p043qe="112" style="text-align: justify;"&gt;These three volumes are indispensable for students of English Literature. They have been written with the definite aim of serving the purpose of M.A. (Prev. And Final), B.A. Hons and Competitive Examinations.&lt;/div&gt;&lt;div closure_uid_p043qe="113" style="text-align: justify;"&gt;The authors in this book have presented in Questions and Answers the development of English Literature from the 5th to the 20th century. The study of these volumes will open before the readers the treasures of almost all the standard works of English Literature. The answers to questions are comprehensive and have been penned in an easy, graceful and delectable style. The authors have attempted to introduce concreteness in the answers so that points may be grasped and retained.&lt;/div&gt;&lt;br /&gt;&lt;div closure_uid_p043qe="110"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-7338631460713152256?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/7338631460713152256/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=7338631460713152256' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/7338631460713152256'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/7338631460713152256'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2009/09/history-of-english-literature-in-three.html' title='A HISTORY OF ENGLISH LITERATURE (in Three Volumes)'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_8KKkdEV4mv4/SrkfsiL80BI/AAAAAAAAAC8/7_0D8O-pmjY/s72-c/History_I+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-4534660836143984304</id><published>2009-09-22T07:14:00.000-07:00</published><updated>2012-01-23T22:49:40.694-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>A HANDBOOK OF LITERATURE IN ENGLISH FOR COMPETITIVE EXAMINATIONS</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="color: #000066; font-size: 130%;"&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-MOVgri7kDa0/Tpg40CFzBtI/AAAAAAAAAG8/7YOBPNw0G00/s1600/NET_Eng_IV+edition+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" oda="true" src="http://2.bp.blogspot.com/-MOVgri7kDa0/Tpg40CFzBtI/AAAAAAAAAG8/7YOBPNw0G00/s320/NET_Eng_IV+edition+copy.jpg" width="294" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: #000066; font-size: 130%;"&gt;&lt;em&gt;For aspirants of &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color: #000066; font-size: 130%;"&gt;&lt;em&gt;&lt;span style="font-size: 180%;"&gt;UGC’s NET/SLET&lt;/span&gt;, JRF, UPSC and &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color: #000066; font-size: 130%;"&gt;&lt;em&gt;other Competitive Examinations&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: 180%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="font-size: 180%;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: 180%;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: 180%;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: 180%;"&gt;By &lt;span style="color: #990000;"&gt;S.C. Mundhra&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="color: #006600;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color: #006600;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color: #006600;"&gt;Pages (pp):&lt;/span&gt;&amp;nbsp;650 &lt;br /&gt;(Demy Quarto 9 inches X 11.5 inches)&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;ISBN 978-81-7977-431-1&lt;br /&gt;&lt;span style="color: #006600;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color: #006600;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;span style="color: #006600;"&gt;Price:&lt;/span&gt; Rs. 650.0&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 130%;"&gt;&lt;strong&gt;Contents:&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Why We Study Literature&lt;br /&gt;2. Classical Background to the study of Literature&lt;br /&gt;3. History of English Literture&lt;br /&gt;4. Major Literary works in English Literature&lt;br /&gt;5. Famous Characters in English Literature&lt;br /&gt;6. English Literature at a Glance&lt;br /&gt;7. An Objective Approach to English Literature&lt;br /&gt;8. Literary Comprehension or Rhetoric, prosody &amp;amp; Practical Criticism&lt;br /&gt;9. History of Literary Criticism&lt;br /&gt;10. Contemporary Literary Theory&lt;br /&gt;11. American Literature&lt;br /&gt;12. History of Modern English Language&lt;br /&gt;13. English Language Teaching&lt;br /&gt;14. Indian Writing in English&lt;br /&gt;15. An Introduction to Commonwealth Literature&lt;br /&gt;16. Literary Essays&lt;br /&gt;17. A Glossary of Literary Terms&lt;br /&gt;18. Chronology of Important Dates&lt;br /&gt;19. Dates of Major Writers And Historical Figures&lt;br /&gt;20. some Popular Quotations&lt;br /&gt;21. Common Abbreviations &amp;amp; Pseudonyms&lt;br /&gt;22. Books of the Bible&lt;br /&gt;23. Literary Honours and Awards&lt;br /&gt;24. Model Papers and Questions for Practice&lt;br /&gt;Additional Objective Questions&lt;br /&gt;Unitwise Practice Questions&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-4534660836143984304?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/4534660836143984304/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=4534660836143984304' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4534660836143984304'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4534660836143984304'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2009/09/handbook-of-literature-in-english-for.html' title='A HANDBOOK OF LITERATURE IN ENGLISH FOR COMPETITIVE EXAMINATIONS'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-MOVgri7kDa0/Tpg40CFzBtI/AAAAAAAAAG8/7YOBPNw0G00/s72-c/NET_Eng_IV+edition+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-7775361601404297690</id><published>2009-08-14T02:16:00.000-07:00</published><updated>2012-01-23T22:48:45.066-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>INDIAN POETRY IN ENGLISH: A Critical Appraisal</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;a href="http://3.bp.blogspot.com/_8KKkdEV4mv4/SoUuUVbGy3I/AAAAAAAAACM/OIPvYfFjjyQ/s1600-h/IA+Poetry_Chapra.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5369749057592281970" src="http://3.bp.blogspot.com/_8KKkdEV4mv4/SoUuUVbGy3I/AAAAAAAAACM/OIPvYfFjjyQ/s400/IA+Poetry_Chapra.jpg" style="cursor: hand; float: left; height: 400px; margin: 0px 10px 10px 0px; width: 250px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;span style="font-size: 130%;"&gt;By A.N. Prasad, pp.160, Price Rs. 75.00, ISBN 978-81-7977-28-4&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="font-size: 130%;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;Indian Poetry in English : A Critical Appraisal is a modest attempt to critically examine the poems of some of the poets of Indian poetry in English. It covers a brief history of Indian Poetry in English, and also contains research papers on the chief poems of H.L.V. Derozio, Toru Dutt, Sri Aurobindo, R.N.Tagore, Swami Vivekanand, Sarojini Naidu, Kamala Das, Nissim Ezekiel, Jayant Mahapatra, A. K. Ramanujan and P. Lal. The book, it is hoped, will certainly be welcomed by the teachers and students of Indian English Poetry.&lt;br /&gt;&lt;span style="font-size: 85%;"&gt;Dr. Amar Nath Prasad is an author and editor of several standard books of English literature. His scholarly research papers have been published in different books and journals, magazines and newspapers. He has also presented his papers in national and international seminars and conferences. Some of his well-known critical books are:&lt;br /&gt;1. Arundhati Roy’s The God of Small Things: A Critical Appraisal (Authored)&lt;br /&gt;2. New Lights on Indian Women Novelists in English (In Four volumes, edited)&lt;br /&gt;3. Critical Response to R.K. Narayan (Edited)&lt;br /&gt;4. Indian Writing in English: Critical Explorations (Edited)&lt;br /&gt;5. Indian Fiction in English: Roots and Blossoms (edited)&lt;br /&gt;6. Recritiquing John Keats (Co-edited)&lt;br /&gt;7. Feminism in Indian Writing in English (Co-edited)&lt;br /&gt;8. Recritiquing Rabindranath Tagore (Co-Authored)&lt;br /&gt;Dr. Prasad also edits a biannual literary journal, Unheard Melody. At present he teaches in the P.G. Dept. of English, J. P. University (Rajendra College Campus), Chapra (Bihar).&lt;/span&gt;　&lt;br /&gt;&lt;strong&gt;&lt;span style="color: #3333ff;"&gt;CONTENTS:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;&lt;span style="color: red;"&gt;INDIAN POETRY IN ENGLISH : A BIRD'S EYE VIEW ; FIVE SELECTED POEMS OF INDIAN POETRY IN ENGLISH : A CASE STUDY:&lt;/span&gt; THE HARP OF INDIA BY HENRY L- DEROZIO ; OUR CASUARINA TREE BY TORU DUTT ; ENTERPRISE BY NISSIM EZEKIEL ; AN INTRODUCTION BY KAMALA DAS ; ANOTHLER VIEW OF GRACE BY A. K. RAMANUJAN ; &lt;span style="color: red;"&gt;SYMBOLISM IN TAGORE'S GITANJALI :&lt;/span&gt; THE IMAGE OF VESSEL ; THE IMAGE OF FLUTE/LYRE/HARP/VINA ; THE IMAGE OF MUSIC ; THE IMAGE OF FLOWER ; THE IMAGE OF DRESS/GARMENT/ORNAMENT ; THE IMAGE OF DOOR/GATE ; THE IMAGE OF FIRE ; THE IMAGES OF THE DUST, DARKNESS, SHROUD ; THE IMAGE OF SILENT STEPS ; THE IMAGE OF BEAUTIFUL WOMAN ; THE IMAGE OF JOURNEY/VOYAGE/TRAVELS ; &lt;span style="color: red;"&gt;TAGORE'S FRUIT GATHERING: A WORK OF SYMBOLIC EXUBERANCES ;&lt;/span&gt; FRUIT AND FLOWER ; DOOR ; UNHEARD MELODY ; SAILOR/TRAVELLER ; LAMP ; &lt;span style="color: red;"&gt;SOME SHORT POEMS OF SRI AUROBINDO : A BLENDING OF ART AND MYSTICISM : &lt;/span&gt;THE TIGER AND THE DEER ; A CHILD'S IMAGINATION ; TRANSFORMATION ; NIRVANA ; &lt;span style="color: red;"&gt;THE POEMS OF SWAMI VIVEKANANDA: A FINE CORRESPONDENCE BETWEEN POETRY AND PHILOSOPHY :&lt;/span&gt; THE CUP ; TO AN EARLY VIOLET ; &lt;span style="color: red;"&gt;SAROJINI NAIDU'S POETRY : AN EVERGREEN PLANT OF VEDANTIC FRUIT AND POETIC FRAGRANCE : &lt;/span&gt;VILLAGE SONG ; MY SOULS PRAYER ; SONGS OF RADHA :THE QUEST ; IN SALUTATION TO THE ETERNAL PEACE ; &lt;span style="color: red;"&gt;THE POETRY OF NISSIM EZEKIEL: A FINE FUSION OF FEELING AND FORM :&lt;/span&gt; ISLAND ; THE NIGHT OF THE SCORPION ; PHILOSOPHY ; THE POET, LOVER, BIRD WATCHER ; &lt;span style="color: red;"&gt;JAYANT MAHAPATRA : A POET OF COMPETENT CRAFT :&lt;/span&gt; DAWN AT PURI : AGAIN ONE DAY ; THE MOUNTAIN SNOW IN IOWA CITY ; &lt;span style="color: red;"&gt;FOREIGN FOLIAGE ON NATIVE ROOT :&lt;/span&gt; A BRIEF STUDY OF NISSIM EZEKIEL, P. LAL, KAMALA DAS AND A.K. RAMANUJAN ; &lt;span style="color: red;"&gt;SELECT READING LIST&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="background-color: #f1c232; color: #741b47; font-family: Arial;"&gt;Review is available at:&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.articlesbase.com/literature--articles/indian-poetry-in-english-a-critical-appraisal-1608321.html"&gt;http://www.articlesbase.com/literature--articles/indian-poetry-in-english-a-critical-appraisal-1608321.html&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-7775361601404297690?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/7775361601404297690/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=7775361601404297690' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/7775361601404297690'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/7775361601404297690'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2009/08/indian-poetry-in-english-critical.html' title='INDIAN POETRY IN ENGLISH: A Critical Appraisal'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_8KKkdEV4mv4/SoUuUVbGy3I/AAAAAAAAACM/OIPvYfFjjyQ/s72-c/IA+Poetry_Chapra.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-6934385236809422119</id><published>2009-02-27T00:52:00.000-08:00</published><updated>2012-01-23T22:48:14.348-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>A Handbook of Language and Literature for Competitive Examinations</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_8KKkdEV4mv4/TL_7Zu2w2FI/AAAAAAAAAF8/28sRy3SB1ps/s1600/PGT_TGT_IIed+copy.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="237" nx="true" src="http://4.bp.blogspot.com/_8KKkdEV4mv4/TL_7Zu2w2FI/AAAAAAAAAF8/28sRy3SB1ps/s400/PGT_TGT_IIed+copy.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&amp;nbsp;&lt;span style="font-family: trebuchet ms; font-size: 180%;"&gt;PGT / TGT Handbook (Guide)&lt;/span&gt;&lt;span style="font-family: trebuchet ms; font-size: 180%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="color: #3366ff;"&gt;(POST GRADUATE TEACHERS RECRUITMENT TEST&lt;br /&gt;TRAINED GRADUATE TEACHERS RECRUITMENT TEST)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Written, Compiled and edited by &lt;strong&gt;&lt;span style="color: red;"&gt;Sudhir K. Arora&lt;/span&gt;&lt;/strong&gt; M.A. English, M.A. Philosophy, B. Ed, NET (English) Ph. D, Former Principal Sarvodaya Inter College Dilari, Moradabad.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red; font-size: large;"&gt;IIIrd Enlarged Edition&lt;/span&gt;&lt;br /&gt;pp.&amp;nbsp;340 (Demy Quarto, 9inches X 11.5inches),&lt;br /&gt;Price: Rs. 250.00 , ISBN 978-81-7977-419-9&lt;br /&gt;The book is particularly designed with a view to keeping the requirement of the candidates preparing for the P.G.T/T.G.T. Recruitment Test. The whole syllabus has been covered so that the candidates may not feel the need of any other book. Examination papers have been incorporated in the objective questions and in the end, the previous year unsolved paper has been given for assessment. In every chapter, some facts have been given to enhance the candidates' knowledge which will help them in answering the objective questions.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: #990000;"&gt;Contents :&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;PART ONE: LANGUAGE&lt;br /&gt;Unseen Passage for Comprehension; General Grammar (Parts of speech, Tense, Preposition, Agreement, Transformation); Spelling; Punctuation; Narration; Synonym; Antonyms; One Word Equivalents; Foreign Expressions; Idioms and Phrases; Proverbs; Sentence Completion; Numbered Blanks; Sentence Arrangement&lt;br /&gt;&lt;br /&gt;PART TWO: LITERATURE&lt;br /&gt;Literary Forms and Terms; Figures of Speech;&lt;br /&gt;Authors and Their Works:&lt;br /&gt;William Shakespeare, William Wordsworth, John Keats, Charles Lamb, P.B. Shelley, Charles Dickens, Matthew Arnold, Tennyson, Thomas Hardy, T.S. Eliot, W.B. Yeats, D.H. Lawrence, G.B. Shaw, R.K. Narayan, Kamala Das, Mulk Raj Anand, Nissim Ezekiel, Robert Frost, Walt Whitman, Ernest Hemingway, William Faulkner, John Milton, John Galsworthy&lt;br /&gt;&lt;br /&gt;Literary Awards and Winners&lt;br /&gt;&lt;br /&gt;Some more Questions and also Questions asked in Previous Examination Papers&lt;br /&gt;&lt;br /&gt;Examination Papers&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #000099;"&gt;A Review by Dr. Shaleen Kumar Singh&lt;/span&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;span style="color: #993399; font-size: 85%;"&gt;A Handbook of Language and Literature (For Competitive Examinations) by Dr. S. K. Arora is a book ‘designed with a view to keeping the requirement of the candidates preparing for the PGT/TGT Recruitment Test.’ The book is the outcome of an ‘inner-urge’ that ‘forced’ the author ‘to pen a handbook for the ‘strugglers’ (for job) that will remain with them as a faithful and reliable companion in their struggle’. The author without claiming ‘any originality’ has tried to present both a standard introduction to the close reading of literature and an invaluable resource for English Postgraduate students and aspirants of Lecturer’s Examinations like TGT/PGT or NET. Though, the book is designed specially for PGT and TGT Examinations, yet it can be a better companion to students of English literature who have a weak background and also to those who have a sound background but have an urge to sharpen their knowledge as well as a desire to attain excellence in the subject. The book is divided into two parts of Language and Literature. In the first part, fourteen chapters are included dealing with grammar vocabulary, unseen passages, spelling, punctuation and narration. Part two carries Literary Forms and Terms, Figures of Speech and general introduction of the Authors and their works. In the first part of Language, the author at first provides basic rules of grammar (in a precise and concise manner) and then includes objective questions to test the knowledge. These methods develop a succinct, thoughtful and incisive approach in the reader and enhance the level of understanding. One notable feature of the book is that the definitions of various Literary Terms, Figures of Speech and the author’s introduction and other information are short, simple and easy to understand which clears the fact that the book is designed with a view to keeping the level of understanding of the students of U.P. in particular. For example, we may look at the definition of oxymoron that runs as follows: “In oxymoron, two opposite words or ideas are put together.” I think there can no shorter definition be given by anyone. Besides, the example to clear the above definition is also the easiest to note which goes as follows: ‘This is an open secret.” Similarly, in the second part of Literature, the author’s introduction and some important points to remember are also written in point wise manner in an equally simple, short and clear way with a few objective questions on each author and his/her works. The book is arduously prepared because author has vicariously experienced the pain and humiliation of the strugglers. There can be no greater reward for the author if some aspirants qualify their examinations with the help this book or benefit themselves by developing an insightful understanding of literature. Kudos to Dr. S.K. Arora for preparing such a nice book! &lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-6934385236809422119?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/6934385236809422119/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=6934385236809422119' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/6934385236809422119'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/6934385236809422119'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2009/02/handbook-of-language-and-literature-for.html' title='A Handbook of Language and Literature for Competitive Examinations'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_8KKkdEV4mv4/TL_7Zu2w2FI/AAAAAAAAAF8/28sRy3SB1ps/s72-c/PGT_TGT_IIed+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-4388256305599603415</id><published>2009-01-24T05:16:00.003-08:00</published><updated>2012-01-23T22:47:44.509-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Sexless Solitude and Other Poems</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;a href="http://4.bp.blogspot.com/_8KKkdEV4mv4/SXsbE4yTyhI/AAAAAAAAABs/_0ekvx8_xT4/s1600-h/Sexless_solitude_2+copy.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5294855557680974354" src="http://4.bp.blogspot.com/_8KKkdEV4mv4/SXsbE4yTyhI/AAAAAAAAABs/_0ekvx8_xT4/s400/Sexless_solitude_2+copy.jpg" style="cursor: hand; float: left; height: 400px; margin: 0px 10px 10px 0px; width: 269px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;span style="color: #990000; font-size: 180%;"&gt;By R.K. Singh&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;span style="color: #000099; font-size: 130%;"&gt;Price: Rs. 98.00, ISBN 978-81-7977-307-9 &lt;/span&gt;&lt;/div&gt;&lt;span style="color: #000099; font-size: 130%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #000099; font-size: 130%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;span style="color: #000066;"&gt;&lt;span style="color: #006600;"&gt;SOME OPINIONS:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;span style="font-size: 85%;"&gt;R. K. Singh, in Sexless Solitude and Other Poems, comes across as dealing in nothing but sense and in demonstrating that the poems’ speaker has a firm hold on the truth. Singh’s most typical poems draw hard lessons and deliver them with verve and style. His tone is partly explained and vouched for by the poet’s own shedding of illusions. And the rhythmical sureness is not just a benefit of their rhetorical momentum – they are pleasingly clear. They seem to offer a "real people" thesis. As narrative they are of interest. Some invoke the unattainable by insisting on its unavailability.&lt;br /&gt;Singh’s poetry is among the most sensuously embodied and imaginative writing to come out of India, and this collection is a reminder of how startling, original, and deeply relevant his poetry is. In Sexless Solitude and Other Poems, Singh brings us to the edge of civilization as we know it. How might the human spirit persist caught between its love of beauty, its acknowledgment of continuing injury and damage done, and the realization that a future may no longer be assured?&lt;br /&gt;There is no better writer to confront such matters as R. K. Singh. In addition to his recognized achievements as teacher, critic and reviewer, Singh is also acknowledged as one of India’s foremost poets. As inventive as anything he has written, Sexless Solitude and Other Poems is an essential work speaking out for love, sensuality and the meaning of life.&lt;/span&gt;&lt;/div&gt;&lt;div align="right"&gt;&lt;span style="color: #000099; font-size: 85%;"&gt;--Patricia Prime&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-size: 85%;"&gt;The title may perhaps create an impression of painful loneliness, in mind and body. R K Singh is a daring experimenter. He has explored the human (more of men’s) mind in the area of sexual thoughts which are enjoyed as gossips or fantasies or vulgar jokes in small groups but never admitted openly. The intellectual and creative poet in him has not stopped at the cross level in which men often enjoy their sexual thoughts.&lt;br /&gt;… It is such a truthful boldness of expression that sets apart R K Singh from many others. He has no fears. He is incisive in searching and exploring and bold in expressions. He is also blessed with sweetness of the language.&lt;br /&gt;When you read this book neither will you feel sexless nor will feel a solitude. It will invigorate you to live a full life.&lt;/span&gt;&lt;/div&gt;&lt;div align="right"&gt;&lt;span style="color: #000099; font-size: 85%;"&gt;--Dr Y.S. Rajan&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-size: 85%;"&gt;Sexless Solitude and Other Poems are concise and several of them are in the spirit of haiku. With the weapons of irony and satire, award-winning poet attacks worn-out traditions and corruption wherever he finds. Symbols are individual and graceful. R.K. Singh is the voice in the English poetry of India that cannot be ignored also because he is prolific, sincere and at the same time he is cosmopolitan in his style, themes and emotions. &lt;/span&gt;&lt;/div&gt;&lt;div align="right"&gt;&lt;span style="color: #000099; font-size: 85%;"&gt;--Dr. Stephen Gill&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-size: 85%;"&gt;The poetry herein shows a complete understanding of the English language and its foibles carefully selected for use in poetry that could be understood by a wide audience. In my opinion, it is aimed at the educated regardless of their native tongue who have a firm grasp of the Western World and international wit in general.&lt;/span&gt;&lt;/div&gt;&lt;div align="right"&gt;&lt;span style="color: #000099; font-size: 85%;"&gt;-- Eric&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-size: 85%;"&gt;Most of the poems in Sexless Solitude and Other Poems are vignettes of a dozen or so lines, as you'd expect from this poet, but their short length is very often their strength. In their brevity lies their force. You cannot read more than a few lines of R K Singh before you start squirming in your seat wondering when the next punch to your solar plexus, or even lower down, is going to come. Singh writes about many things; often of what he sees on a day to day basis in the streets of an Indian city. Sometimes he comes across as a lone voice crying in the wilderness. Frustration with life, existence, meaning, dirt, smell, sex, God, and consequently the driving need to explore these themes is never far away….&lt;br /&gt;What's really behind R K Singh's unceasing output of verse? is a question I have asked myself more than once. Why does he strive so long and hard? Is there here an eternal search for some universal truth? Or is it simply anger at the way the world, and India, is?&lt;/span&gt;&lt;/div&gt;&lt;div align="right"&gt;&lt;span style="color: #000099; font-size: 85%;"&gt;--Gwilym Williams&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-size: 85%;"&gt;This poet has created a mobile of words, which comes from the poet's heart and mind. Tinkling against each other, and reaching the readers inner perceptions in abstract forms, such as, " when the dead too are restless ". &lt;/span&gt;&lt;/div&gt;&lt;div align="right"&gt;&lt;span style="color: #000099; font-size: 85%;"&gt;--Joseph Bejcek&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-size: 85%;"&gt;It’s a hard course to conquer it (fear of future). It’s a spirit thing. It tastes bitter. However, the body can hardly change or hold by spirit. It must be go wither away. Then, practice (of) Buddhist teachings is needed. When he accomplishes this practice, we call he is the Buddha. A Buddha is sexless as Dr. R.K. Singh describes in his poem "Sexless Solitude"… It’s a higher condition. He walks away from "Fear" to "Sexless Solitude" and completes the practice of Buddhist teachings. He is not a vulgar, but a Buddha, a fairy, or in short, a god.&lt;/span&gt;&lt;/div&gt;&lt;div align="right"&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style="color: #000099;"&gt;--Hsu ChiCheng&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;span style="font-size: 85%;"&gt;Reading your poems made me think of someone who has lived every word he has written. There is no way to write as clear headed as you do without knowing where you have been and where you are going. A particular favorite was "I want to sleep" because it honestly details what crosses one's mind when insomnia strikes. It could have been a frightening vision in lesser hands. In yours it reads like a mantra.&lt;br /&gt;"Broken wishes" is another favorite. It details a moment in time when doubt weighs heavier than faith in things as they are. I felt her pain in longing for more.&lt;br /&gt;I found an urgency to be forgiven for supposed sins in this collection. But forgiveness is only secondary to the mad urgencies that overtake us at odd hours. You write with clear thought given to minute details that others overlook.&lt;br /&gt;It was a pleasure to read these magnificent poems. It is a collection written with honest intentions and insight that should sit well amongst one’s favoured treasures. &lt;/span&gt;&lt;/div&gt;&lt;div align="right"&gt;&lt;span style="color: #000099; font-size: 85%;"&gt;--Francisco Toscano&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-size: 85%;"&gt;Reading "Sexless Solitude" is very much like experiencing a sleepless night. I have a feeling of hovering, invisible, over the pillow where the poet’s soul is tossing to and fro, embarked on a nightly train of thoughts which rolls through the whole range of inner landscapes from the acuity of wakefulness down to the hazy flow of next-to-dream states of mind, between longed-for quietness and the never-ceasing stimuli from the surrounding world.&lt;br /&gt;Even though "my ordeals are mine alone/ In the valley of self" (Valley of Self), these ordeals, once they have been observed and portrayed, become ours to accept in recognizement or repress out of fear to see. &lt;/span&gt;&lt;/div&gt;&lt;div align="right"&gt;&lt;span style="color: #000099; font-size: 85%;"&gt;--Anna R Olofsson&lt;/span&gt;&lt;/div&gt;&lt;div align="right"&gt;&lt;span style="font-size: 85%;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-size: 85%;"&gt;To a poet, poetry can mean many things. To R.K.Singh it means life. This is clear from all his writings, and most evident from his latest offering ‘Sexless Solitude’. Few poets in the world today can write ‘erotic poetry’ with the élan that he does. Very basic sexual encounters take on identities that almost result in sanctifying sex. There are poems of disillusionment , despair, frustration and fury; there are poems of love for life in the spiritual, mental and physical form and there are cries for a release from life and living. There are various guises of love- as the loved and the spurned, as the loser and the giver.&lt;br /&gt;R.K.Singh has, with this collection, charted for himself the most important role for any poet-- the task of self-definition. And that is the triumph of the book. &lt;/span&gt;&lt;/div&gt;&lt;div align="right"&gt;&lt;span style="color: #000099; font-size: 85%;"&gt;--Maria Netto&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-size: 85%;"&gt;R.K.Singh is like Tiresias, the experiencer and the onlooker of the malady of the modern world. His impotent rage against the sterility of the modern man reverberates eloquently throughout the volume. The poet uses the technique of the ‘internal monologue’ and other sensational devices to arouse the jaded consciousness of contemporary man. It would be apt to call ‘Sexless Solitude’ a social document….&lt;/span&gt;&lt;/div&gt;&lt;div align="right"&gt;&lt;span style="color: #000099; font-size: 85%;"&gt;--Rajni Singh&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-size: 85%;"&gt;Singh’s present collection, comprising of 98 poems, has the unique literary gifts of supreme poetic craftsmanship, lyrical effusions and mature philosophical reflections. What distinguishes the volume is its extraordinary candour in delineating both the inner and the external worlds of the poet. Poems exhibit a curious mixture of the subjective and objective elements, as some of the poems are directly from the heart of the poet, while others offer ‘a criticism of life’ with the whiff of pitiless irony in them. The ordinary, trivial and mundane affairs of life are catalyzed into ‘a thing of beauty’ by the imaginative flights of the poet. The raw material, provided by the contemporary ethos, has been well processed/churned in the workshop of Singh’s creative faculty.&lt;/span&gt;&lt;/div&gt;&lt;div align="right"&gt;&lt;span style="color: #000099; font-size: 85%;"&gt;--Dr Nilanshu Kumar Agrawal&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="left"&gt;&lt;span style="color: #cc33cc;"&gt;Foreign Buyers are requested to send their request/order for book at &lt;a href="mailto:custserv@dkagencies.com"&gt;custserv@dkagencies.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;span style="color: #cc33cc;"&gt;or refer &lt;a href="http://www.dkagencies.com/"&gt;http://www.dkagencies.com/&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-4388256305599603415?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/4388256305599603415/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=4388256305599603415' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4388256305599603415'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4388256305599603415'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2009/01/sexless-solitude-and-other-poems.html' title='Sexless Solitude and Other Poems'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_8KKkdEV4mv4/SXsbE4yTyhI/AAAAAAAAABs/_0ekvx8_xT4/s72-c/Sexless_solitude_2+copy.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-5037086723523428527</id><published>2009-01-17T00:13:00.000-08:00</published><updated>2012-01-23T22:46:56.333-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>THEMES IN THE INDIAN SHORT STORY IN ENGLISH</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;a href="http://4.bp.blogspot.com/_8KKkdEV4mv4/Sc4UrnzB8XI/AAAAAAAAACE/w5WTvH583pk/s1600-h/Cover_Melwani+copy.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5318210949621084530" src="http://4.bp.blogspot.com/_8KKkdEV4mv4/Sc4UrnzB8XI/AAAAAAAAACE/w5WTvH583pk/s400/Cover_Melwani+copy.jpg" style="cursor: hand; float: left; height: 206px; margin: 0px 10px 10px 0px; width: 400px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/_8KKkdEV4mv4/Sc4T_M1s3oI/AAAAAAAAAB8/PeVrC5G715s/s1600-h/Cover_Melwani+copy.jpg"&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="color: red;"&gt;By Murli Das Melwani&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: yellow; font-size: xx-small;"&gt;&lt;a href="http://www.authorsden.com/murlimelwani"&gt;http://www.authorsden.com/murlimelwani&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="color: red;"&gt;&lt;br /&gt;Foreword by Dr. Suroopa Mukherjee&lt;/span&gt;pp. 220. Price: Rs. 175.00, ISBN 978-81-7977-323-9 &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: 130%;"&gt;&lt;br /&gt;Foreign Buyers are requested to send their request/order for book at &lt;a href="mailto:custserv@dkagencies.com"&gt;custserv@dkagencies.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;PREFACE&lt;br /&gt;Critics of Indian Writing in English share the world-wide tendency of regarding the short story as the step-child of literature, although, next to poetry, this form is the most suitable to record the variety and nuance of Indian experience. Governed as it is by tradition, Indian life has little place for individual dictates. The result is that whatever experience it yields is predictable, not unusual or dramatic. Variation is provided by details within this pattern. There are thus moments of dramatic or lyrical or tragic intensity, not a sustained experience. Such moments offer insights into human nature. The short story with its concentration, brevity, sensitiveness can better record these moments than the broader canvas of the novel.&lt;br /&gt;The truth of this argument is borne out by the fact that the Indian novel in English has dealt with only a limited number of themes, such as the national movement for independence, the contrary influences of tradition and Westernization on an individual, colonialism and the place of faith in Indian life.&lt;br /&gt;The Indian short story in English has covered a wider area of experience. The settings of the stories have revealed more of this vast country than the novels or plays. The variety of types and characters that appear in the short story are as infinite as the situations and the emotions the stories evoke.&lt;br /&gt;Inspite of the advantages it has over other literary forms, inspite of its considerable achievement, the Indian short story in English has been neglected by critics. The aim of this book is to draw attention to this genre.&lt;br /&gt;The book is an introduction to and an historical and critical survey of the Indian short story in English from its beginnings upto 2006. Its development over this length of time divides itself into a number of periods on the basis of common tendencies. The usual approach of the critics - since the critics tend to regard the short story as a side activity of the novelists - has been to discuss a few stories individually. I have tried to look for but not impose a pattern on a short story writer‘s body of work.&lt;br /&gt;The scope of this book is limited to stories collected and published in book form. Published but uncollected stories even with definite merit have not been dealt with for the simple reason that they are difficult to classify. Retold stories and folk and fairy tales have not been discussed. Nor has the long short story, also known as the novella, conte, the novelette, on the grounds that it forms a different genre. Translated stories have been excluded: they do not represent the direct expression of an Indian sensibility in English. For this reason, Tagore’s short stories have not been examined, although his influence, which was considerable, has been noted. Even after these exceptions have been made, a sufficient body exists to merit critical attention.&lt;br /&gt;I owe a debt of gratitude to a number of a number of people. I acknowledge it here. Dr Amaresh Datta helped me to understand the place of short fiction in Indian Literature and thus gave me a sense of perspective about this genre. He was the Head of the English department, Guwahati University at that time; later, he was deservedly chosen to serve the prestigious Sahitya Akademi. Dr Gobinda Prasad Sarma, also of Guwahati University, made it possible for me to gain access to material I would have had difficulty in obtaining. The critic, short story writer and novelist, H.E.Bates instilled in me a love for the short story which will never die.&lt;br /&gt;I takethis occasion to thank Dr. Suroopa Mukherjee for the Foreword and her acts of kindness.&lt;br /&gt;Reading the stories I have discussed in my book gave me great joy. This joy will multiply manifold if my book can convince the reader to turn to the stories themselves.&lt;br /&gt;&lt;br /&gt;CONTENTS&lt;br /&gt;Preface; Foreword; INTRODUCTION&lt;br /&gt;SECTION I: THE BEGINNINGS 1835- 1935&lt;br /&gt;SECTION II: THE FIRST FLOWERING 1935-1945&lt;br /&gt;MULK RAJ ANAND, R.K.NARAYAN, RAJA RAO, MANJERI S. ISVARAN, OTHERS (a) Khwaja Ahmad Abbas (b) Ela Sen (c) Louis Gracious&lt;br /&gt;SECTION III: THE FIFTIES&lt;br /&gt;ATTIA HOSAIN, KHUSHWANT SINGH, OTHERS (a) G.D. Khosla (b) S.K. Chettur (c) Sachindra Muzumdar (d) N.S.Phadke&lt;br /&gt;SECTION IV: THE SECOND FLOWERING:1960-1970&lt;br /&gt;RUTH PRAWAR JHABVALA, BUNNY REUBEN, THE GENTLE VOICES, BHABANI BHATTACHARYA, OTHERS (a) R.de L. Furtado, (b) Leslie de Noronha,&lt;br /&gt;SECTION V: THE BLOSSOMING CONTINUED 1970-1980&lt;br /&gt;PADMA HEJMADI, KEKI N. DARUWALLA, ANITA DESAI, HAMDI BEY, THE VOICES OF YOUTH (a) Jug Suraiya (b) Vivek Adarkar SHASHI DESHPANDE , ARUN JOSHI, KAMALA DAS, MANOHAR MALGONKAR, A.D.GORWALA , OTHERS (a) Sasthi Brata, (b) Jai Nimbkar, (c) Sujatha Bala Subrahmanian, (d) Raji Narasimhan, (e) Juliette Banerjee, (f) Saros Cowasjee, (g) S.B. Capoor, (h) Nergis Dalal&lt;br /&gt;SECTION VI: AN EXTENDED SPRING&lt;br /&gt;Vikram Chandra, Amit Chaudhuri, Lavanya Sankaran, Radhika Jha, Manjula Padmanabhan, Shree Ghatage, Diana Romany, R. Raja Rao , Temsula Ao, Githa Hariharan, Anita Nair, Vijay Lakshmi, Esther David, Sangeeta Wadhwani, Anjana Appachana, Meher Pestonji, Susan Visvanathan, Nisha Da Cunha, Rishi Reddi, Sheela Jaywant, Uma Parameswaran, Shinie Antony, Bikika Laloo Tariang&lt;br /&gt;SECTION VII: THE PROSPECT&lt;br /&gt;SELECT BIBLIOGRAPHY&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;Reviews of the book&amp;nbsp;are available at:&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;a href="http://ezinearticles.com/?Indian-Short-Story-in-English---A-Survey&amp;amp;id=3746619"&gt;http://ezinearticles.com/?Indian-Short-Story-in-English---A-Survey&amp;amp;id=3746619&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.hindu.com/br/2010/02/09/stories/2010020950781400.htm"&gt;http://www.hindu.com/br/2010/02/09/stories/2010020950781400.htm&lt;/a&gt;&lt;br /&gt;&lt;a href="http://indoenglishstories.blogspot.com/"&gt;http://indoenglishstories.blogspot.com/&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-5037086723523428527?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/5037086723523428527/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=5037086723523428527' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5037086723523428527'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5037086723523428527'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2009/01/themes-in-indian-short-story-in-english.html' title='THEMES IN THE INDIAN SHORT STORY IN ENGLISH'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_8KKkdEV4mv4/Sc4UrnzB8XI/AAAAAAAAACE/w5WTvH583pk/s72-c/Cover_Melwani+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-5245007334383760806</id><published>2009-01-10T03:05:00.000-08:00</published><updated>2012-01-23T22:46:26.036-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Aspects of Modern Criticism</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;a href="http://4.bp.blogspot.com/_8KKkdEV4mv4/SWiCxrOnTtI/AAAAAAAAABU/Wtjbesi9icY/s1600-h/Aspects_Crtsm+copy.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5289621552275869394" src="http://4.bp.blogspot.com/_8KKkdEV4mv4/SWiCxrOnTtI/AAAAAAAAABU/Wtjbesi9icY/s320/Aspects_Crtsm+copy.jpg" style="cursor: hand; float: left; height: 253px; margin: 0px 10px 10px 0px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;&lt;span style="font-size: 130%;"&gt;By B.K. Pattanayak, pp.65, Price Rs. 35.00, ISBN 978-81-7977-300-0&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;Literary Criticism has become a part and parcel of Literary Tradition of our century. It has assumed a complex shape and so many critical movements have emerged due to the advent of different branches of study of Literature in our modern era. This book attempts to outline some of the major aspects of modern criticism. Designed primarily for students of Literature at graduate and post-graduate level, the work will, it is believed, be found useful to those who wish to know the abc of modern critical theories.&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;CONTENTS: &lt;strong&gt;Post-Structuralism, Derrida’s Theory of Deconstruction, Feminist Criticism, Derrida’s Structure, Sign and Play in the Discourses of the Human Sciences, Ronald Barthes—From Work to Text&lt;/strong&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-5245007334383760806?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/5245007334383760806/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=5245007334383760806' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5245007334383760806'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5245007334383760806'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2009/01/aspects-of-modern-criticism.html' title='Aspects of Modern Criticism'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_8KKkdEV4mv4/SWiCxrOnTtI/AAAAAAAAABU/Wtjbesi9icY/s72-c/Aspects_Crtsm+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-5406138242379366457</id><published>2009-01-10T03:03:00.000-08:00</published><updated>2012-01-23T22:45:53.264-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>The Making of Literature by Scott-James</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;a href="http://2.bp.blogspot.com/_8KKkdEV4mv4/SWiA1G8bYuI/AAAAAAAAABM/ac3rizTTrvQ/s1600-h/scott-james+copy.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5289619412232135394" src="http://2.bp.blogspot.com/_8KKkdEV4mv4/SWiA1G8bYuI/AAAAAAAAABM/ac3rizTTrvQ/s320/scott-james+copy.jpg" style="cursor: hand; float: left; height: 253px; margin: 0px 10px 10px 0px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="color: #3333ff; font-size: 130%;"&gt;&lt;strong&gt;A Critical Study in Question-answer form by B.S. Nimavat, pp.90. Price Rs. 40.00, ISBN 978-81-7977-311-6&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;Making of Literature by Scott-James is a remarkable book of history of criticism presenting critical views of different critics from Plato to I.A. Richards. The book is prescribed as a text-book of criticism in various universities in India and abroad. This book contain 30 odd Question-answers based on this standard text.&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-5406138242379366457?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/5406138242379366457/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=5406138242379366457' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5406138242379366457'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5406138242379366457'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2009/01/making-of-literature-by-scott-james.html' title='The Making of Literature by Scott-James'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_8KKkdEV4mv4/SWiA1G8bYuI/AAAAAAAAABM/ac3rizTTrvQ/s72-c/scott-james+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-349777450263194315</id><published>2009-01-10T02:55:00.000-08:00</published><updated>2012-01-23T22:50:51.686-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Chemmeen by T.S. Pillai</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;a href="http://3.bp.blogspot.com/_8KKkdEV4mv4/SWh_tQ7LqUI/AAAAAAAAABE/mJSd2-X4aQc/s1600-h/chemmeen+copy.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5289618177960683842" src="http://3.bp.blogspot.com/_8KKkdEV4mv4/SWh_tQ7LqUI/AAAAAAAAABE/mJSd2-X4aQc/s320/chemmeen+copy.jpg" style="cursor: hand; float: right; height: 249px; margin: 0px 0px 10px 10px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="color: #3333ff; font-size: 130%;"&gt;&lt;strong&gt;A Critical Study by I.D. Sharma, pp. 90, Price Rs. 35, ISBN 81-7977-013-3&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;Thakazhi Sivasankara Pillai is among the brand of writers who ushered Malayalam literature into a new age. His place in Malayalam literature is that of a god-father. Chemmeen is Pillai’s best novel which expresses the aspirations, struggle and grief in the lives of the fisherman of Kerala. The tragedy of the poor fisherman has been depicted on the epical scale.&lt;br /&gt;The aim of this critical study is to study this great novel from different angles. Chemmeen has so much to offer to the readers. This critical study will help students of advanced degree courses of various universities as well as general readers to understand various aspects related to this novel.&lt;br /&gt;CONTENTS: A Short History of Malayalam Novel, Indo-Anglian Literature—An Introduction, Life and Works of T.S. Pillai, Brief Survey of T.S. Pillai’s Major Novels, An Introduction to the Novel Chemmeen, A Synopsis of the novel Chemmeen, Leading Themes in Chemmeen, Summary of Chemmeen, Chemmen as a regional novel, Depiction of Society in Chemmeen, Characterization in Chemmeen, Chemmeen as a Tragedy on a grand scale, Structure of the novel, Character-sketches, Some Textual Problems, Quotable Quotes from the novel, Selected Questions for Practice, Suggested Readings&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-349777450263194315?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/349777450263194315/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=349777450263194315' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/349777450263194315'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/349777450263194315'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2009/01/chemmeen-by-ts-pillai.html' title='Chemmeen by T.S. Pillai'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_8KKkdEV4mv4/SWh_tQ7LqUI/AAAAAAAAABE/mJSd2-X4aQc/s72-c/chemmeen+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-3496600266135939036</id><published>2008-09-29T00:31:00.000-07:00</published><updated>2012-01-23T22:51:22.846-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Nissim Ezekiel: Select Poems</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;span style="color: #000099;"&gt;A Critical Study by Ram Sharma, pp.152, Price: Rs. 60.00, ISBN 978-81-7977-302-4&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000099;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div align="justify"&gt;CONTENTS: Life and Main works of Nissim Ezekiel; Indian English poetry: An overview; Major Poetry collection of Nissim Ezekiel; Theme of Alienation; Voice of protest and self-assertion; Poetic art of Nissim Ezekiel; Cultural Discrimination; Theme of Disillusionment; Theme of Urban sensibility; An approach to Nissim Ezekiel’s poetry; Women in Nissim Ezekiel’s poetry; Language and Diction; Image and symbols; An estimate of Nissim Ezekiel’s poetry&lt;br /&gt;POEM’S CRITICALLY EVALUATED: Philosophy; Night of the Scorpion; Poet, Lover, Bird-Watcher; Enterprise; The Visitor; Good Bye Party for Miss Pushpa T.S.; Poem of the separation; Background casually; In India; Marriage; Very Indian Poem in Indian English; Lawn; The company I keep; My Cat; In the country cottage; Two Images&lt;br /&gt;University Questions; Suggested Readings&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-3496600266135939036?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/3496600266135939036/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=3496600266135939036' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/3496600266135939036'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/3496600266135939036'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2008/09/nissim-ezekiel-select-poems.html' title='Nissim Ezekiel: Select Poems'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-1829970517874982439</id><published>2008-09-29T00:29:00.001-07:00</published><updated>2012-01-23T22:51:49.926-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Muriel Spark: The Prime of Miss Jean Brodie</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;a href="http://4.bp.blogspot.com/_8KKkdEV4mv4/SSzXg0JCe1I/AAAAAAAAAAk/4TI_mAYM5nk/s1600-h/Muriel+copy.jpg"&gt;&lt;/a&gt;&lt;span style="font-family: verdana;"&gt;&lt;span style="color: #ffcc33;"&gt;&lt;span style="font-size: 180%;"&gt;For IGNOU, M.A. English Literature Students&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="color: #000099;"&gt;A Critical Study by Shyam S. Agarwalla, pp.110, Price: Rs. 55.00, ISBN 978-81-7977-284-3&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;CONTENTS: The Post-second world war men novelists; The Post-second world war woman novelists; Life sketch of Muriel Spark and her works; Detailed Chapter-wise summary of the novel; Important Critical aspects; Critical aspects of the novel; Suggested readings&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-1829970517874982439?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/1829970517874982439/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=1829970517874982439' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/1829970517874982439'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/1829970517874982439'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2008/09/spark-prime-of-miss-jean-brodie.html' title='Muriel Spark: The Prime of Miss Jean Brodie'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-1123079003346157490</id><published>2008-09-29T00:27:00.000-07:00</published><updated>2012-01-23T22:52:24.410-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Shakespeare: The Taming of the Shrew</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;span style="color: #000099;"&gt;A Critical Study by S. Sulochana Rengachari, pp.254, Price: Rs. 80.00, ISBN 978-81-7977-281-2&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000099;"&gt;&lt;/span&gt;&lt;br /&gt;CONTENTS: Introduction, Characters, Text and Paraphrase, Notes and Explanations, Important University Questions, Select Bibliography&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-1123079003346157490?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/1123079003346157490/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=1123079003346157490' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/1123079003346157490'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/1123079003346157490'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2008/09/shakespeare-taming-of-shrew.html' title='Shakespeare: The Taming of the Shrew'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-5076992283684251103</id><published>2008-09-29T00:23:00.001-07:00</published><updated>2012-01-23T22:52:52.427-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Maxim Gorky: Mother</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;span style="color: #000099;"&gt;A Critical Study by R.L. Tewari, pp.192, Price: Rs. 60.00, ISBN 978-81-7977-290-4&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000099;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div align="justify"&gt;CONTENTS: Life and Works of Maxim Gorky; Introduction to Mother; Place of Gorky among other eminent writers; Chapter-wise summary of Mother; Gorky as the Modern master of Russian fiction and playwright; Gorky as a novelist; Themes in the novel of Gorky; Philosophical and Socialist though of Gorky; Gorky as a Playwright; Gorky as a short story writer; Gorky’s attitude towards nature; Gorky’s art of characterization; Major Characters in Mother; important university questions; Selected works of Maxim Gorky; Chronology of important dates of Gorky&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-5076992283684251103?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/5076992283684251103/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=5076992283684251103' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5076992283684251103'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5076992283684251103'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2008/09/maxim-gorky-mother_29.html' title='Maxim Gorky: Mother'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-1357707916359192432</id><published>2008-09-24T01:23:00.000-07:00</published><updated>2012-01-23T22:53:23.467-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Gist Series</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;a href="http://1.bp.blogspot.com/_8KKkdEV4mv4/SWh93_CHdOI/AAAAAAAAAA8/N1kMnB4Hm6o/s1600-h/Gist_Concepts+copy.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5289616163113235682" src="http://1.bp.blogspot.com/_8KKkdEV4mv4/SWh93_CHdOI/AAAAAAAAAA8/N1kMnB4Hm6o/s320/Gist_Concepts+copy.jpg" style="cursor: hand; float: right; height: 240px; margin: 0px 0px 10px 10px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;span style="color: #000066; font-family: times new roman;"&gt;It is a Chapterwise presentation of Important and Expected Questions on the papers of Management. This series of books will be serving the students appearing in the MBA, M.Com., CA, ICWA, CS and other competitive exams opting Commerce or Management as a subject. Every aspect of the concerned subject has been touched and endeavoured to be clarified in a nutshell, and in simplest possible language. It has been tried to make complex material as simple as possible and examples are drawn from actual examination questions.&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;span style="color: #660000;"&gt;Titles available, so far in this series:&lt;/span&gt;&lt;span style="color: #993300; font-size: 130%;"&gt;Gist of Human Resource Management, pp. 204, Price: Rs. 72.00, ISBN 978-81-7977-295-9&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;span style="color: #cc0000; font-size: 130%;"&gt;Gist of Concepts of Management, pp. 184, Price: Rs. 72.00, ISBN 978-81-7977-7-3&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #990000; font-size: 130%;"&gt;Gist of Marketing Management, pp. 184, Rs. 72.00, ISBN 978-81-7977296-6&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-1357707916359192432?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/1357707916359192432/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=1357707916359192432' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/1357707916359192432'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/1357707916359192432'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2008/09/gist-series.html' title='Gist Series'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_8KKkdEV4mv4/SWh93_CHdOI/AAAAAAAAAA8/N1kMnB4Hm6o/s72-c/Gist_Concepts+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-5298619013101411952</id><published>2008-09-24T01:21:00.000-07:00</published><updated>2012-01-23T22:53:51.545-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Toni Morrison: Sula</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;a href="http://2.bp.blogspot.com/_8KKkdEV4mv4/SSzZ9Am355I/AAAAAAAAAAs/_4qoaBD0xP8/s1600-h/sula+copy.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5272828905902303122" src="http://2.bp.blogspot.com/_8KKkdEV4mv4/SSzZ9Am355I/AAAAAAAAAAs/_4qoaBD0xP8/s320/sula+copy.jpg" style="cursor: hand; float: left; height: 320px; margin: 0px 10px 10px 0px; width: 203px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;span style="color: #660000; font-size: 85%;"&gt;A Critical Study by Mohini Chakranarayan, pp.160, Price: Rs. 70.00, ISBN 978-81-7977-271-3&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;CONTENTS: African American Novel; Toni Morrison—Life and Works; Story and Plot; Characterization; Analysis of the novel; Sula—A Gender Perspective; Morrison as a novelist; Select Bibliography, Webliography&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-5298619013101411952?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/5298619013101411952/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=5298619013101411952' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5298619013101411952'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5298619013101411952'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2008/09/toni-morrison-sula.html' title='Toni Morrison: Sula'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_8KKkdEV4mv4/SSzZ9Am355I/AAAAAAAAAAs/_4qoaBD0xP8/s72-c/sula+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-5735801753163605639</id><published>2008-09-24T01:19:00.000-07:00</published><updated>2012-01-23T22:54:27.126-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Punctuation and its Allies</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div align="justify"&gt;&lt;span style="color: #660000; font-size: 85%;"&gt;by B.K. Pattanayak, pp.104, Price: Rs. 40.00, ISBN 978-81-7977-280-5&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;It is an ideal guide, a short but comprehensive book for those who wish to write good and intelligible English. It contains simple and brief explanations of punctuation marks, their conventional rules as well as modern usage from the stand point of British and American practice. The book aims to provide as easy understanding of the technicalities of English language and the role of punctuation on them.&lt;br /&gt;CONTENTS: An Introduction to punctuation; Abbreviation; Apostrophe; Brackets; Capitalization; Colon; Comma; Dash; Ellipsis; Exclamation Mark; Full Stop; Hyphen; Italics; Numerals; Question Mark; Quotation Marks; Semicolon; Slash; Select Bibliography&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-5735801753163605639?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/5735801753163605639/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=5735801753163605639' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5735801753163605639'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/5735801753163605639'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2008/09/punctuation-and-its-allies.html' title='Punctuation and its Allies'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-3992447636651349188</id><published>2008-09-23T23:48:00.001-07:00</published><updated>2012-01-23T22:57:29.188-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Book Information'/><title type='text'>Preparing for the UGC NET in English Literature</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;span style="color: #990000; font-size: 130%;"&gt;1. A Textbook for Objective Questions in English Literature, by Manoj Kumar, Price : Rs. 175/-, Pages 142.&lt;br /&gt;2. A Key to Literary Forms and Terms, by Sudhir. K. Arora, Price : 40/-, Pages 100.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #990000; font-size: 130%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red; font-size: 85%;"&gt;Book Review by R.K. Singh, Head, Department of Humanities and Social Sciences, Indian School of Mines, Dhanbad&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="justify"&gt;The UGC conducts National Eligibility Test (NET) in various subjects of Humanities, including English, and Social Sciences, for the award of Junior Research Fellowship (as well as Lectureship) for pursuing Ph. D. level research. The test comprises three session papers. The first paper is of general nature, intended to assess the research (or teaching) aptitude, without excluding reasoning ability, comprehension, and general awareness of the candidates. The second paper consists of short-answer questions based on the subject opted by the candidates.&lt;br /&gt;The third paper contains only descriptive questions. It has four sections. Section I requires candidates to write a critique of a given passage. The questions in section II are definitional or seek particular information in short answer form. Section III relates to analytical or evaluative questions on the candidate's major specialization / elective , as preferred. Section IV is based on essay types questions on general themes and contemporary , theoretical , or of disciplinary relevance to test the candidates ' ability to expound critically a subject with discrimination.&lt;br /&gt;Seen in this light, the two books under review seek to help aspiring candidates prepare for answering objective- type questions in English literature. Manoj Kumar's book is composed to serve as a practice book for the UGC' s NET and postgraduate students in English, providing "subjective material as well as objective questions" necessary for good preparation (Preface).&lt;br /&gt;The author has divided the 'textbook' into ten units, providing the basic information about British literature from the Age of Chaucer to the Contemporary period , American Literature, Indian English literature, Literatures in translation, Literary theory and Criticism, and Rhetoric and Prosody.&lt;br /&gt;Each unit begins with a brief mention of the author's names and major works that make them notable, followed by objective-type questions (with four options). …&lt;/div&gt;&lt;div align="justify"&gt;…, he does write a readable introductory commentary in Unit VIII (on American Literature and Indian English writers) and Unit IX (an Literary Theory and Criticism). The last Unit (on Rhetoric and Prosody), which has only 52 objective items for practising 31 terms is not as well developed as the two preceding units.&lt;br /&gt;The list of Booker (from 1969 to 2007) and Nobel (from 1901 to 2007) Prize winners at the end is informative but Manoj Kumar should have also provided the names of the prize-winning books in the last three pages.&lt;br /&gt;The second book, A Key to Literary Forms and Terms, should make up for the short falls in Unit X of Manoj Kumar's textbook. In fact, Sudhir K. Arora claims to have included most of the important literary forms and terms "in capsule form" and provided plenty of multiple-choice practice exercises that should help aspiring candidates perform better in the competitive exams for fellowship and / or Lectureship in English literature.&lt;br /&gt;In the first 29 pages, Arora has alphabetically arranged 117 literary forms and terms with useful references, but no examples. In the section on 'Figures of Speech', Arora has abandoned this arrangement and included terms of rhetoric and prosody in the order it is generally available in most books. The examples, however, are helpful.&lt;br /&gt;In both the books the authors have provided a key to all the objective items to self-help candidates in their preparation. However, Manoj Kumar has also added some 250 'Unsolved' items to ensure that serious candidates really prepare well.&lt;br /&gt;Given the present state of English Literature teaching in the country, books like A Textbook for Objective Questions in English Literature and A Key to Literary Forms and Terms are helpful to aspiring candidates in developing … .&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;strong&gt;&lt;span style="color: #000066; font-size: 85%;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;strong&gt;&lt;span style="color: #000066; font-size: 85%;"&gt;Also available, A HANDBOOK OF LITERATURE IN ENGLISH FOR COMPETITIVE EXAMINATIONS, by S.C. Mundhra, pp. 632, Price: Rs. 588.00&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-3992447636651349188?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/3992447636651349188/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=3992447636651349188' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/3992447636651349188'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/3992447636651349188'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2008/09/textbook-for-objective-questions-in.html' title='Preparing for the UGC NET in English Literature'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-4195472087927773999</id><published>2008-08-20T06:53:00.000-07:00</published><updated>2012-01-23T22:56:36.741-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Interpreting Literature: A Myth and A Reality (Post-Colonial Approach)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;a href="http://4.bp.blogspot.com/_8KKkdEV4mv4/SPiQSx2WciI/AAAAAAAAAAU/7R-qbYBiuiU/s1600-h/Cover_Barche+copy.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5258111217248399906" src="http://4.bp.blogspot.com/_8KKkdEV4mv4/SPiQSx2WciI/AAAAAAAAAAU/7R-qbYBiuiU/s320/Cover_Barche+copy.jpg" style="cursor: hand; float: left; margin: 0px 10px 10px 0px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;span style="color: red; font-size: 85%;"&gt;BOOK REVIEW: Dr. R.K.SINGH&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #990000;"&gt;Interpreting Literature: A Myth and a Reality (Post-Colonial Literature)&lt;/span&gt; by G.D. Barche&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;Pages 197, Price Rs. 175/-. ISBN 978-81-7977-269-0&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Interpreting a text is a knotty affair, from impressionistic, didactic, moralistic, humanistic or spiritualistic to mythic, modernist, structuralist, postmodernist, diasporic, pragmatic, etc. G.D. Barche is aware of the pitfalls of various critical approaches and theories, as he tries to locate the meaning of various literary texts. He recognizes the significance of the writer’s language in context.&lt;br /&gt;&lt;br /&gt;Stylistics, with its armoury of analytical weapons, gives importance to form and exposes how something is expressed. One cannot do a stylistic analysis of a poem or fiction without some basic knowledge of linguistics, structuralism and poststructuralism; grammatical categories such as nouns, verbs, adjectives, adverbs etc, and noun phrases,&lt;br /&gt;Verb phrases, clauses, collocations etc; syntax, diction, and vocabulary; metaphor, sound and prosody features etc (in poetry); and point-of-view and speech and thought presentation, understanding of the function of speech and dialogue (in fictional narratives); textual and rhetorical aspects – formal description, meditative reflection and metonymic dimension of style.&lt;br /&gt;&lt;br /&gt;While the text’s intrinsic linguistic meaning or formal properties are basic to Barche’s understanding, he applies certain extrinsic contextual factors that are taken to affect the meaning of language in discourse. He effectively demonstrates how pragmatic meaning, for example, can complement semantic meaning, as he draws on ideas and experiences outside the text to formulate his interpretation. The process of his interpretation rests on cues in the text which have a different significance, or are significant to a different extent.&lt;br /&gt;&lt;br /&gt;Barche’s book does not deal with stylistics as a discipline, rather it provides stylistic analyses of about 35 poems, 20 novels, and two plays. The focus of his analysis is not so much on analysis of the text itself but on analysis of the factors determining the meaning of a text in its social and spiritual context. His discourse-analytical approach to style in literary works is positioned against Patanjali’s Yoga Sutras, the Upanishads, the Bhagwad Gita, concepts such as klesa and citta-vrittis; layers of consciousness and ideals of detachment, freedom, love and self; myths of sin, fall, and suffering; symbols of Shikhandi, Sisyphus, Phoenix and Icarus, Adam and Eve, Purnima and Amavasya etc; and ironies, ambiguities and existential dilemmas that control the text or relate it to different contexts.&lt;br /&gt;&lt;br /&gt;Throughout the 26 essays, composed to demonstrate how the written words relate to what is really meant, there is an intuitive presence of Patanjali’s citta-vrittis and the various Upanishads that are the contexts of Barche’s interpretations. He also regards the reader’s autonomy vis-à-vis the text, and begins with an example of the reading and interpretation of Arun Kolatkar’s ‘Makarand’, drawing our attention to what is known as the ‘schema’ theory. However, he quotes H.G. Widdowson to caution that given the unspecific and ambiguous poetic meanings, “there is no such thing as a definitive interpretation.”&lt;br /&gt;&lt;br /&gt;In his detailed analysis of a couple of poems by Kamala Das, Barche notes that the poet effectively gives vent to her “implicit or explicit anger” caused by klesas and nourished by viparyaya vritti. He also compares some of her poems with those of Sylvia Plath, who is equally experientially deep and psychologically complex but a victim of the viparyaya vritti which accounts for her deep-seated anger, pain and sufferings.&lt;br /&gt;&lt;br /&gt;In another essay, Barche examines the ‘Sun motif’ in about twenty post-independent poets who show a secular rather than religious interest in the Sun. He also deals with Sunita Jain’s poetry to reflect on the ‘coupling’ complex, i.e. convergence of physical, mental, emotional, and positional elements in man-woman relationship. In yet another essay he demonstrates the rejuvenating (‘Phoenix’) aspects as against the depleting (‘Icarus’) aspects of sex a la the Chandogya Upanisad’s ‘Vamdevya Chant’ (Udgitha—Pratihara—Nidhana) in R.K.Singh’s erotic poetry.&lt;br /&gt;&lt;br /&gt;Among the words of fiction, Barche explores the built-in Nature-Culture forces in the protagonists of Arun Joshi’s The Strange Case of Billy Biswas and Nguigi Wa Thiongo’s The River Between. He creates the stylistic context for acquiring the tyaga vritti for ‘nitya’ (as against ‘anitya’) for everlasting blissful state.&lt;br /&gt;&lt;br /&gt;His study of Anita Deasi’s Bye Bye Black Bird and Arun Joshi’s The Strange Case of Billy Biswas shows the process of alienation and rehabilitation via a 3-tier operation, viz. construction, deconstruction and reconstruction. If the characters in the two novels fail to experience rest and joy, it is because do not accept the Upanishadic truth that a man’s destiny is to keep journeying non-stop.&lt;br /&gt;&lt;br /&gt;Barche’s approach enables him to deconstruct the deconstruction in Arundhati Roy’s The God of Small Things to help grasp the ‘why and how’ of things that happen in “ever puzzling and peculiar ways in this world.” He also examines facets of feminism in Indian English fiction, concentrating on Shashi Deshpande’s Roots and Shadows, Anita Desai’s Cry, the Peacock, and Jai Nimbkar’s Temporary Answers and highlights the paradoxical position of Indian women.&lt;br /&gt;&lt;br /&gt;He studies Manohar Malgonkar’s The Men Who Killed Gandhi to reflect on existential ironies; Bapsi Sidhwa’s An American Brat and Ruth Praver Jhabwala’s Heat and Dust to highlight the psychological processes and underlying causes that bring about transformation in one’s life; Shobha De’s Second Thoughts to understand the feeings of emptiness of a woman amidst plenty, recreating the myth of Fall; R.K. Narayan’s The Guide to follow the moral import of the character of Marco as woven in the themes and caught in the tragic human situations without excluding ironies, ambiguities and moral dilemmas of the freedom to choose; and Graham Greene’s A Burnt-out Case to map the character of Querry in terms of our layers of consciousness, viz. kali, dvapar, treita and krutam. He also looks at the suggestive and symbolic instances in The God of Small Things ; the Shikhandi symbol as reworked in Shashi Tharoor’s Riot, and the expression of Patanjali’s avidya in Taslima Nasrin’s Lajja/Shame.&lt;br /&gt;&lt;br /&gt;The last two essays of the book concern the study of Shakespeare’s Othello with a vritti approach and the study of Girish Karnad’s Tughlaq with an abhinivesa approach. The former explores the cause of Othello’s fall and suffering in terms of Patanjali’s five citta vrittis, viz. Pramana (right knowledge), Viparyaya (false knowledge), vikalpa (imagination), nidra (sleep) and smruti (memory), and the associated painful (klista) as well as painless (aklista) vrittis. He views Othello’s citta (consciousness) invariably occupied in varying degrees by one vritti or the other but chiefly by pramana vritti, which results in desolation and death.&lt;br /&gt;&lt;br /&gt;The latter essay applies Patanjali’s psychology to explore the failure and consequent sorrow of Tughlaq, a historical character as conceived by Karnad. Barche, instead of blaming Tughlaq for his impatience, impulsiveness, lunacy, or overconfidence, locates&lt;br /&gt;A very different factor—abhinivesa—a klesa, a deep-seated passion, which makes the Sultan act in one direction and is instrumental for dragging him down from an efflorescent state to a miserable one in life.&lt;br /&gt;&lt;br /&gt;Barche’s Interpreting Literature: A Myth and a Reality, nicely printed and attractively gotup, with its enlightening articles on contemporary poetry (09), fiction (15) and drama (02), all stylistically linked to Patanjali’s psychology for various interpretations, is a major contribution to Indian English Literary criticism. He is original in the sense he adds God-dimension to the triad of writer, reader and text and is keen-sighted. His interpretations may not be the same as the original authors’ or other readers’ but he is convincing.&lt;br /&gt;&lt;br /&gt;Barche’s qualitative and emotive approach should help enhance our thinking and feeling about the language and form of the texts he discusses just as his critique should help us appreciate “the man who suffers and the mind which creates” on a broader basis. Serious researchers, college and university teachers and postgraduate students should find the book motivating and useful in their literary and stylistic understanding.&lt;br /&gt;&lt;br /&gt;_______________________________________________________________________&lt;br /&gt;Dr.R.K.Singh, Professor &amp;amp; Head, Dept of Humanities &amp;amp; Social Sciences, Indian School of Mines University, Dhanbad 826004, India &lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-4195472087927773999?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/4195472087927773999/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=4195472087927773999' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4195472087927773999'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4195472087927773999'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2008/08/interpreting-literature-myth-and.html' title='Interpreting Literature: A Myth and A Reality (Post-Colonial Approach)'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_8KKkdEV4mv4/SPiQSx2WciI/AAAAAAAAAAU/7R-qbYBiuiU/s72-c/Cover_Barche+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-557829540425313608.post-4383994624236514920</id><published>2008-08-14T00:01:00.000-07:00</published><updated>2012-01-23T22:55:42.833-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Origin, Development and History of Indian English Poetry</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div align="justify"&gt;&lt;span style="color: #3333ff;"&gt;BOOK REVIEW: &lt;/span&gt;&lt;span style="color: #000099;"&gt;DR. R.K.SINGH&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana;"&gt;&lt;strong&gt;&lt;span style="color: #990000;"&gt;Origin, Development and History of Indian English Poetry.&lt;/span&gt;&lt;/strong&gt; &lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="color: #cc6600; font-family: verdana; font-size: 85%;"&gt;By I.H. Rizvi, N.F. Rizvi&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="color: #cc6600; font-family: verdana; font-size: 85%;"&gt;Pages 244, Price: Rs. 220/-. ISBN: 978-81-7977-266-9.&lt;/span&gt;&lt;br /&gt;If one wants to know about the post-Independence Indian English poetry, suggest Iftikhar Husain Rizvi and Nasreen Fatima Rizvi, one needs to read poeltry of such poets as “P.Lal, Krishna Srinivas, Nissim Ezekiel, Kamala Das, Keshav Malik, Pritish Nandy, Shiv K. Kumar, Jayanta Mahapatra, O.P. Bhatnagar, Maha Nand Sharma, Baldev Mirza, I.H.Rizvi, R.K.Singh, K.N. Daruwalla, Dwarkanath H. Kabadi, and Syed Ameeruddin.” For a clearer picture, I would like to add the names of a few more poets to their list:&lt;br /&gt;I.K. Sharma, P. Raja, Gopal Honnalgere, Bibhu Padhi, Mani Rao, Anuradha Nalapet, Maria Netto, Mamang Dai, Angelee Deodhar, Kala Ramesh, K. Ramesh, PCK Prem, and R. Rabindranath Menon.&lt;br /&gt;&lt;br /&gt;Not that Rizvi and Rizvi have not included these poets in their review of the Indian English poetic scene. In fact, in a brief span of about 240 pages, they have carefully, neatly, and imaginatively written about the origin and poetical scenario in the first half of the 19th century, the second half of the 19th century, before Independence, i.e. from 1901 to 1947, after independence, i.e. upto 1970 (male poets), and female poets (upto the present day).&lt;br /&gt;&lt;br /&gt;The authors’ review of the poetry scene, though devoid of serious criticism or evaluation, offers a larger coverage to prove that Indian English poetry has a history of its own and distinct identity and maturity to spread its fragrance far and wide. They mention hundreds of new names in their survey of the rapid growth of Indian English poetry during 1971-1985: Jayanta Mahapatra, Syed Ameeruddin, S.C. Saha, Proaba Bandopadhyay, K.V.S. Murty, O.P. Bhatnagar, I.K.Sharma, Niranjan Mohanty, Dwarakanath H. Kabadi, Vikram Seth, I.H.Rizvi, R.K.Singh, D.C. Chambial, Dilip Chitre, Baldev Mirza, Arun Kolatkar, Laxmi Narayan Mahapatra, Hemant Kulkarni, A.C. Sahay, PCK Prem, EV Ramakrishnan, Hazara Singh, Saleem Peeradina, TV Reddy, HS Bhatia, and scores of others.&lt;br /&gt;&lt;br /&gt;The review of the poetical scenario from 1986 to date mentions works of Narendarpal Singh, A. Padmanabhan, Mohammed Fakhruddin, C.R. Mahapatra, Darshan Singh Maini, M.A. Nare, V.S. Skanda Prasad, P.K.Joy, P. Raja, Gopal Honnalgere, Maha Nand Sharma, Tabish Khair, Krishan Gopal, Hoshang Merchant, Shailendra Natayan Tripathy, Charu Sheel Singh, Y.N. Vaish, C.K. Shreedharan, Moin Qazi, M.K. Gopinathan, S.Samal, P.K.Majumder, Vihang Naik, R.V. Smith, S.L. Peeran, Prabhat K. Singh, R.S. Tiwary, A.N. Dwivedi, Kanwar Dinesh Singh, C.L.Khatri, and hundreds others.&lt;br /&gt;&lt;br /&gt;As obvious, the authors have tried to be comprehensive “in the sense that more than nine hundred Indian English poets with about 1480 collections find room in it.” (Preface). They have mentioned all the established poets alongside new and ignored poets. Rizvi&lt;br /&gt;&lt;br /&gt;and Rizvi are fair, balanced and thorough in their presentation. They are clear in their mind that the current Indian English poetry scene is “crowded” with poetasters, versifiers, struggling poets, true poets, and great poets and that there is “a great need of putting things in the proper order….One has to sift gold from sands, but most of them, as far as possible, should be made a mention of.” (p.5).&lt;br /&gt;&lt;br /&gt;The genre has survived over 175 years almost “without a tradition and without uniform source of creative energy. Its accomplishment lies in surviving without dogmas, without adequate critical support…. Its accomplishment lies, above all, in trying to stand alone and by itself,” to quote A.K.Srivastava.&lt;br /&gt;&lt;br /&gt;Rizvi and Rizvi pay their tribute to the strengths of Indian poetry is English which is now internationally visible for encompassing “Indian situations, irony, mockery, satire against customs, rituals, politics, riches, contemporary problems, love and sex, and human relationship” (p.5).&lt;br /&gt;&lt;br /&gt;In fact, their book complements a couple of earlier publications by this reviewer, namely, Indian English Writing: 1981-1985: Experiments with Expression (1987), Recent Indian English Poets: Expressions and Beliefs (1992), Anger in Action: Explorations of Anger in Indian Writing in English (1997), and the more recent, Voices of the Present: Critical Essays on Some Indian English Poets (2006).&lt;br /&gt;&lt;br /&gt;There is substance in the authors’ claim that Origin, Development, and History of Indian English Poetry “is a ‘must’ for all the universities, degree and postgraduate colleges as also for professors and teachers of English in universities, research scholars, poets, and lovers of poetry.” It makes a refreshing reading and indeed offers a fuller picture of Indian English poetic creativity “after the end of colonialism”, and especially after 1970.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style="color: #993399;"&gt;--Professor(Dr) R.K.Singh, Head of the Dept of Humanities &amp;amp; Social Sciences, Indian School of Mines University, Dhanbad 826004 (Jharkhand)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/557829540425313608-4383994624236514920?l=prakashbookdepot.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prakashbookdepot.blogspot.com/feeds/4383994624236514920/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=557829540425313608&amp;postID=4383994624236514920' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4383994624236514920'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/557829540425313608/posts/default/4383994624236514920'/><link rel='alternate' type='text/html' href='http://prakashbookdepot.blogspot.com/2008/08/origin-development-and-history-of.html' title='Origin, Development and History of Indian English Poetry'/><author><name>Prakash Book Depot</name><uri>http://www.blogger.com/profile/16556320094266242523</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
