29.1.13

Modern Literary Criticism and Contemporary Literary Theory

with GLOSSARY OF LITERARY THEORY





by: S.S. AGARWALLA


ISBN 978-81-7977-484-7

pp.: 196

Price: Rs. 80.00






Topics Covered:
Surrealism
Dadaism
Expressionism
Imagism
Impressionism
Existentialism
Genre Criticism
Realism
Absurdism
Russian Formalism
Ivor Armstrong Richards
Thomas Stearns Eliot
Frank Raymond Leavis (1895-1979)
William Empson
The New Criticism
The Chicago Critics
Myth Criticism/ Archetypal Criticism
Western Structuralism
Post-Structuralism
Modernism
Important theorists of Postmodernism
Marxism Criticism and Literary Theory
Feminism and Post Feminism
Psychoanalytic Criticism
Colonialism
Postcolonialism
The Subaltern Group of Writers
Magic Realism
New Historicism and Cultural Materialism
New Formalism
Archetypal Criticism
Glossary of Literary Theory

22.6.12

Aspects of Linguistics

by: N.S. SAHU





ISBN 978-81-7977-458-8

pp.: 320

Price: Rs. 132.00


I am glad to say that this book is a companion to the linguistic science prepared for the use of the postgraduate students of the linguistic science in Indian universities.
To ensure a better inter-relationship and sequence of the various linguistic concepts and hypotheses, the chapters in the present revised edition have been more systematically reorganised. And, I’m sure, the readers would find the book more useful, relevant to enhance their understanding of the linguistic science.
Because many users of the earlier editions welcomed the Parts dealing with the controversial study of the linguistic science, the same have been retained with a slight reordering of the subsequent chapters of the third edition. As the science of linguistics has completely revamped our notion of the English language, this revised edition shall acquaint its readers with the problems at all levels of language : phonology, morphology, lexicon, semantics (or semiology) syntax and language as a whole. These problems are, of course, common to all of the world linguistics, but the individual approaches made and treatments given to the various themes in the studies would perhaps be more inviting to the readers.
Over the past several years, linguistics has especially been occupied with questions of syntax and semantics. That is, linguistics explains these facts in different ways. As post-structuralism develops and explains from the late 1960s on, “deconstruction” appears to occupy an ever more distinctive place within this general movement. As a “mode” of textual theory and analysis, “deconstruction” subverts almost everything in the tradition, throwing to wind received ideas of the sign and language, the text the context, the author, the reader, the function of history, the work of interpretation and the forms of critical writing.
By the middle of 1970s, “semiotics” became a global discipline, a new megascience to encompass not only the fine arts but social sciences and several areas of the natural and physical sciences. As “Hermeneutics”, already cast as a minor branch of biblical studies, expanded its scope, and reached out to take in all manners and means of interpretative activity and theory. At certain point, “Hermeneutics” shares common interest and goals with semiotics, whereas semiotics remains structuralist at heart. It is not certain if hermeneutics preserves its methodological ties with “phenomenology”. That is, “semiotics” encompasses “hermeneutics” or vice-versa. And, in any case “deconstruction” could be absorbed by either or both of these transdisciplines. In chapter on “Semiology, Hermmeneutics, and Deconstruction”, I have attempted to highlight the relevance of these concepts as well.
Besides these, the reader will also find references to the work of many well-known linguists from other countries-an evidence to the significance of the exchange of ideas and to close affinities among various schools of science. And, despite innumerable inadequacies I’m quite optimistic to say that the book will surely help its reader to achieve his objectives.
From the PREFACE by the author.


LIST OF CONTENTS:
Reflections on Language
Language : A Characteristic Human Behaviour
Ideolect, Dialect and Language
Genesis of Language
Functions of Language
Linguistics and the Human Sciences
Phonology and Phonetics
Phonetics : Articulatory Phonetics
Acoustic Phonetics : Sound Between Mouth and Ear
Auditory Phonetics : Ear and Brain
Phonology : Its Description and Classification of Sounds
Macrosegment
Morphology
Notations
Chomsky’s Linguistic Theory
Syntax and Syntactic Structures
Aspects of the theory of Syntax
Linguistic Competence and Performance
Word
Phylogenetic Change
Morphophonemics
Advances in Linguistics : A Historical Background
Making of English Language
Semiology, Hermeneutics and Deconstruction
Structuralism and Functionalism
Linguistics and the Teacher of English
Aesthetics of ‘Name’ and ‘Meaning’
Linguistics and the Teaching of Literature
Generative Semantics and Social Interaction
Sociolingistics and the Acquisition of Meaning
   References for Further Readings
   Select Bibliography
   Notes
   Index of Subject

12.6.12

Manohar Malgonkar: A BEND IN THE GANGES

A Study


by: S.Z.H. Abidi


Price : Rs. 30.00
pp. : 72





List of Contents:

Introduction
Story Element in A Bend in the Ganges
 A Bend in the Ganges : A Commentary on Theme
The Revenge Motif in a  A Bend in the Ganges
 A Bend in the Ganges as a Partition Novel
Nataraja and Nemesis: Shiva Motif in  A Bend in the Ganges
Love and Sex in  A Bend in the Ganges
Portrait of Indian Life in  A Bend in the Ganges
   Bibliography

T.S. Eliot: THE LOVE SONG OF J. ALFRED PRUFROCK

An Analysis

by: S. Sulochana Rengachari



Price: Rs. 40.00
pp: 72
ISBN 978-81-7977-464-9




The Nobel Laureate Thomas Stearns Eliot has been called the literary dictator of the twentieth century. His poetry is essentially modern, blending emotion and thought to establish unification of sensibility. The theme, the failure of communication, started even in his early poems. Students have generally found it a little difficult to understand Eliot’s poetry and hence this little book of analysis. The intricate echo of multiple sources is outstanding in the later poems but the concept can be identified even in this comparatively early poem. Besides touching on Eliot’s life and works, the variegated influences on the artist, both British and European have also been expounded. He grasped numerous ideas from great writers like Dante, T.E. Hulme, Irving Babbitt, George Santayana, Remy de Gourmont, Imagists and Symbolists.

Eliot, like Henry James presents a world of genteel society portrayed from inside. He also views it with significant discernment. He treats the rift between man and woman which indicates the greater theme of the individual’s isolation. The theme is all-encompassing in the poem commencing with the “patient etherized upon a table” and concluding with the mermaids who will not “sing to me.” The book answers several queries like Prufrock’s dilemma, comic elements, Prufrock’s delusion, themes, modernity, irony and sarcasm, Prufrock’s problems and so on.


List of Contents:
The Age of T.S. Eliot
Life and Works
The Literary Works of Eliot
Title and Sources
Introduction to the Poem
Detailed Summary
Critical Analysis of the Poem
Notes, Meanings and Explanations
Character of Prufrock
Prufrock as a Typical Modern
Prufrock’s Problems
Objective Correlative in the Poem
Significance of the Epigraph
Dramatic and Interior Monologue
Major Themes
Eliot’s Theory of Poetry
Irony and Sarcasm
Imagery and Symbols in the Poem
Eliot’s Style in ‘Prufrock’
   Questions
   Select Bibliography

25.5.12

Jane Austen: PRIDE AND PREJUDICE

A Critical Study with Chapterwise Summary and Question Answers

by: Girish Saxena




ISBN 978-81-7977-460-1

Price: Rs. 60.00
pp.: 216


List of Contents:

Jane Austen’s Age

Jane Austen’s Life
A Brief Account of Her Works
Jane Austen’s Novels
Themes of Jane Austen’s Novels
Jane Austen’s Range
Plot Construction in the Novels of Jane Austen
Characterization in the Novels of Jane Austen
Humour and Irony in the Novels of Jane Austen
Jane Austen as a Realist
Jane Austen as a Moralist
Dramatic Nature of Jane Austen’s Novels
Classical Elements in Jane Austen’s Novels
Jane Austen’s Style
Jane Austen’s Contribution
Jane Austen’s Achievement and Place
Chapterwise Summary of  Pride and Prejudice
Character Sketches
Questions and Answers
Hints to Objective Questions
Critical Comments
Chapterwise summary in Hindi

14.5.12

Kalidasa: ABHIJNANASAKUNTALAM

a critical study

by: I.D. Sharma






ISBN 81-7977-190-3
Price: Rs. 120.00


Indian literature, ancient as well as modern presents a vast panorama of life in its myriad shades. Literature gets its raw material from life. Words are the arteries through which the bloodstream of ideas flow to coagulate into recognizable forms. Literature is also an expression of man’s creative self. In ancient times, Indian poets and dramatists gave a lyrical expression to the creative genius. Kalidasa has been the most illustrious writer in ancient Sanskrit literature. His best known works in Sanskrit are the Meghadutam, the Rtusamharam and the Abhijnanshakuntalam. His works contain a rare blend of the erotic and the spiritual. This present study on Shakuntalam is a modest effort to bring to light some important aspects of such a great work. In the study, the views of various critics and scholars have been pressed into service to provide a broader perspective on the play. This study also aims at decolonising the Indian mind by introducing the readers to the literary tradition of ancient Indian literature.


List of Contents:

 A BRIEF HISTORY OF SANSKRIT LITERATURE

 KSLIDASA—THE POET

 ‘ABHIJANANASAKUNTALAM’ —AN INTRODUCTION

 A SUMMARY OF ‘SHAKUNTALAM’

 STRUCTURE OF THE PLAY

 MAJOR CONCERNS IN ‘THE SHAKUNTALAM’

 IRONY IN ‘THE SHAKUNTALAM’

 IMPORTANT CHARACTERS

 CRITICAL OPINIONS ON SHAKUNTALAM
 QUOTABLE QUOTES FROM THE TEXT

 SOME TEXTUAL PROBLEMS
      KALIDASA AS APOET
      USES OF SYMBOLS AND MOTIFS
      STRUCTURE OF THE PLAY
      THEME OF LOVE AND ROMANCE
      ROLE OF NATURE

 Suggested Readings

Girish Karnad: HAYAVADANA

a study

by: B.S. Nimavat


Also available at amazon.in


ISBN 81-7977-086-9

Price: Rs. 80.00


List of Contents:

 Brief History of Indian Drama in English

 Girish Karnad: Life and Works

 Girish Karnad as a Dramatist

 The Sources of Hayavadana

 The Summary of Hayavadana

 Character-sketch of Padimini

 Character-sketch of Kapila

 Character-sketch of Devadatta

 Character-sketch of Hayavadana

 Character-sketch of Bhagvata

 Chorus in Hayavadana

 Humour in Hayavadana

 Strategies of Folk Theatre in Hayavadana

 Memorable Lines from Hayavadana

 Sanskrit and Indian Words and Phrases with Short Explanations

 Critical Opinions about Girish Karnad and Hayavadana

 Questions for Self-Practice