5.12.15

My Days in Tulasi Kshetra

Memoir


by : P.G. RAMA RAO






ISBN 978-81-7977-559-2

p.p. : 166 + x

Price : Rs. 220.00


P.G. Rama Rao (b.1935) retired from the P.G. Dept. of English, Utkal University, Bhubaneswar, in 1995, after a long and distinguished innings as a teacher of English and American Literature. 

His Ph.D. thesis on Hemingway’s narrative technique and his article on “The Snows of Kilimanjaro” were highly acclaimed in Sixteen Modern American Authors (Duke Univ. Press, 1974). A Fulbright Research Fellow and Adjunct Professor in the University of Massachusetts, he studied the Hemingway manuscripts in John F. Kennedy Presidential Library in 1981-82 and 1993, taught the Hemingway course in the University of Massachusetts, and delivered lectures in several American universities. In 1986, on a British Council grant, he visited Oxford and Edinburgh universities, where he delivered a series of lectures and studied the Charles Dickens manuscripts in Victoria and Albert Museum. He participated in the MLA Convention and the Hemingway Conference in New York in December 1981, and in the Second and Third International Hemingway Conferences in Italy (1986) and Austria (1988) respectively.

Dr. Rao supervised the Doctoral Research of many scholars and published a large number of research papers and articles, some of which were included in learned anthologies. Among his publications are the Poetic Rapture (1963), Ernest Hemingway: A Study in Narrative Technique (1980), Narrative Technique in British and American Fiction (1986), Scapes (A Collection of poems—1992), The Wave and the Hill (A Novel—1993), The Critic’s Eye (1993), Shri Brahma Vaivartha Purana (2008), My Days in Tulasi Kshetra (2009), On the Other Side of the Globe (2013), and An Enduring Picture and Other Poems (2014).



PREFACE to My Days in Tulasi Kshetra


Six years ago, I flew to Bhubaneswar to conduct a Ph.D. Viva as an external examiner in the Utkal University, and Shri Sailendra Narayan Tripathy, one of my beloved old students in Kendrapara college, who was teaching English in B.J.B. College, received me at the airport. We had the opportunity of conversing more than once during my two-day sojourn in Bhubaneswar, and sharing some of our reminiscences.

His suggestion that I should write my memoirs activated my memory cells, which set out on a journey into my past spanning four-score years and falling into seven geographical and chronological phases: (1) Tuni in Andhra Pradesh, where I was born and had my schooling(1935 – 49); (2) Kakinada(A.P.), where I had my college education(1949 – 53); (3) Narsaraopet(A.P.), where I had my first teaching assignment in S.S.N. college(1953 – 57); (4) Kakinada(A.P.) where I had my second teaching assignment in P.R.Govt. college (1957 – 1962); (5) Kendrapara (Orissa) where I had my third teaching assignment and my longest innings(1962 – 1983);(6) Bhubaneswar(Orissa), where I had my fourth teaching assignment, in Utkal University(1983 – 1995) ; (7) Hyderabad (A.P.), where I have been living in relaxed retirement with my children and children’s children since 199 5, dividing my time between God and my family.

My life in Kendrapara is the longest and the most significant of those seven phases which put me in mind of Shakespeare’s “seven ages of man” ( Jacques in As You Like It) and the famous palmist, Chiero’s, “system of seven”. It was in Kendrapara that I realized the purpose of my life. Therefore I thought that Sailendra’s suggestion had a point. Then I remembered an engaging conversation on a Cuttack – Kendrapara bus when I learnt that Kendrapara is known as Tulasi Kshetra even as Bhubaneswar is known as Linga Kshetra and Puri as Sri Kshetra. The name, Kendrapara, itself is derived from Lord Baladeva’s killing of the demon, Kandarasura, and Tulasi, being the favourite plant of the three fold Godhead of Lord Jagannatha, Lord Baladeva and Goddess Subhadra ( representing the Absolute in His three cosmic manifestations of creation, preservation and destruction), the place is the sacred Tulasi Kshetra. During my twenty one years of life in Kendrapara (numerologically (3x7)), I breathed in the holy air of this spiritually charged place.

The conversation, which I heard on the bus and recollected after Sailendra’s suggestion, prompted me to write about my days in Tulasi Kshetra and how they moulded my spirit. 

Let me conclude this Preface with the disclaimer that this is not a book on Kendrapara or Kendrapara college but a record of my experiences and reflections and my spiritual growth, some what on the lines of Henry David Thoreau’s classic, Walden.



List of Contents

Why I Went to Kendrapara
My Evening Walks
Satya Yuga Revisited
The Diamond Jubilee Library
The College Campus
My Ph.D. Project
An Old Friend Discovered
I Meet My Master
Madhial and Mahipal
Picasso and Eliot
A Rare Comet
How Tulasi Kshetra Made My Mother’s “One-Lakh-Wick Puja” Possible
Strange Dreams, Elevating Thoughts, and Chastening Experiences
Golok Behari Das
The Power of Prayer
The Death of My Father
1971-1975 : A Season of Upheavals and Dislocations
A Devastating Cyclone and Autobiography of a Yogi
My Wife Becomes a Reputed Writer
The Second Indo-Pak War (October 1971—December, 1971)
Sumati Satakam and Vemana Padyalu
Mantra or Sound Charged with Mind-Power
The Golden Lad of the Land of Golden Grass
1975 – 1977 : A Different Kind of Dislocation in the Family
Two Major Bereavements
Nineteen Months of Totalitarian Efficiency
Kendrapara College Gets a Big UGC Grant
The Power of Desire and the Western Connection
Shri Ganeswara Behera
A Charlatan Wearing a Yogi’s Mask
Hard Times:Night-Fall on a Bright Day
An Encounter with Ismaili Culture
I Go West
Back in Tulasi Kshetra: Business as Usual
The Divine Design
Prayer, Devotion and Faith
Right, Wrong, and Prayer:My Understanding of Raas Babu’s Teachings
The Death of a Saint


21.10.15

Forms and Aspects of Drama

by

Kalpna Rajput









ISBN 978-81-7977-557-8

pp. : 96
Price: Rs. 65.00

Before enjoying any play if students are well aware of the historical facts and parallel plays of that kind, they can enjoy the play with more fervent spirit. An attempt is made through this book to give all the essential information regarding the theory of drama. Ample diagrams are given to make students grasp the contents of the theory regarding the drama which they often hitch to hold. The language used is such that it will not create hurdle for students and they will feel a natural inclination towards the theory of Literature which seems almost a monster for them. After reading the chapters of this book, students will feel cells of the drama and will enter the intricacies of the drama.
Useful for UG and PG students of English Literature, this book is a handy reference and a companion for the aspirants of various English Literature competitive examinations such as UGC's NET and PGT/TGT etc.


List of Contents :
Theory of Drama
Elements of Drama
Tragedy and Various Types
Comedy and its Types
Tragi-comedy
Expressionist Drama
Drama of Ideas
Poetic Drama
Closet Drama
The Problem Play
Theatre of the Absurd
Suggested University Questions

18.8.15

Salman Rushdie : Midnight's Children

a critical study


by : R.A. Singh









ISBN 978-81-7977-556-1

pp. : 88
Price : Rs. 45.00


List of Contents:


Rushdie's Life and Works
Rushdie as a Novelist
A Critical Summary of Midnight's Children
The Element of Fantasy
The Novel as History
The Novel as Mock-epic
The Art of Parody
Midnight's Children as a Non-fictional Novel
The Narrative Technique
The Language and Style
A Political Novel
The Liberal Humanist
Classical Indian Allegory
The Fragmented Identity
Conclusion
Opinions of Critics on the Novel and Novelist
Some Quotable Quotes from Midnight's Children
Important University Questions
Bibliography

2.7.15

A History of The English Language

by
A.N. Dwivedi









ISBN 978-81-7977-546-2

pp. : 186 + vi

Price : Rs. 120.00

List of Contents :


Launching into the subject 
Definition of Language
Theories of the Origin of Language
Kinds and Functions of Language
Approaches to Language
The Importance of the Historical Approach
The English Language and its salient features

Classification of Languages 
The Indo-European family of languages
English and the Teutonic languages
Grimm’s Law
Verner’s Law

A Historical Survey of English 
Periods in the history of English language
Old English—its dialects and characteristics
The native element in English
Middle English—its dialects and characteristics
The rise of standard English
Modern English and its characteristics

Clasical Influences 
Latin
Greek

Foreign Elements 
Celtic
Scandinavian
French
American English

Word-making in English 

Makers of English 
Shakespeare’s Contribution to the English language
The influence of the Bible upon English

Sounds of speech and their clasifiaction 
Gradation (Ablaut) and Mutation (Umlaut)
The great vowel shift

Pronunciation and Spelling in English 
The problem of spelling reform

Grammar
The Growth and Simplification of English grammar
The decay of Inflexions in modern English—Noun, pronouns, Adjectives, Adverbs, Verbs

Notes on 
Sources of English Vocabulary
Masculinity of the English language
Basic English
English in the present day context
English in India

The future of English 
Etymology: The historical aspect of words 
Etymological notes on selected words 
Semantics: The changing meaning of words 
Syntax: The ordering of words 

Bibliography

A Critical Miscellany : Essays in Honour of Dr. Basavaraj Naikar

by : Shashidhar G. Vaidya




with a foreword by
Prof. C.R. Visweswara Rao
(Former Vice-Chancellor, Vikrama Simhapuri Univ.)



ISBN 978-81-7977-535-6

pp, : 142 + xviii

Price : Rs. 165.00


List of Contents :


The Origin and Development of Indian English Short Story

M.R. Anand’s ‘The Barber’s  Trade Union’: A Note

The Hammer of God: A Note on Raja Rao’s ‘Javni’

Serpent Symbolism: A Note on Two Short Stories of Raja Rao and Khushwant Singh

A Kaleidoscopic Vision: Short Stories of Basavaraj Naikar

Silent Sufferers: A Note on the Women Characters in the Select Short Stories of Veena Shanteshwar

Struggle for Honour and Freedom in The Sun Behind the Cloud

The Vision of Harmony in Light in the House

From Restrain to Release; a Feminist Note on William Shakespeare’s As You Like It

The World Ill Lost: A Critical Analysis of Sangya Balya

Kanakadasa: A Carmelite of Karnataka

Rebel Consciousness of Kanakadasa

Life and Works of Prof. Basavaraj Naikar

2.6.15

Kamala Das : The Voice of a Rebel

A Study of the Poet and Her Poetry


by : Sunita B. Nimavat


ISBN 978-81-7977-543-1

Price : Rs. 70.00
pp. : 138 + vi

Also available at amazon.in

Kamala Das is one of the most original voices in Indian English Poetry. She stands out for her rebellious note against traditions, taboos and patriarchal domination. She is the first poet who presented women’s sexuality in blatant manner. She naturally shocked taboo-ridden Indian Society with her open expression of sexual description both in her poetry and her autobiography. She is a confessional poet who has laid bare her heart. The cravings of women for love and even physical satisfaction. Her poetry is intensely personal but at the same time, it is the expression of universal ferminine sensibilities.
Here is a well-researched book on Kamala Das. It will be useful both to teachers and students studying at undergraduate or post-graduate levels. It will also be useful to scholars and researchers. Author has tried to include all important aspects of Kamala Das’s poetry and also discussed her major poems.

List of Contents :

Life and Career of Kamala Das
Major Works of Kamala Das
Major Themes of Kamala Das’s Poetry
Kamala Das as a Poet of Love and Lust
Feminine Sensibility is Kamala Das’ Poetry
Kamala Das as the Confessional Poet
   Or Autobiographical Element in Kamala Das’s Poetry
Art & Technique of Kamala Das’s Poetry.
   Or Kamala Das’s Language Diction and Style.
The Imagery and Symbolism in Kamala Das’s Poetry
Social Concerns in Kamala Das’s Poetry
The Language of Loss in Kamala Das’s Poetry
Feminist Perspectives in Kamala Das’s Poetry
Everyday Epiphanies in Kamala Das’s Poetry
Radha-Krishna Myth in Kamala Das’s Poetry.
Suffering, Agony and Death wish in Kamala Das’s Poetry
Nostalgia for childhood in Kamala Das’s Poetry

Critical Appreciation of Kamala Das’s Selected Poems
An Introduction
The Freaks
My Grandmother’s house
In Love
The Dance of Eunuchs
Punishment in Kindergarten
The Sunshine Cat
A Hot Noon in Malabar
Luminol
The Invitation
The Looking Glass
The Old Play-house
Composition
Words
Afterwards
The Suicide
The Maggots
Summer in Calcutta
Love
Ghanshyam

Hints to Objective & short Answer questions. (Easy to Remember Points)
Objective Question (Multiple Choice Questions)  (Useful for NET/SLET Exams)
Kamala Das at a Glance.
Bibliography